What is happening to our World?  So much anger, frustration, rage, violence, rape and all manner of abuse.  We see a steady increase in witchcraft, Satanism, cannibalism, and pagan ritualistic sacrifice, as well.  This has been an ongoing and escalating problem for decades now.  Where did it start?  What is the cause?  Who is behind it?Can the music that we hear everyday affect our personalities, our behavior, our emotions?  We know that science loves to play with frequencies.  So many experiment have shown how frequency affects not only us, but animals, plants, and even water.Today we are going to look at today’s music industry to shed some light on the topic.

Some of my posts related to this topic:

Will No One Stand To Save The Children – Part 4 – So much more than a “Story”



Hip Hop is ALL the rage

It’s 2021, and there are different types of hip-hop.  Hip-Hop is more popular than it’s ever been and the beloved genre can be crossed over and intertwined with other genres such as country, gospel, and rock!  Usually at rock concerts, you can see fans raging in multiple mosh pits.   Just look up rage on YouTube and you’ll see something that looks like it has a mixture of  fun, dangerous, pain, and joy.  If you go to a Playboi Carti, Trippie Redd, or Lil Uzi Vert concert (just to name a few), you will see a few mosh pits.  In fact,  they encourage their fans to go crazy.  When I first discovered that this goes down at rap concerts, I was confused.  Now, I know these aren’t your typical 90s, early 2000s or even early 2010 rappers, but this is still rap.  I thought that only happened at rock concerts, but no, hip hop artist have adapted this into their shows as well.  It’s almost like it’s a part of the show. 

                I came across Trippie Redd’s performance at Lollapolooza on Youtube and Trippie wanted his fans to rage.  I imagine the crowd was already ready to rage, but when the artist on stage encourages it, it sets the tone.  It’s almost like Trippie and artist similar to him make songs so the fans can rage.  It makes going to their shows more worth it. 
I also came across Playboi Carti’s set at Lolla as well and his fans go crazy!  Just like Trippie’s!  Recently, one of Playboi Carti’s show was canceled due to rioters. You can see fans raging at Travis Scott’s show too.  His shows are infamous for that and have been for years. Unfortunately, many people were hurt and a few people died at Astroworld Festival over the weekend.  We pray for the loved ones of those people that lost their lives.

I guess you can say hip hop is all the rage, which is new to me.  I never thought I’d see hip hop evolve in this way.  Playboi Carti, Trippie, Uzi, and Travis Scott are like rockstars.  Hopefully they can find a way to get these fans under control. We don’t need other negativity associated with hip hop. 


‘Let’s rage’: It’s a popular refrain, but what does it mean? I suppose it’s a bit obvious that it refers to blowing off steam, so perhaps a more interesting question is, why do college students (and, for that matter, plenty in their twenties who still follow the university pattern) feel the need to participate in this destructive ritual every weekend? What drives young adults to call partying ‘rage?’ Below are a few takes that might unravel some secrets:

Rage Culture as a Ritual

It’s a social pattern that repeats itself, week in, week out, with a shared vocabulary, symbolic rites, the whole nine yards. From repeated terms like ‘wasted’ and ‘fucked up,’ the aggressive, destructive, and can we say, unhappy nature of the phenomenon comes to light. When we consider how quickly the events of the weekend are swept under the table, it seems that rage occurs in a sort of timeless space, a familiar pattern that becomes more and more automatic as students and young people accustom themselves to the norm . It’s an initiation of sorts, a way to prove oneself in an age with few concrete standards of man-or womanhood. In the Greek system, the initiation aspect is central.

Rage as a Means to Obliteration

Rage is a sought-out activity because of its destruction, not just of our ability to think, not just of our standards, but, crucially, of the actions we take during the week. Obviously, baptism by cheap liquor does nothing to absolve or change the negative aspects of life and its stresses. Raging is just another thing to forget. The sweet oblivion of the blackout is the perfect solution-drink to forget your week, drink more to forget the forgetting.



The following video is a sampling of HIP HOP/RAP for those who are unfamiliar.  I chose this video in particular for the artwork at the front.  Take note of the image.  It will be relevant later in this post.



First published at 06:03 UTC on August 12th, 2019.

channel image

I do not own the rights to the music, clips and image featured on this video. All rights belong to the respective owners. This video is for educational/promotional purposes only. All lyrics written and performed by Seth Davis.


Why Parents Don’t Like Rap and Hip Hop Music While Kids, Teens and Young Adults Do


by Walt Gil

Rap and Hip Hop Music is one of the leading trends in music today. Yet, so many parents disapprove of rap/hip hop music, while kids, teens and young adults have an undying love for it. Why?

Most parents want the best for their children, and so, they go about their days attempting to acquire better lives for themselves and their loved ones. Parents were young once too, but they later discovered it is more beneficial to live a positive life style compared to a negative one. They have come to understand that the path towards having constructive experiences start with feeding the mind with constructive ideas, learning good lessons and following sensible instructions.

Therefore, most parents do not want their loved ones to have negative experiences, such as the constant viewing of cruel images, repeated feelings of unnecessary pain or repetitive listening to destructive words that are heard in some hip hop and rap songs. For this reason, parents don’t like many rap and hip hop songs because of the damaging lyrical content. What is more, they don’t appreciate the idea that such harmful words are being fed into the minds of their kids, teens or young adults.

On the other hand kids, teens and young adults love rap and hip hop music because of the powerful nature of the beat, while the flow of the lyrics spew out catchy punch lines and slick metaphors. For the young at heart, hip hop and rap is more than just music, it is a life style. It is a wonderful combination of rhythm, rhetoric and hope. Kids, teens and young adults all over the world bop their heads emotionally to the rhythmic sounds of hip hop. They become awe inspired by the rhetorical flow of rap and hope to one day capture the financial success of the artists viewed in the videos.

Although some of the lyrics in rap and hip hop music are derogatory in nature, all of it is not belittling. Several hip hop and rap artists outright demean people, places and things, while some rhyme about how they overcame appalling living conditions, hateful peers, poverty and crime. Others boast about their financial success as an affirmation that they have made it out of a life of dreadfulness. And, artists may use language which they are familiar with — a curse or two to express such experiences.

So I ask parents, a kid, teens and young adults, is there a balance?

Well, everyone knows that the mind is like a sponge, soaking up information like water from the very moment of human conception. Indeed, the mind vividly records what is observed through sight, sound, touch, taste, smell and imagination. As a result, that which is recorded in our minds has an effect on our behavior. Yes, music also shapes our mindset!

Music is considered an art and science for a very good reason! Experts in the fields of neuroscience, psychology, biology, physiology, physics and education have worked alongside musicians to unravel the mysteries of music. Such research is aimed at understanding music’s basic structure; it’s biological, emotional and psychological effect on humans and the brain; it’s healing and altering potential; and its function in the evolutionary process. Music helps scientists understand complex functions of the brain and opens up treatments for patients who are recovering from strokes or suffering with Parkinson’s. Research even suggests that music may alter the structure of the brain.

What is more, words have power, real energy. This is demonstrated in the fact that music can thrill us, sadden us or inspire us. We feel goose bumps rise on our skin as we listen to a favorite melody, and we are whisked back to old memories by hearing the opening bars of an old school song. Throughout history, songs have been created with the intention to inspire feelings of happiness, joy, praise, relaxation, anger, heartache, destruction, etc. Wow! Music can do all this?

The good news is that there is a balance. For parents, it is recommended that you do not discredit all rap and hip hop music. There exist good and wholesome compositions out there that your young ones can enjoy, and you can feel safe that they are feeding their minds with sensible ideas.

And for the kids, teens, and young adults, it is suggested that you be more mindful of the type of rap and hip hop music you are listening to as it does have an impact on your mindset.


Rapping is one of the earliest discovered means of alleged spirit communication. Rapping includes any knocking, thumping, bumping or tapping associated with discarnate messages.

dis·car·nate  /disˈkärnət,disˈkärˌnāt/ adjective
(of a person or being) not having a physical body.”

methods for communicating with the dead or with discarnate spirits

The 9th-century chronicle Rudolf of Fulda refers to communications from a rapping intelligence. Paracelsus, a 16th-century Swiss physician and alchemist, called raps pulsatio mortuorum, or a Death Omen. Rapping spirits, or spiritus percutiens, were conjured away at the benediction of medieval Catholic churches.



rage (n.)

c. 1300, “madness, insanity; fit of frenzy; rashness, foolhardiness, intense or violent emotion, anger, wrath; fierceness in battle; violence (of storms, fire, etc.), from Old French rageraige “spirit, passion, rage, fury, madness” (11c.), from Medieval Latin rabia, from Latin rabies “madness, rage, fury,” related to rabere be mad, rave” (compare rabies, which originally had this sense). This is said by some sources to be from PIE *rebh- “violent, impetuous” (source also of Old English rabbian “to rage”), but de Vaan finds this uncertain and sees no convincing etymology.Similarly, Welsh (cynddaredd) and Breton (kounnar) words for “rage, fury” originally meant “hydrophobia”(hydrophobia is rabies in humans)  and are compounds based on the word for “dog” (Welsh ci, plural cwn; Breton ki).It is attested from late 14c. in the sense of “fit of carnal lust or sexual desire.” In 15c.-16c. it also could mean “rabies.” Other Middle English senses, now obsolete, include “come to a boil; grieve, mourn, lament; flirt, make love.” The rage “fashion, vogue” dates from 1785.

rage (v.)

mid-13c., ragen, “to play, romp,” from rage (n.). Original sense now obsolete. Meanings “be furious; speak passionately; go mad” are attested from early 14c. Of things “be violently driven or agitated,” from 1530s. Related: Ragedraging.

raging (adj.)

late 15c., “full of rage,” present-participle adjective from rage (v.).  Other, less common, adjectives include rageful (1570s); rageous (mid-15c.), ragesome (1913).

enrage (v.)

late 14c., “make furious or mad” (implied in enraged), from Old French enragier “go wild, go mad, lose one’s senses,” from en- “make, put in” (see en- (1)) + rage “rabies, rage” (see rage (n.)). Related: Enraging. Intransitive only in Old French; but the transitive sense is oldest and predominant in English.
1610s, “furious, raving, behaving violently,” from Latin rabidus “raging, furious, enraged; inspired (inspired means indwelt/influenced by spirits); ungoverned; rabid,” from rabere “be mad, rave” (see rage (v.)). The specific meaning “made mad by rabies” in English is recorded by 1804. Related: Rabidlyrabidness.
extremely fatal infectious disease of dogs, humans, and many other mammals,” 1590s, from Latin rabies “madness, rage, fury,” related to rabere “be mad, rave” (see rage (v.)). The mad-dog disease sense was a secondary meaning of the Latin noun. Known as hydrophobia (q.v.) in humans. Related: Rabietic.

Goddess Lyssa – Wikipedia

In Greek mythology, Lyssa’ (/ ˈ l ɪ s ə /; Ancient Greek: Λύσσα Lússā), called Lytta (/ ˈ l ɪ t ə /; Λύττα Lúttā) by the Athenians, was the spirit of mad rage, frenzy, and rabies in animals. She was closely related to the Maniae, the spirits of madness and insanity.  In Rome she was variously named Ira (from where we got the name IRATE), Furor (from where we got the name FURY), or Rabies. Sometimes she was multiplied into a host of Irae and Furores.


In case you missed it, RAGE is very much related to RABIES.  That is the ROOT of the Word!!  Remember, the root is all that matters.  Everything else is a lie, coverup, deception.

So what is RABIES?


Check out Brilliant and get 20% off!! https://www.brilliant.org/IHA/


IF you think that RAGE is something new… think again.  It had a stronghold on the world before Christ came to set the captives free.  When the world was primarily Pagan, the King of this world, Satan/Lucifer/The Devil an all his cohorts RULED over humanity.  Everyone was at the mercy of demonic influences.  Everyone had to do whatever they demanded, including human sacrifice.  It was the rule of the day.  

Psalm 2:1 Why do the nations rage and the peoples plot in …

Why do the heathen rage, and the people imagine a vain thing?   Psalm 2:1

Sadly, we are in the last days, and demonic spirits are returning to the earth for the final hoorah.  They are seeking whom they may devour.  Those who belong to GOD, who love and serve Him, are not at the mercy of these spirits. They can be influenced by them if they open up doors or invite them in.  But, the demonic forces cannot affect them other wise.  But, anyone who has turned their back on God and refused the free gift of salvation are helpless and subject to demons.

The next line in that same Psalm gives us some insight as to what is contributing to the rage, stirring up the people.  The kings/leaders/rulers/wealthy elite of ancient times, just as those same folks today, were gathering together in summits/meetings/councils to conspire to control the people by whatever means possible to inspire them to rage against order/authority/self control which in truth, means rage against GOD and HIS order.

The kings of the earth set themselves, and the rulers take counsel together, against the LORD, and against his anointed, saying,  Let us break their bands asunder, and cast away their cords from us.  Psalm 2: 2-3

Satan’s War Against the People of God | United Church of God

Satan’s warfare against God’s people, including Jesus Christ, the natural descendants of ancient Israel and all true Christians, is the primary subject of Revelation 12 and 13. Winston Taylor. This end-time alliance of nations is introduced as “a beast rising out of the sea, having seven heads and ten horns, and on his horns ten crowns…

So we have clear confirmation that there is a driving force that is pushing the world further and further into the darkness as we come to the end of time.  This FORCE is what is driving those humans that are working the agenda/conspiracy…yes, it is a real conspiracy.  It is not a theory.  IT is very real.  But, it does not originate with man.  It comes from the pit of HELL and the demons of Hell are the ones manipulating both the leaders and the followers of this agenda. 

Sadly, anyone who is influenced by demons likely does not even know.  Even those who are actually indwelt or possessed by demons may not even know that is what is happening to them.  They are deceived into believing that the thoughts and emotions they are feeling are their own.  

As you saw in the bible verse above, they demons/Fallen Angels/Nephilim and Raphaim  desire to throw off the constraints placed on them by GOD.  They believe that they can conquer GOD and make a world of their own design.  They are the force that is rising up in humans and causing them to turn away from GOD and filling them with anger and rage.

THAT IS EXACTLY WHAT IS HAPPENING RIGHT NOW!  IF you watched all the videos about the Satanic Ritual that was ASTROWORLD FESTIVAL 2021 in HOUSTON, than you saw that part of the ritual involved Travis ordering the people to lift their middle finger to the sky.  That was very significant and it had a very clear message.  They were all in agreement as they lifted their FINGER to GOD, to say FUCK YOU, to our Heavenly Father.  


Global “Middle Finger to End Christianity” event to take place on August 12th

(OPINION) ETH – No this is not a title from the Babylon Bee but an actual organized online event that is planned for this Thursday at 2 pm Eastern.

According to the description of the event posted on Facebook, Everyone will come together and “give a middle finger to the sky to end Christianity and create more Atheists”.  It goes on to say it will also help fight the Global Prayer so “their sky daddy won’t snatch us up”

This shouldn’t be very shocking to anyone who knows the signs of the End Times as the bible describes humanity doing such things in the Book of Revelation:

Then the fifth angel poured out his bowl on the throne of the beast, and his kingdom became full of darkness, and they gnawed their tongues because of the pain. They blasphemed the God of heaven because of their pains and their sores and did not repent of their deeds”. – Revelation 16:10-11

“And great hail from heaven fell upon men, each hailstone about the weight of a talent. Men blasphemed God because of the plague of the hail since that plague was exceedingly great”. – Revelation 16:21


Nov 6, 2021

Nov 8, 2021

The video above was removed from youtube.  But the one below gives you an idea of how the crowd was packed in at the Concert and what they experienced. 

To Watch the following video on The Independent webpage:CLICK HERE

a compilation of crowd footage showing people not able to breath due to being smashed together


“A Travis Scott show is crowd surfing, moshing, sweat, blood and vomit,”

“You know, raging, you know, having fun.”

He continues that “raging and having fun and expressing good feelings is something I plan on doing and spreading across the globe”, before offering: “I don’t need a stage to f***ing perform”.

“We just need something to stand on — it could be somebody. I just need a platform.”   Source

Remember back in the day
When muthafuckas dealt drugs, shot Glocks, rode jeeps, had corners on lock
Wrote super dope rhymes in notebooks
Dropped ill fuckin’ James Brown samples on a hook
Bought dookie gold chains from the Fulton Mall and didn’t give a fuck ‘bout rappin’ on a pop song
You may hate me for what I say but don’t forget to page me back in the day

Remember back in the day
When rap wasn’t gay and muthafuckas shot at each other all day
If Biggie and 2Pac was alive today
They would kill you all in a hip hop rage
In a hip hop rage
In a hip hop rage
They would kill, kill, kill, kill, kill, kill, kill
In a hip hop rage
In a hip hop rage
They would kill, kill, murder murder, dance, dance on your grave
Remember back in the day when you ran from the cops
Wilding out rolling blunts not giving a fuck
Doing business from corner pay phones
Giving shout outs to all your dead homeboys
Incarcerated rappers were all fucking famous and every ghetto was fuckin’ dangerous
Now a moment of silence for some east coast-west coast violence

Remember back in the day when rap wasn’t shit and every MC was fucking legit
If Eazy-E was alive today he would kill you all in a hip hop rage
In a hip hop rage
In a hip hop rage
He would kill, kill, kill, kill, kill, kill, kill
In a hip hop rage
In a hip hop rage
He would kill, kill, murder murder, dance, dance on your grave


808   [eyt-oh-eyt]


808 is the common nickname for the Roland TR-808 Rhythm Composer, an electronic drum machine from the 1980s popular in hip-hop music.

808 is also often mistakenly referenced as the penal code for “disturbing the peace.”




The 808, or Roland TR-808 Rhythm Composer, was developed in 1980 and discontinued in 1983. It was met with mostly unfavorable reviews at the time because the preloaded analog drum beats were found by many to sound too unrealistic for the electronic music scene of the time. The 808 soon took off in the underground hip-hop and rap scenes, though, because of its relatively low price tag and uniquely loud bass drum beat. It became particularly associated with Atlanta’s hip-hop scene in the 1990s.

The 808 sound is most recognizable on tracks like Marvin Gaye’s “Sexual Healing,” Whitney Houston’s “I Wanna Dance With Somebody,” Lil Jon and Usher’s “Yeah!” and the entirety of Kanye West’s 2008 album 808s and Heartbreak.

Though many popular sources say 808 is the number corresponding to the penal code for “disturbing the peace” (allegedly a reference to the sound of the 808 bass over speakers), the claim is unsubstantiated.


Travis Scott astroworld gets exposed by survivors (ritual sacrifice) (bitchute.com)      808

4 days, 22 hours ago

#endgame #illuminati #newworldorder #ritual #astroworld

2 days, 4 hours ago


Illuminati Blood Sacrifice At Travis Scott Astroworld Concert (bitchute.com)

In 2015, Travis Scott was arrested and charged over an incident at Lollapalooza, with police accusing him of urging fans to jump over security barricades.

During the same performance, he yells to the crowd: “We want rage”.

A review from Complex the same year — titled “I Tried Not to Die at Travi$ Scott and Young Thug’s Show Last Night” — dubbed the artist’s performance “a turnt-up fight for survival”.

“I was pretty certain I’d be sacrificing if not my life then full functionality of a major limb, going into a standing-only show starring a dude who literally incites riots,” it read.

“Five minutes into his set, Travi$ declared this show wasn’t for the ‘pussies’ and pointed said weak-willed non-turner-uppers to the exit.”

Richard Novotny



Travis Scott concert was a Ritual by JT

Nov 8, 2021


Travis Scott fan Obama brings up dreams of Dystopia at COP26 3 days after concert – AstroWorld – 666

2 days, 4 hours ago

The great 440 Hz conspiracy, and why all of our music is wrong: Alan Cross

A vintage plastic guitar tuner measures 440 Hz. Getty Images
Gather ’round, kids. Those of you with tinfoil hats may wish to ensure that they’re fitted snuggly. What I’m about to tell you will shake your faith in all the music you’ve heard in your life.If you look down the right paths, it becomes clear that governments and various security apparatuses have used music to control us using music. All the music of the West that’s based on the standard 12-tone scale is used for the management of crowds as well as thought control.READ MORE: ‘Big Brother Canada’ Season 6 winner crownedLet’s begin with some music theory.If musical performances were to sound the same the world over, some standardization was required. As early as 1885, the Music Commission of the Italian Government declared that all instruments and orchestras should use a tuning fork that vibrated at 440 Hz, which was different from the original standard of 435 Hz and the competing 432 Hz used in France.

In 1917, the American Federation of Musicians endorsed the Italians, followed by a further push for 440 Hz in the 1940s.

In 1953, a worldwide agreement was signed. Signatories declared that middle “A” on the piano be forevermore tuned to exactly 440 Hz. This frequency became the standard ISO-16 reference for tuning all musical instruments based on the chromatic scale, the one most often used for music in the West. All the other notes are tuned in standard mathematical ratios leading to and from 440 Hz.

This tone standard is now universally accepted, which is why a piano in Toronto sounds exactly the same as a piano in China.

Weirdly, no one can say for sure why this frequency was chosen in the first place. In fact, there are those among us who vehemently disagree with this standard. In fact, they consider the 440 Hz middle “A” to be an abomination against nature.

READ MORE: Neon Dreams on their undefinable music and leaving the Hedley tour

Adherents to this theory claim that a more “natural” frequency for middle “A” is 438 Hz. Others believe that the correct middle “A” is 432 Hz (also known as Verdi’s A) because it has “a pure tone of math fundamental to nature” and is “mathematically consistent with the patterns of the universe, vibrating with Phi, the Golden Ratio. They point to how this pitch can be connected to everything from nautilus shells to the works of the ancients, including the construction of the Great Pyramid.

Furthermore, 432 Hz resonates with 8 Hz (the Schumann Resonance), the documented fundamental electromagnetic “beat” of Earth. It just feels better.

Research says that music tuned from this frequency is easier to listen to, brighter, clearer, and contains more inherent dynamic range. As a result, music with this tuning need not be played at higher volumes and thus reduces the risk of hearing damage.

The more radical among middle “A” haters insist that the true frequency should be 528 Hz because it’s a “digital bio-holographic precipitation crystallization [and] miraculous manifestation of diving frequency vibrations.” I have no idea what that means.

Here’s where the conspiracy comes in. There is allegedly something sinister and evil about 440 Hz. It is said that the Rockefeller Foundation had an interest in making sure the United States adopted the 440 Hz standard in 1935 as part of a “war on consciousness leading to “musical cult control.”

Without going too far down this rat hole, this theory says that tuning all music to 440 Hz turns it into a military weapon.

quote from one of the many online articles on the subject: “The monopolization of the music industry features this imposed frequency that is ‘herding’ populations into greater aggression, psychosocial agitation, and emotional distress predisposing people to physical illnesses and financial impositions profiting the agents, agencies, and companies engaged in the monopoly.”

READ MORE: Carrie Underwood goes into detail about facial injury in 1st TV interview since accident


Going a little deeper, we end up at the doorstep of the Nazis. It is said that propaganda minister Joseph Goebbels insisted that on 440 Hz tuning in Germany because he believed it made people think and feel in specific ways, making them “a prisoner of a certain consciousness.” And if you’re trying to mobilize the population for Der Fuhrer, that’s exactly what you want, right?

There’s more from the Tinfoil Headphones crowd: “The powers that be are successfully lowering the vibrations of not only the young generation but the rest of us as well. These destructive frequencies entrain the thoughts towards disruption, disharmony, and disunity. Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war.”

There’s something to think about the next time you pop in some earbuds. Does listening to music make you feel more warlike and diseased?

Let’s test it out with this video.

Got that? Now try another experiment. Here are two versions of Coldplay’s “The Scientist,” starting with the standard version from their 2002 album, A Rush of Blood to the Head.


Any feelings of war or disease yet?

Now listen to this. It’s a version of the same song that’s been tuned down to the supposedly more natural frequency of 432 Hz. Can you feel a difference?

I’ve also been told that the different effects these frequencies have on our chakras. Songs tuned to 440 Hz work on the third eye chakra (the “thinking”) while 432 Hz stimulates the heart chakra (the “feeling”). Therefore, 432 Hz music increases the spiritual development of the listener. It may even have healing properties.

There are numerous organizations advocating a universal switch to 432 Hz, but that would involve upsetting worldwide standards, not to mention the construction and re-tuning of millions of musical instruments. Nice idea, but it ain’t gonna happen.

If that idea stressed you out, please meditate on this special 432 Hz music.

Alan Cross is a broadcaster with 102.1 the Edge and a commentator for Global News.

Subscribe to Alan’s Ongoing History of New Music Podcast now on Apple Podcast or Google Play

BOB DYLAN, known for his “protest” songs, is a prophet for the dark prince.  By his own admission and of his own free will he sold his soul to the Devil for fame and fortune.  By his own admission he is staying faithful to that commitment TO THIS DAY.

“The Times They Are A-Changin'”

Come gather ’round people
Wherever you roam
And admit that the waters
Around you have grown
And accept it that soon
You’ll be drenched to the bone
If your time to you is worth savin’
Then you better start swimmin’
Or you’ll sink like a stone
For the times they are a-changin’Come writers and critics
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again
And don’t speak too soon
For the wheel’s still in spin
And there’s no tellin’ who that it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’Come senators, congressmen
Please heed the call
Don’t stand in the doorway
Don’t block up the hall
For he that gets hurt
Will be he who has stalled
The battle outside ragin’
Will soon shake your windows
And rattle your walls
For the times they are a-changin’Come mothers and fathers
Throughout the land
And don’t criticize
What you can’t understand
Your sons and your daughters
Are beyond your command
Your old road is rapidly agin’
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin’The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is rapidly fadin’
And the first one now
Will later be last
For the times they are a-changin’

“That’s when I went to the crossroads and made a big deal.” – Bob Dylan (No Direction Home, Martin Scorsese, 2005)

“I made a bargain with … the Chief Commander … [of] this earth, and the world we can’t see.” – Bob Dylan (60 Minutes, 2009)

As of October 13, 2016, Bob Dylan can add one more trophy to his impressive worldly accolades: Nobel Laureate. Dylan was just awarded the Nobel Prize in Literature and hailed for having “created new poetic expressions within the great American song tradition.”

Dylan has been dubbed the world’s “greatest living poet,” the “inventor of folk rock” and “the most important figure in pop-culture history.” Rolling Stone magazine called Dylan’s song, Like a Rolling Stone, the “number one song of all time.”

Bob Dylan sang in his song, Gotta Serve Somebody, “Well, it may be the Devil or it may be the Lord, but you’re gonna have to serve somebody.” It doesn’t take long, when examining the spiritual decisions Dylan made to become rich and famous, to discern on the basis of his own confession, he is not serving the Lord, but the Devil!

Dylan leaves little to the imagination as to who he is serving when asked by Ed Bradley of 60 Minutes, why he is still out there performing after all these years (five decades now). Dylan gives a chilling answer regarding a bargain he made with an invisible spiritual entity that he feels he must keep:

Dylan: Well, it goes back to that destiny thing. You know, I made a bargain with it, you know, long time ago. I’m holding up my end.

Bradley: What was your bargain?

Dylan: Get where I am now.

Bradley: Should I ask who you made the bargain with?

Dylan: With the Chief . . . you know, the chief commander.

Bradley: On this earth?

Dylan: This earth, and the world we can’t see.

Dylan is acutely aware that there is a spiritual world of wicked spirits that Satan leads. The apostle Paul warned:
“Put on the whole armor of God, that you may be able to stand against the schemes of the devil. For we do not wrestle against flesh and blood, but against the rulers, against the authorities, against the cosmic powers over this present darkness, against the spiritual forces of evil in the heavenly places.” (Ephesians 6:11-12)

This idea of consciously surrendering one’s eternal soul to Satan in exchange for fame and fortune has been rife in pop music since its inception. In our eye popping video expose “They Sold Their Souls for Rock and Roll” we document the occult history of pop music and reveal admissions by top artists from John Lennon, Jim Morrison and Jimi Hendrix to Prince, Madonna and Michael Jackson regarding issues ranging from channeling songs, Spiritism, Satanism, selling one’s soul and demonic possession. In our upcoming and highly anticipated video update (now in production), we expose the same occult phenomena and messaging among today’s top artists from Katy Perry, Kanye West, Jay Z, Kesha, Rihanna and Drake to Ariana Grande, Salena Gomez and Beyonce (and many more).

Jun 25, 2010

While Bob Dylan’s admission on 60 Minutes to having made a bargain with the unseen entity that rules the wicked world is more common than most people know, Jesus resisted a far greater temptation from the evil one. Satan offered Jesus worldly power over the nations of the world in exchange for Jesus’ worship, but Jesus rebuked Satan and declared:

“Be gone, Satan! For it is written, ‘You shall worship the Lord your God and Him only shall you serve.’” (Matthew 4:1-11).

Three times Jesus referred to Satan as the ruler of the fallen world system (John 12:3114:3016:11) and the apostle Paul referred to him as the “god of this world” (2 Cor. 4:3-4“who works through the children of disobedience” to guide “the course of this world.” (Ephesians 2:1-2)

Dylan at the Crossroads

In the early 1960’s Dylan, aspiring to become the next big rock star like Elvis Presley, was devoid of any formal musical training; Dylan couldn’t sing, wasn’t writing songs and was a subpar guitar player. However, like the legendary bluesman, Robert Johnson, who sang “Me and the Devil … walkin’ side by side,” and who claimed he sold his soul to the Devil at the crossroads, Dylan also claimed that he went to the crossroads and came back a different man. Dylan stated:

“That’s when I went to the crossroads and made a big deal. You know, like shewww, you know. One, one night, and then, uh, went back to Minneapolis, and it was like, ‘Hey, uh, where’s this guy been? You know, He been to the crossroads.’” (Richard Grossinger, The Bardo of Waking Life, Berkeley, CA: North Atlantic Books, 2008)

While Dylan was not speaking literally about going to where Highway 49 intersects with Highway 61 in Clarksdale, Mississippi, where Robert Johnson reportedly surrendered to Satan for musical prowess. He was speaking of his own spiritually transformative crossroads experience, which yielded the same diabolical effect.

While Dylan has paid homage to Robert Johnson by playing Eric Clapton’s cover of Johnson’s “Crossroads” live, and even titled an album Highway 61 Revisited, Dylan’s Crossroads experience took place when he briefly left Minneapolis for Greenwich Village.

Dylan left Minneapolis a struggling and uninspiring musician and returned a man possessed, manifesting musical gifts and lyricism that were previously far beyond his own musical ability. In Martin Scorsese’s film No Direction Home, John Bucklen, Dylan’s schoolboy friend, talks about Dylan’s return to St. Paul, Minneapolis after his first trip to New York in 1961:

“He was playing at some party or something, and it was like a whole different guy. You hear those stories about the blues men who go out to the crossroads and sell their soul to the devil and come back all of a sudden able to do stuff – Robert Johnson, Tommy Johnson, that whole mythology. It was one of those kind of deals, almost. When he left Minneapolis he was just average. There were five, six other guys doing the same thing. When he came back, he was doing Woody and he was doing Van Ronk and he was fingerpicking, he was playing cross harp, and this is a matter of a couple of months. I mean, this is not like he was gone a year or anything.” (No Direction Home, Martin Scorsese, 2005)

In the same film, fellow musician Liam Clancy shares his eyewitness account of Dylan’s remarkable transformation from the musically ordinary Robert Zimmerman to Bob Dylan:

“In old Irish mythology, they talk about shape changers. Dylan changed voices. He changed images. It wasn’t really necessary for him to be a definitive person. He was a receiver. He was possessed…” (Ibid.)

Dylan not only went through a radical makeover of his person and image and suddenly excelled on various instruments, but he apparently picked up a demon that used his body as a vessel to help usher in the counter cultural revolution of the 1960’s. A revolution that introduced millions of young people to occultism, blasphemy, eastern mysticism, sexual perversion, moral decline and ilicit drug use.

Bob Dylan LogoIt is clear from a number of interviews with Dylan through the years that he himself doesn’t understand some of his own lyrics, and that a spiritual entity he gives credit to has helped him along the way. In an interview conducted by Karen Hughes, she asked Dylan if he wrote “like a medium,” and he told her that his compositions were not coming “from him,” but “it’s just coming through him,” and that “a melody just happens to appear,” and “the words come in and out.” He went on to tell Hughes that sometimes “I’ve written songs in five minutes complete…” (Source)

In the same 60 Minutes interview where Dylan admitted he felt bound to fulfill the youthful bargain he made with an invisible entity, Dylan explained that he can no longer write songs like his early ones, and that they were beyond his own writing ability, and were given to him through a “penetrating magic”:

“They were all, those early songs they were almost magically written, ‘Darkness at the break of noon, Shadows even the silver spoon, The handmade blade, the child’s balloon, Eclipses both the sun and moon, To understand you know too soon, There is no sense in trying’ well, try to sit down and write something like that. There’s a magic to that and its not Siegfried & Roy kind of magic, you know, it’s a different kind of penetrating magic.” (Source)

Dylan changed his name from Zimmerman to Dylan, owing to the influence of Dylan Thomas. In Bob Dylan’s memoir, he admits that he had been influenced by Dylan Thomas. Dylan Thomas claimed that his greatest influence was Victor Neuburg, a master occultist who himself was one of Satanist Aleister Crowley’s most prominent disciples. Neuberg was the first to bring Dylan Thomas to prominence and published his first works.

Crowley, born into privilege, was a self proclaimed Antichrist who signed his name on letters “the beast 666” and was appropriately dubbed “the wickedest man in the world” in the early 19th century. Crowley, a Satanist organizer, often used “magick” as an excuse to exercise his homosexual and sadistic tendencies and performed homosexual “sex magick” on Neuberg, which included whipping him with a bundle of nettles and drawing blood with 32 lashes using a switch. These magical workings were said to have eventually opened up Neuberg more and more to the demonic realm that both he and Crowley served.

Crowley claimed that he was being used by Satan (who he also identified as “Aiwass”) to usher in the age of Antichrist, which he called the Age of Horus, symbolized by the hawk headed Egyptian god Horus. Crowley stated that this new satanic age would replace Christianity and wrote in his Book of the Law, via automatic writing, “With my Hawk’s head I peck at the eyes of Jesus as he hangs upon the cross.”

Sgt Pepper's Lonely Harts Club BandBob Dylan’s official logo (shown above earlier in this article) features the eye of Horus at the bottom. This symbol was used by Crowley as one of the emblems for the coming new aeon of Antichrist/Horus. Incidentally, both Dylan and Crowley made the front cover of Sgt. Pepper’s Lonely Hearts Club Band album (click image at left for larger view).

Dylan would also show his affinity for the occult by depicting the occult tarot card of the Empress on the back of his album Desire.

While it appears that Dylan made at least a feeble attempt to escape the hellhounds on his trail by making a short stint where he claimed to have become a Christian, even writing songs reflecting this claim, he would later tell Kurt Loder of Rolling Stone magazine “I’ve never said I’m born again.” In response to Loder’s question as to whether he belonged to a church, Dylan stated, “Not really. Uh, the Church of the Poison Mind.” (Rolling Stone Magazine, “Bob Dylan, Recovering Christian,” Kurt Loder, June 21, 1984)

Jesus warned that there is no profit in serving the devil and declared:

“For what will it profit a man if he gains the whole world, and loses his own soul? Or what will a man give in exchange for his soul?” (Mark 8:36-37)

Jesus also warned of the horrific punishment that will befall those who allow Satan to use them:

“If anyone causes one of these little ones–those who believe in me–to stumble, it would be better for them to have a large millstone hung around their neck and to be drowned in the depths of the sea.” (Matthew 18:6)

Let us turn from “artists” who are used as mediums by dark powers to influence us and increase human rebellion against God. There are many serious passages of Scripture that warn against allowing ourselves to be influenced by mediums:

“Do not turn to mediums or necromancers; do not seek them out, and so make yourselves unclean by them: I am the LORD your God.” (Leviticus 19:31)

“If a person turns to mediums and necromancers, whoring after them, I will set my face against that person and will cut him off from among his people.” (Leviticus 20:6)

“A man or a woman who is a medium or a necromancer shall surely be put to death. They shall be stoned with stones; their blood shall be upon them.” (Leviticus 20:27)

“When you come into the land that the LORD your God is giving you, you shall not learn to follow the abominable practices of those nations. There shall not be found among you anyone who burns his son or his daughter as an offering, anyone who practices divination or tells fortunes or interprets omens, or a sorcerer or a charmer or a medium or a necromancer or one who inquires of the dead, for whoever does these things is an abomination to the LORD. And because of these abominations the LORD your God is driving them out before you.” (Deuteronomy 18:9-12)

“And when they say to you, ‘Inquire of the mediums and the necromancers who chirp and mutter,’ should not a people inquire of their God? Should they inquire of the dead on behalf of the living?” (Isaiah 8:19)

Please take time to pray for the genuine repentance and salvation of Bob Dylan and all the others who Satan is using to deceive the world (Revelation 12:11), and pray for the hundreds of millions of people they are leading astray, so “they may come to their senses and escape from the snare of the devil, after being captured by him to do his will.” (2 Timothy 2:26)

May the Lord empower us to serve Him alone, through the gospel of Jesus Christ, who gave Himself for our sins and rose from the dead, conquering Satan and death:

“Since therefore the children share in flesh and blood, He himself likewise partook of the same things, that through death He might destroy the one who has the power of death, that is, the devil, and deliver all those who through fear of death were subject to lifelong slavery.” (Hebrews 2:14-15)

“For this purpose the Son of God was manifested, that he might destroy the works of the devil.” (1 John 3:8b)

“Little children, keep yourselves from idols.” (1 John 5:21)

Let us also remember that in the end Satan will be cast into the lake of fire forever and ever with the wicked:

“And the devil who had deceived them was thrown into the lake of fire and sulfur where the beast and the false prophet were, and they will be tormented day and night forever and ever.” (Revelation 20:11)

Let us also rejoice in the fact that when the Lord Jesus Christ returns, He will judge the world and rule the nations (Revelation 11:15-19). As King of kings and Lord of lord’s, every knee will bow to Him, and every tongue confess that He is Lord, whether on the earth, in heaven or in hell (Philippians 2:5-11)!


Apr 14, 2017

CBS Showing of 60 Minutes 12-5-04. In an interview with Ed Bradley, Bob Dylan admits to selling his soul and of no longer being able to write music.


They Sold Their Souls

…to Rock-N-Roll

By David J. Stewart

1st Kings 21:20 and 25,“And Ahab said to Elijah, Hast thou found me, O mine enemy? And he answered, I have found thee: because thou hast sold thyself to work evil in the sight of the LORD … But there was none like unto Ahab, which did sell himself to work wickedness in the sight of the LORD, whom Jezebel his wife stirred up.”

       Wicked king Ahab SOLD HIMSELF to Satan to do evil in the sight of God. Nearly every Rock-N-Roll superstar, Pop superstar, country superstar, Hip Hop superstar, and even Contemporary Christian Music [CCM] superstars have made a DEAL with the Devil. In exchange for money, fame and worldly pleasures, they have sold themselves!!!

Just as wicked Ahab sold himself, so do Rock singers and Hollywood entertainers sell themselves to Satan. Jesus offered Jesus the kingdoms of this world if only Jesus would WORSHIP him. Matthew 4:8-9, “Again, the Devil taketh Him up into an exceeding high mountain, and sheweth Him all the kingdoms of the world, and the glory of them; And saith unto Him, All these things will I give Thee, if Thou wilt fall down and worship me.” Jesus told the Devil to go back to Hell where he came from, quoting the Scriptures to thwart the temptations of Satan. Christ gave us the answer in John 5:39—SEARCH THE SCRIPTURES!!!

Have you sold your soul to the Devil? Some people are so greedy and desperate for worldly fame that they’ll do anything, willingly selling their souls to Satan. This is why Jerry Garcia of The Grateful Dead was so popular. His first band was called, THE WARLOCKS!!! This is why The Rolling Stonesbecame so famous, selling their souls to Satan, producing their 1967 album, THEIR SATANIC MAJESTIES REQUEST, featuring the song, SYMPATHY FOR THE DEVIL!!! They have all sold their souls to the Devil for sex, drugs and money.

Whether it be Led ZeppelinAC/DC or Van Halen, they have all sold themselves to Satan! David Lee Roth of Van Halen sings the song, RUNNING WITH THE DEVIL. Bon Scott and Brian Johnson of AC/DC sing HIGHWAY TO HELL. Brian Johnson sings HELL’S BELLS at every concert!!! The Rock music industry is saturated with Satanism and the occult.

Stevie Nicks of Fleetwood Mac is a Witch. Like many demon-controlled wicked people, she denies it. Despite Nicks’ public denial of being a “witch,” her publishing company is named “Welsh Witch Music,” clearly revealing that she is a witch. Patricia Kennealy of THE DOORS is a Celtic Witch. Witchcraft is prevalent in music. As bizarre as it may sound, even Brian Wilson of THE BEACH BOYS admitted while under the influence of illegal drugs in the 1960’s to have made “witchcraft music.”

Aleister Crowley was the most infamous Satanist of the 20th century. He was known to have a direct communication with Satan, and many wicked people sought his insights into the spirit world. Every band from THE BEATLES to LED ZEPPELIN praised Aleister Crowley. OZZY OSBOURNE also praises Mr. Crowley in his demonic music. Jimmy Page, guitarist of Led Zeppelin, purchased Crowley’s castle after he died, and opened the biggest occult bookstore in Europe. These people are of the Devil. They’ve all sold their souls for worldly fame, fortune and pleasures. But “the world passeth away and the lusts thereof,” just as 1st John 2:15-17 warns. This world is only temporal. The sexual pleasures of this world, getting high on heroine and cocaine, indulging in all the hobbies and possessions of this world, won’t last.

The term “Rock-N-Roll” originated with the idea of a car rolling down the street, rocking back-n-forth from sex in the car. This is the hellish meaning of the term. It implies sex outside of marriage, for married people use a bedroom. Our modern society teaches young people to live in fornication, moving in-and-out of sexual relationships, only getting married when you eventually find someone you truly love. In sharp contrast, the Bible teaches marriage before sex.



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Ezekiel says Lucifer was perfect in all his ways before he sinned. The word translated as “perfect” means whole, complete, healthful, wholesome, sound, perfect, free from blemish and undefiled. It means to be perfectly in harmony and accord with the truth, and it could be summed up in the words “to speak and sound out the truth.” Lucifer’s music was absolutely perfect and complete, without any spot or blemish of imperfection. It was a literal sounding out of the truth of God’s awesome characteristics and glory, and it promoted wholeness and peace and righteousness. His music was like a healing balm throughout the halls of heaven. His music was the living Word put to sound that was glorious perfection in every note, arrangement, pitch, and beat. He was the heavenly composer, whose music elevated the heart toward God and filled it with praise, joy, and thankfulness in a great crescendo of exuberance and awe before the throne of God. All the perfection of musical composition and performance was created in Lucifer. He was the maestro of music in the entire heavenly realm.   Source