Pulling the Veil Over Your Eyes

The Magic and Mesmerism of Queen Diva WHITNEY HOUSTON brought to the U.S. Armed Forces by the Department of Defense, Pentagon and Commander and Chief of Armed Forces, Luciferian President GEORGE H.W. BUSH as an ILLUSION to  pull the veil over the eyes of U.S. Military Forces that illegally invaded Iraq in a WAR OF AGGRESSION and GENOCIDE (Violation of Human Rights)in 1991.

Philly Sound, Michael William Masser & Linda Creed

I believe the children are our future
Teach them well and let them lead the way

Michael Masser and Linda Creed wrote the lyrics and music to “The Greatest Love of All”for the HollyWeird movie about the life of the Great Muhammad Ali called, “The Greatest (1977)”. Masser was a blond Ashkenazi Jew, while Creed was often described as a “French Jew“, maybe because you can see the African in her.

What is important is that Masser said that he returned to Israel (Holy Land) to find some divine inspiration to help master the song. Divine inspiration is often closely tied to the concept of revelation, the belief in information being revealed or disclosed through communication with a deity or other supernatural entity or entities. While Creed that had developed the “lyrics” to the song had been so imbedded within the Black Music Philly Sound scene, culture and community, she was generally considered- just one of the sisters.

The Holy Lands was the Land of (Milk & Honey)Canaan when the Ashkenazi Nomads invaded the country. Canaan was a colony of the people of the Kingdoms of Kush and Kemet. A lot of what is supernaturally revealed in Israel isn’t necessarily Judaism.

The true mystery of Israel was once again revealed when they uncovered the Sphinx of the Great Pharaoh Menkaure of the 4th Dynasty of the Pyramid and Golden Ages of Kemet in the temple complex of Tel Hazor in Northern Israel. And, the name “Israel” may be derived from a combination of the names “Isis,” “RA” and “El.”

It is generally understood that HollyWeird global mass media projects like “The Greatest”are always implanted with subliminal demonic spells. However, one of the most important words included in the song revealed to Masser and Creed out of Canaan was “DIGNITY.”

“No matter what they take from me, They can’t take away my DIGNITY[Godliness]. Black Children in playful dance (twerking) …

The Horned Goat God’s Twerk & Kiss of Shame (Osculum Infame)  

or spirit possession honoring SATAN (twerking)? Can you be really, really be sure? Demonic Spirit Possession– that’s the way they roll, in particular, for the Future of Black Children!

DIGNITY is a SYMBOL of RA

“Among the earliest records of human beliefs, the early goddesses of the Egyptian pantheon carried a sun above their head as a Symbol of DIGNITY (as daughters of Ra).”

“Sun“ Embodied in the golden sun which is His Symbol, RA is Netjer of light, life, and heat, and the power inherent in the sun which warms our planet. A special symbol of Ra via their connection to the Ben-ben, a pyramidal-shaped stone from which Ra as a Bennu (a white heron, called “Phoenix” by the Greeks) rose from Nun and sang the song of creation) in His honor.

DIGNITY is MAAT

The beautiful thing about DIGNITY is that it is a principle of MAAT. Maat has been described as ‘the key idea in the traditional African approach to life’ which today ‘recurs in most African societies as the influence of right and righteousness, justice and harmony, balance, respect and HUMAN DIGNITY.’(Asante and Abarray, 1996, p. 59)

DIGNITY just happens to be a very powerful and mysterious cosmic word in world civilized history that resonates on his own. Just that word alone has the tendency to counteract and destroy any Satanic/Demonic spells implanted in the song and music. DIGNITY has many names and faces like the Goddess Hathor. DIGNITY takes us back to RA, to the very Dawn of Creation.

Unveiled, DIGNITY is the Divine Breath of Life of God (Gods).The 1977 movie version song was performed by George Benson. In February 1985, Whitney released the song in her debut album. The Columbian Masonic/Demonic Clive Davis was initially against her recording the song, but backed down. The Greatest Love of All was released as the B-side to the single “You Give Good Love.” The song was eventually released as a single in its own right. Stephen Holden of NY Times wrote that “Houston sings it with a forceful directness that gives its message of self-worth an astounding resonance and conviction” and called the song a compelling assertion of spiritual devotion, black pride, and family loyalty, all at once.”

Another critic fearing the song and Whitney’s latent power wrote, “[w]e had laughed at that song during the seventies as a mawkish ode to self-involvement, not dreaming it would ever be taken seriously.” But it did move and inspired the MASSES. This was not at all what the Luciferians intended or dreamed would happen. This is not the Luciferian/ILLUMINATI Global Agenda for the Masses- A …

LUCIFERIAN BOOTY HELL

By April 1986, Linda Creed was dead at the age of 37. Whitney most likely began to be DRUGGED soon thereafter with CIA CRACK COCAINE, then placed under U.S. military jurisdiction for covert Psychological Warfare projects.

http://www.youtube.com/watch?v=FjeWaHB12uM

“Teach them well and let them lead the way. Show them all the beauty they possess inside …” Twerking is not an option.

THE BREATH OF THE DRAGON & DEVIL’s TWERK

What you are about to read may and very well should alarm, upset and disturb many. It is as it is. It is the offensive, profane and vile truth as ancient mysteries have been created it to be passed down throughout the generations of Sethians (Satanist) and those that serve Satan (witches and warlocks) to 21st Century Knights, z, Satanist, Witches and Warlocks and the ILLUMINATI. Such mysteries manifest itself today. It is silently behind the Satanic Booty Cult, and Satan’s Twerk.

Goddess Hathor, giving the Divine Breath of Life to the Pharaoh, SETI, the Great

TWERK: Breath of the Dragon & Serpentine Life Force

The Devilish/Satanic Twerk

Even today as it was when it was first created, this type of erotic art (Hans Baldung Grien or Grün’s Witch and the Dragon) wasn’t intended to be viewed or studied by the general public or the masses. Art critics say that they don’t necessarily know what’s going on in the woodcut. That isn’t the truth. It is a medieval Sethian illustrated secret doctrine, and a blueprint for today. By the way, the children in the woodcut are human sacrifices.

The divine breath of life from God that all of us have entered through the nostrils. So, it stands to reason in duality that the DEVIL in the form of a dragon may breathe its Satanic Life Force through the ASS/ANUS. Those with the Breath of the Dragon and Serpentine Life Force intend to create EVIL and bring destruction to mankind.

Revelation 12:9 states: “And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world. ” The drac (dragon) was a term synonymous with doing as much EVIL as the DEVIL himself could be supposed to desire. The Drac is also designated a demon and a malevolent spirit.[1]

“The dragon whose nature sulphur shares is often spoken of as the ‘dragon of Babel‘ or, more accurately, the ‘dragon’s head’ (caput draconic) , which is a ‘most pernicious poison,’ a poisonous vapour breathed out by the flying dragon. The dragon’s head ‘comes with great swiftness from Babylon.’ However, the ‘winged dragon’ that stands for quicksilver becomes a poison-breathing monster only after its union with the ‘wingless dragon,’ which corresponds to sulphur. Sulphur here plays an evil role that accords well with the sinful ‘Babel.’ “ (Mysterium Coniunctionis, p. 117)[2]

When we get into the subject of the Dragon’s Breath of Burning Sulfur and the anus- it involves very complex and complicated issues involving theology, metaphysics, esotericism, and alchemy spanning Christianity, the Gnostics of the Knights Templars, Cathars and Rosicrucians (Order of the Dragons), and witchcraft.

Hell is said to smell like burning sulfur. It is often referred to in the Bible as “brimstone.” It is a symbol of perpetual torment and destruction.[3] However, among the Greeks, sulfur and brimstone has the same meaning as theios. Theios (thi’-os) Definition: “godlike (neuter as noun, divinity)” Translated: “divine, godhead“.[4] In religious terms, divinity or godhead is the state of things that come from a supernatural power or deity, such as a god, supreme being, Creator-God or spirits and are therefore regarded as sacred and holy.[5]

That means that the Dragon (Satan) has the godhead power to create another face or alter Satanic personality in witches through the anus by its creation breath and Serpentine Life Force. The DEVIL has two faces, one where the mouth is – also the anus, and the devil’s tail second tongue. Luciferians have been serving SATAN (Seth) for thousands of years. We could be a thousand years behind knowing their true secrets, because their real mysteries are revealed to only an elite select few throughout the ages.

Dürer and Baldung, The Secret Claw Hand

Hans Baldung Grien or Grün (1484 – September 1545) that created the Witch and the Dragon may have been one of that elite few. He was a German artist of an elite and noble family. Baldung was a painter and printmaking who was considered the most gifted student of Albrecht Dürer (1471-1528). It has been suggested that “Grien” came from “grienhals”, a German word for WITCH.[6]

The High Priestess of the ancient European Satanic Booty Cult in popular society is entrusted to Kim Kardashian.

She is a witch under the spell of the Breath of the Dragon and Serpentine Life Force. She intends to create EVIL and bring about the DESTRUCTION to mankind.

Another Booty Priestess’ under the spell of the Breath of the Dragon is Miley Cyrus.

Another Booty Priestess’ under the spell of the Breath of the Dragon is Jennifer Lopez.

Of course, Rihanna is a Booty Priestess under the spell of the Breath of the Dragon.

Then last but none the least is the CIA MK ULTRA/MONARCH- Multiple Personality Disordered Sex Kitten, Nicki Minaj.

Dürer and Baldung’s secret Satanic lessons and doctrines were exposed in their paintings and woodcuts that most likely weren’t intended for the world to see nor understand. Elite European Satanists like Baldung and Durer believed that women and their private parts including their asses/anuses were possessed by the DEVIL or could be spiritually possessed by him by the Serpent’s fierily breath and the “OSCULUM INFAME” – Shameful Kiss.

Even at that time, witches had gained the knowledge and power of mesmerism and hypnotic trance formations (hypnotic sleep) as illustrated in Baldung’s 1544 woodcut, “The Groom Bewitched.“[7] 16th Century French Franciscan theologian Jean Benedicti and French jurist and political philosopher Jean Bodin (1530–1596) named the nun’s “parties honteuses” [private parts] as the devil’s favorite entry point. Bodin elaborated, explaining that “evil spirits possess women from ‘down there’ [la-bas] and speak through their shameful body parts [parties honsteuses].”[8] In that age, they believed the DEVIL primarily used women to serve him as sexual enslavedwitches that recruit men and convert the world over to the DEVIL’s reign on earth.

“I [DEVIL] show Englishmen how to buy and sell slaves. And I teach their women how to be witches.” The Devil and Tom Walker, by WashingtonIrving [9]

Freemason (32 or 33rd Degree), clandestine Knights Templar and 1st Baronet (the holder of a rank of honor of the British Empire below a baron and above a knight) Sir Walter Scott (1771-1832),[10] once observed to author, essayist, biographer, historian and Demonologist Washington Irving (1783-1859),[11] “Ah! cats are a mysterious kind of folk. There is more passing in their minds than we are aware of. It comes no doubt from their being so familiar with warlocks and witches.”[12] Or warlocks and witches being so familiar with cats. Cats were sent by the DEVIL to help witches with their evil workings. Using a cat in your magic will double any spell’s power.[13]  Undoubtedly, Scott and Irving were among Lucifer’s Servants. Dürer and Baldung were high ranking witches, sorcerers and dragonologists part of a secret powerful German Satanic Cabal(Hungarian Order of the Dragon) most likely part of the Rosicrucian Circle that survived through the generations in secret, and still exist this moment.[14],[15]

Satanist Annie Besant (1847-1933), 33rd Degree Scottish Rite Mason with Devil’s Claw Hand Sign.[16]

Antonio “L.A.” Reid of “The X Factor” television show gesture “The DEVIL’S CLAW” in the current music entertainment industry. He is in the Cult.

Hallie Berry, SS Walter Schellenberg and Will Smith are part of the secret Dragon Cult.

This is one of Baldung’s Naked Witches (Woman with the Cat) that show you that the Satanic Conspiracy have used music and entertainment  along with Satan’s Spell Book for generations to lure men, women and children to SATAN. Recall that the Cat is sent by SATAN to double any spell’s power.

Izzy Azalea and Jennifer Lopez Bearing the Cross of the Satanic Booty Religion

As you see, the Booty Cult is being pushed and promoted among the masses to religious proportions by CIA MK ULTRA/MONARCH  Occult Bureau Witches and Sorceresses of America’s Luciferian Music and Entertainment Industry.

The Booty, the ASS is the other FACE of SATAN.

They (Sethians) believe that the Booty, the ASS is the other MOUTH of SATAN.

AFRICAN SPIRITUAL CONSCIOUS TRADITION & THE BENEVOLENT DANCE IN HONOR OF THE GODS

The “TWERK“, the blog AfroCentricQueen woke me up,

“Modern day twerking is very similar to Mapouka, a dance from Côte d’Ivoire. The dance has existed for centuries and consists of a series of movements emphasizing the buttocks. Mapouka was a celebratory dance for festivals by Africans and was widely accepted because people believed that this dance led to encounters with their Gods!!! Twerking also is typically a Bantu dance style. The African try to replicate these relics each time they came together… If you go into Cameroon where the dance actually started, you will see a couple of African Mystic tribes who dance merely by twerking. Gyrating with the waist is just an African dance that in almost every tribe in Cameroon most of them dance only with the waists and buttocks like the Bassa Assiko dancers.”[17]

Mapouka is a traditional dance from the Dabou area of southeast Cote d’Ivoire (Ivory Coast) that originated with the Aizi, Alladian and Avika people. It is also known as “la danse du fessier” or “The Dance of the Behind”.[18] Isolated from its whole, I didn’t recognize it as a form of ancient sacred ritual benevolent “Spirit Possession.” AfroCentricQueen woke me up, I saw it, the benevolent and positive twerk in Brazil within its proper spiritual context and order of things.

I have an Associated Bachelor degree in Anthropology. For my own enlightenment and enrichment, I had often traveled across the U.S. and across the sea to study Black Culture wherever it existed. During the late 1980’s, I traveled to Rio de Janeiro, Brazil alone on an independent backpack search and study of Rio and Black Orpheus.[19] Black Orpheus has an infamous de la Macumba scene.

In Rio, Macumba pretty much have become commercialized and bastardized for tourists that I stayed clear of. For a couple of days, I stayed in a beautiful and peaceful small town of overwhelmingly people of color. It was about a five to six hour bus ride outside Rio. The town sat beside a 16th Century Wooden Spanish Colonial Fort still occupied by the Brazilian Army. I sat in the public park in the town’s square.  To my utter amazement, people went about their calm daily business while sharing common park space with a donkey, chickens, roosters, dogs, cats and a giant 1,500 to 2,000 old world longhorn bull that stood almost 7 feet at the shoulders with horns that spanned over 15 feet. I didn’t tell anyone, but I was very nervous and virtually terrified until I calmed down and followed the flow of the people, but I was still nervous. I prayed that my true nervous vibrations weren’t picked up by the animals, particularly that Big Bull. Oh, crazy Americano.

My time in this small town had to have been one of my life’s most remarkable human experiences. It was one of most peaceful and serene places among men that I had ever experienced. It was at a café across the square that I had become enchanted by a pair of extraordinary dark eyes. She was a beautiful Brazilian waitress. Each time she drew near me, it was as if we were breathing from the same nostrils. I was drifting off into a dream. I had feelings of being complete. I had to snap out of it. I was only passing through. I was committed to do what was right and just and not disrupt anyone’s path or course not even my own along my way. Back in the states, I had a lovely fiancé and small family that I promised to grow with. I returned home with a peaceful conscious, no secrets, regrets or drama.

In town, I was granted special permission by the high priestess to attend a totally authentic and sacred Macumba ritualceremony. Macumba is the “umbrella” term used for two principle forms of African Spirit Worship: Candomble and Umbanda. [20] Candomblé is a Dance in Honor of the Gods. Music and dance are important parts of Candomblé ceremonies. It is a religion, practiced mainly in Brazil. Candomblé developed in a creolization and genius of traditional Yoruba, Fon, and Bantu beliefs of the kidnapped and enslaved from West Africa by the Portuguese. Between 1549 and 1888, the religion developed in Brazil, influenced by the knowledge of African priests who continued to teach their mythology, culture, language and spiritual religious belief systems.[21]

Practitioners of Candomblé believe in a Supreme Creator called, Oludumaré (Zambi by the Kongo and Nana Buluku by the Fon) who is served by benevolent lesser deities, which are called Orishas. The Orishas and similar figures form a link between the SPIRITUAL WORLD and the world of humans. Candomblé practitioners believe that every person has their own tutelary deity which controls his or her destiny and acts as a protector. [22]

During the ritual, the high priestess was dressed in a white suit with a white top hat instead of black. She carried a white cane. She smoked a cigar while sipping from a bottle of Bud as she moved around the temple. She called me, Oh Americano, and laughed each time she passed me during the ceremony, because she knew like a long lost child, I understood very little of what I was witnessing of an ancient African past.

As the group and initiates danced to the hypnotic rhythm of the drums, she would approach mostly young females then select one by the tap of the white cane on the floor in front of her to celebrate the fertility and motherhood rite. At the tap of the cane, each female would enter and literally drop down into spirit possession of their deity. The ritual scene in the 1999 movie, Eyes Wide Shut, is similar, but the women are under SATANIC SPIRIT POSSESSION.

Watched and supervised closely by the priestess, each began to remarkably roll and gyrate their waist, hips, the muscles of their buttocks to the drums totally independent of the movement of her other body parts and muscles. It only lasted moments, but it was as if they had unique and total control over each and every individual muscle of their lower extremities between and waist and their legs. I knew enough to know that I had never seen that type of control over the muscles and movements over that part of the body before.

My first impression was that they had practiced, trained and perfected the control over their muscles and tissues. Actual “Spirit Possession” hadn’t entered my mind. I knew very little about it. I had seen uncontrollable “Spirit Possession” and “Talking in Tongues”through the “Holy Ghost” in Black Churches most of the days of life. But this was a priestess controlled and invoked manifestation by a sacred deity that was unknown to me. It was no wonder that the high priestess continued to chuckle at me throughout the ritual. I had no idea of the lost African wonders, mysteries and experiences that I was witnessing.

The “Bounce” as Marketed/Sponsored by Corporate America & Mass Media

It is very true that “twerking” and New Orleans‘ “bounce” dance or display removed from the context of collective African Spiritual Consciousness incorporates many of the same movements of traditional West African Sacred Dance including the emphasis on the hips and buttocks that may be an evolution of our ancient traditions.

Throughout the decades, we have often borrowed dance movements from traditional African Ceremonial Dance and popularized it. However, taking and mass popularizing a movement that directly involves sacred African Spiritual Consciousness and Possession without any spiritual guidance, supervision and controls is deeply troubling.

“Inverted twerking” also pose a serious health risk – exploding head syndrome, dizziness and vertigo. “It makes blood pool in your head, risking clot forming and raising local blood pressure since the brain isn’t equipped to pump the blood back to the heart like the legs are.  This could cause a brain hemorrhage if the pressure rises too much.  Some even claim pooling of blood in the lung can be the consequence of hanging upside down.  So usually you won’t die of it, but it can cause serious medical problems.”[23]

Isolated from its whole, the sacred moment and “Encounter with the Benevolent God(s) of Fertility” that is a mystery has been turned into an institutional Satanic Booty Cult/Spirit Worship that opens a portal for alien demonic spirits and gods to invade the sacred African Collective Spiritual Consciousness.

through the back country of Brazil, and old city of Rio, I have seen with my own eyes the remarkable strange power of ancient African spirit worship and possession. It involves entering streams of complicated hierarchies of benevolent and demonic spirits that ordinary and unknowing people can’t navigate through, replicate, invoke or control without an experience and learned African Priest or Priestess.

Twerking is out of place, order and balance. Its mystery is deliberately being manipulated covertly to initiate Satanic Booty Worship to release those ancient demonic spirits controlled by Luciferians to run amok among us. It is being used primarily by the ILLUMINATI to invoke and honor Lucifer (CHAOS) by dance and music through covert hypnotic and subliminal suggestions of Demonic/Satanic Spirit Possession.

“To the Satanist, he is his own God. SATAN is a symbol of Man living as his prideful, carnal nature dictates.”[24] Universally, Carnal relates to the physical and especially sexual appetites; worldly or earthly; of or relating to the body or flesh.[25]

The Greek God Pan is a ravenous, insatiable phallic god, whose worshipers would celebrate him with offerings and massive drunken orgies in caves and forests. He’s a god specifically of PRIMAL/CARNAL male sexuality.He loves sex, the joys of the body, and wine. He’s a bringer of panic (hence the name). He is a war god. He is also a musician and singer.[26] He was a rapist.

For generations, Satan has been known as the Lord of CHAOS.[27] The Greek God Pan brings about CHAOS in the rules of orderly societies. Pan disintegrates established orders back into CHAOS. One of the primary ancient Demonic entities directly linked to the Devil’s Other Face (ASS, ANUS) Cult known for generations to enter the unconscious and conscious portals of the mind through dance and music is the Greek God Pan.

“ ‘Pan‘ is the pagan god of sexual fertility, lust, homosexuality, rape and pedophilia. Many statues of Pan display him with an erection. Wiccans adore Pan more than all the other false gods that they worship.”[28]“Medieval legends say that the DEVIL CREATED THE GOAT. Satan himself often appeared with goat’s horns, and sometimes changed his shape completely into a goat.” – (Encyclopedia Mythica).”[29]  In the woodcut, PAN leads a woman to SATAN and his BOOTY.  SATAN’S ANUS excrement in the cauldron appears to have importance in imposing and gaining some type of mind control over initiates and people.

Claude Gillot’s Ancient Ritual Dance Booty-Twerking for the Goat God Pan

The GOAT was sacred to the Temple of Pan.[30] The Cult of Pan is linked to a temple site in city of Banyas (Panias) dated to about 200 BC located at the foot of Mt. Hermon in Northern Israel.[31] During the crusades, Knight Templars invaded, occupied and fortified Panias.[32]

 

CIA MK ULTRA/MONARCH Occult Bureau Demonic Rihanna Booty-Twerking for the Goat God

Not every much is known or told about Frenchman Claude Gillot (1673-1722). He was a weird and strange man, and one of France’s elite leading painters of the era. Like Dürer and Baldung, he undoubtedly was a secret elite society Satanist, Sorcerer and Witch.

Gillot was credited with creating the “HOMEAGE TO THE DEVIL”, and the Kiss of Shame (ocsulum infame). Gillot’s Sabbath took place in a dark cave, the DEVIL being shown on the right in the form of a large goat (PAN). There are two cats and a snake in the lower left corner. The snake is associated with the DEVIL and their presence at the Sabbath identify the gatherers with the evil night gatherings to worship SATAN. It also seems to show an act of shameful sodomy by a demon on a gatherer while he reads from the DEVIL’s Spell Book.

The Kiss of Shame– Osculum Infame (PAN) is a recurring theme in European DEVIL’S Sabbath.

The infamous Confederate General, Knights of the Golden Circle and KKK leader, Scottish Rite Freemason, Albert Pike, also clearly associated Pan with SATAN, “… Satan is not a black god, but negation of God … this is not a Person, but a Force, created for good, but which may represent evil. It is the instrument of Liberty or Free Will.  They represent this Force; under the mythologic and horned form of the God Pan; thence came the he-goat of the Sabbat, brother of the Ancient Serpent, and the Light-bearer.” [Albert Pike,  Morals and Dogma, p. 102]

PAN was also one of the favorite Satanic Gods of the Great BEAST 666, Aleister Crowley. Reportedly, Crowley raised the horned godin a secret all night Satanic ritual in Paris. It drove him insane and killed another.[33] Crowley also created a Satanic homosexual rite devoted to Pan in which he was ceremonially sodomized by the god.[34]

The origin of PAN dates at least back to 6th Century BC Thebes, Greece.[35] Walpurgis Night (Walpurgisnacht) is a traditional spring festival celebrated on April 30 or May 1 in large parts of Central and Northern Europe. In Germanic folklore, Walpurgisnacht, also called Hexennacht literally “Witches’ Night“. It is believed to be the night of a witches’ meeting on the Brocken, the highest peak in the Harz Mountains, a range of wooded hills in central Germany between the rivers Weser and Elbe. The first known written occurrence of the English translation “Walpurgis Night” is from the 19th century.[36]

Walpurgis Night- Witches Sabbath & Booty/Ass Satanic Worship

Well, that is a rather placid description of the “Witches’ Night” or the Witches’ Sabbath. Walpurgis Night is another ancient pagan ritual beside Beltane that celebrate April 30- day of the arrival of spring.[37]  These spring festivals and rituals originate in the worship of the God Pan. Pan was evoked in the springtime to ensure the fertility of both the crops and the people.[38]

PAN’s direct connection to Walpurgis Night and the Witches’ Sabbath is certainly verified by Demonologist Johannes Praetorius’ Witches’ Sabbath woodcut that dates back to around 1668 from his infamous tract, Blockes-Berges [Brocken] Verrichtung, Leipzig, Germany.[39]

However, Witches’ Night had been recorded taking place in the Harz Mountains as early as the 15th Century AD.[40] It was Praetorius’ woodcut that told us more than anyone else seem to have been willing to expose about what was really going on- revels and orgies with and for the DEVIL.  Johann Richter or Johannes Praetorius (1537 – October, 27, 1616) was a Bohemian German mathematician and astronomer.[41] He was certainly a celebrated witness of his time. Praetorius, according to one authority, “had an open eye and a sharp ear for all wonder stories, witch tales, and accounts of ghosts and sorcery current among the people.”[42] And, he certainly was aware of who the Greek God Pan was and how he factored into the 16th Century Walpurgis Night and the Witches’ Sabbath as a very important and central Satanic figure.

The PAN Ass/Anus Worship is unbelievable, but it was/is very-very real.

The Horned God Ass/Anus Worship is unbelievable, but it was very-very real. It still exists, today …

no matter how profane, lewd, malevolent, and unworldly (anti-DIGNIFIED) it may be.

And PAN’s forbidden Ass/Anus  vulgar backward DANCE to honor SATAN that dehumanize the people; degrade and demean sacred feminine and motherhood is also unbelievable, but also was/is very-very real.

Praetorius was also very vocal about the dances that served the DEVIL (Pan) involving the touching of “shameful places“ that he accused Satanic magicians out of Italy of inventing and spreading. One dance was the La Volta, he described it as “a new galliard… a foreign dance in which they seize each other in lewd places … a whirling dance full of scandalous, beastly gestures and immodest movements. [The volta] is responsible for the misfortune that innumerable murders and miscarriages are brought about by it.” “[43]

Queen Elizabeth I’s “pleasure aka ‘The Betty Hop’: The lavolta was the ‘dirty dancing’ of the Renaissance. The music was characterized by dotted-rhythms, and the dance itself was deemed quite lewd and lascivious, if not downright immoral and dangerous. The man embraces the woman, places his thigh between her buttocks, one hand on her back and the other alternately near her crotch and bust, and she leaps into the air, the flying skirts revealing glimpses of undergarments and leg. It was denounced as shamelessly obscene and suggestive.”[44]

MASONS & WITCHES, RIDING THE GOAT

The Grand Lodge of Ancient, Free and Accepted Masons of Scotland is the governing body of Freemasonry in Scotland. It was founded in 1736. The oldest records held within the Grand Lodge are meeting minutes of the Lodge of Edinburgh (Mary’s Chapel) No. 1 which date from 1599.[45]

Decades before those first minutes of Freemasonry were set to ink, witches on the peaks of Harz Mountains were “Riding the Goat” to each year at the pagan spring festival to the Witch’s Sabbath.

Spanish painter Francisco Goya (1746- 1828) “Witches’ Sabbath”, which depicts a crowd of “hoary old hags” listening intently while a black goat preaches to them, and “The Great He-Goat”.[46]

In 1854, Eliphas Lévi published Dogma et Rituele de la Haute Magie, in which he described the Knight Templars’BAPHOMETas the “Sabbatic Goat”. This is the popular image of Baphomet as the Satanic Black goat, or “Goat of Mendes” as Lévi calls it.[47]

In The Last Test, apocalyptic horror author H.P. Lovecraft makes first mention of Shub-Niggurath, “The Black Goat of the Woods with a Thousand Young”. Though later descriptions of Shub-Niggurath are not terribly goat-like, its designation as a goat creates a tie between the animal and dark natural forces beyond man’s control.[48] Pan is Patron God of the Witches’ Sabbath and BLACK MASS [Eyes Wide Shut]. He is the BAPHOMET of the Knights Templar, Masons, and the ILLUMINATI. It is a Satanic force far beyond original man’s control.

ITS FOR REAL: WITCH BEYONCE, SATANIC BOOTY CULT AND THE GREEK GOD PAN

Witch Beyonce’s Twerk- Feeling the Hot Sulphur  Breath of SATAN

“The owner of the ARCADIA GROUP … the star [Beyonce] on a new athletic street-wear brand. It had been reported that the global venture would launch this year.”[49] Beyonce’s direct ancestor was Joseph Broussard (1702–1765). He is also known as Beausoleil, was a leader of the Acadian people in ACADIA (Colony of New France), Canada.[50]

She admits very freely that she is under Sasha Fierce demonic “SPIRIT POSSESSION.”

Beyonce Ride the Goat to the Witch’s Sabbath and Black Mass

ACADIA is French for ARCADIA which is the Greek land of peace and harmony. It was in fact, “where God PAN was BORN“.[51]

HITLER, THE WITCH

It was no coincidence that Fuhrer Adolf Hitler chose Walpurgis Night and the Witches’ Sabbath on April 30 to fake his suicide.In “Spear of Destiny“, Trevor Ravenscroft stated that the Nuremberg Trials had totally failed to identify the real nature of evil which lay behind the “outer facade of National Socialism”; indeed, “initiation rites and black magic practices [lay at] the inner core of the Nazi leadership”. (Page xiii). From 1909-1913, “Hitler attained higher levels of consciousness by means of drugs and made a penetrating study of medieval occultism and ritual magic …” (Page xxi). Hitler was a “WITCH.”

After his faked death in Berlin in 1945, U.S. Allied Forces followed his reported secret location in the Black Forest on the top of the Harz Mountains (Alpine Redoubt)– the ancient site of the Pan-GermanicWitches’ Sabbathwhere they (Hitler, Baron Otto von Bolschwing, Otto “Scarface” Skorzeny, Wernher von Braun and top SS Knights of Black Sun) were to be transformed into “WEREWOLVES.”

IN CONCLUSION

Blacks in America once were a glowing example and vanguard for revolutionary struggle for the global masses of color. Across the great divide of the Atlantic Ocean on the other side of the midnight, I was surprised and deeply humbled when beautiful little sisters told me that their greatest inspiration for strength and human dignity came from America.

Even though most of them were handicapped by no more than a 2nd grade education, pictures were worth a thousand words to them. They collected and cherished such small things as Jet, Ebony, and Essence magazines that showcased Black Women in America on literally all pages in power, strength, respect and exceptional BEAUTY.

In their world of constant racial oppression, struggle, poverty, lack of equal education and employment opportunities, they clinked to the images of strong, dignified and beautiful Black women in America to inspire them and envision far greater things and opportunities for themselves and their families.

In America, World’s Greatness, the Powerful and Beautiful Florence Griffith Joyner (FloJo) Just Dropped DEAD/MURDERED.

In America, the Beautiful and Queenly Phyllis Hyman was Phased Out/Murdered (Columbian Clyde Davis) with DRUGS.

In America, the Beautiful QUEEN DIVA Whitney Houston was Phased Out/Murdered (Columbian Clyde Davis) with CIA CRACK COCAINE.

Don’t you see the sick pattern? Brothers Huey and Bobby often said that with our backs up against the wall and cornered, we had the right of the natural law of self defense and preservation to strike back with the deadly lightning fast fury of a BLACK PANTHER. However, when we are under constant direct and subliminal suggestions, influences and by deception by the ILLUMINATI, elite Global Satanic Cabals and this racialist society to turn our backs to our enemies, bend over out of the natural order of things, and TWERK,

and our women and children get down on all fours, crawl, twerk their booty muscles and behind for the enemies’ amusement and exploitation …

you can’t see what’s coming. You can’t see what the government is not doing or doing- false flags and WARS OF GLOBAL AGGRESSIONS. You can’t see who is being shot down in the streets by police or what’s happening to your schools and community, or GENOCIDE. You can’t see the enemy or strike back. Offering your ASS to your enemies is an ancient form of submission, surrender and human humiliation, and AN OLD WORLD HONOR TO SATAN. First Line of Defense- MAAT (Establish ORDER) & DIGNITY (Establish Worthiness of GOD).

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Traditional African Wedding Twerking Dowry Rituals in Cameroon

Edgar Obare

Sep 22, 2019

Traditional African wedding twerking dowry rituals in Cameroon. It is reported that some communities in Cameroon practice this traditional African dowry rite, where the groom is danced on by the bride’s sisters and if it gets up he will not be given the woman he intended to marry. Do you think you would pass this test? Love, Edgar Obare

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WOW… PAGANISM IS BACK FULL FORCE.  DEMON SPIRITS ARE RULING.  ONLY a person possessed by demons is unable to discern that this is pure evil.  Lasciviousness, Sexual Perversion and Dehumanization. 

This Radical Thesis On Twerking Will Change Your Whole Outlook On Life

Artist and academic Fannie Sosa explains why “pleasure is power.”

By RAWIYA KAMEIR

Twerking came to the forefront of the American consciousness when Miley Cyrus bent over in front of Robin Thicke. But for many of us, the dance is just natural movement—something our bodies, and our ancestors’ bodies, have always done, with no need for instruction or explanation. That’s the basis of Fannie Sosa‘s “Twerkshops,” a global series of donation-based sessions designed to help women, woman-identified, and genderfluid people twerk their way to cosmological freedom. It’s also the topic of her PhD, whose dissertation focuses on unearthing and linking hidden knowledges about twerking as a direct descendent of neolithic fertility dances. For a deeper look at what that means, we chatted with Fannie over Skype from Tenerife, and asked her to explain the links between the past, the present, and the future, and what it means to derive power from pleasure. Get woke below.  

FANNIE SOSA: The first time I heard of twerking was about five years ago. Katey Red came to Paris for a gig and she was performing with a friend of mine, and they invited me to hang out. Before the gig, my friend was like, “Oh yeah! Twerking–it’s this!” and I immediately knew how to do it, because I had been doing it my whole life. I often say, I’m not teaching you how to twerk–you don’t learn how to twerk, you remember how to twerk. It’s obviously a knowledge that is so much more present for black women and for the bodies of women of color and especially diasporic bodies. That moment was a revelation for me. I was literally transfixed the whole night because something had been named in me that gave me pleasure since I was a kid, but I didn’t know that it was a unit in itself. You know?

I was finishing a master’s on scandal and performance art, and I had to get inscribed into a PhD program. And I was like, “I need to write about this. I need to make this my subject.” I read a lot of Paul B. Preciado back then, who writes about biotechnology and modifying the body through DIY processes and technologies. And so for me twerking became an act of empowerment and emancipation. It was something that I did for friends of friends and then I started really gathering a lot of empirical knowledge. Like, women would get their periods after doing twerkshops—three-day twerkshops, especially—and I was like, “This is so interesting!” There’s nothing about it online. It took me literally a year, because it’s such hidden knowledge, to put two and two together like, “Oh my god, these are fertility dances!” And not just in the sense of conception, but also in the sense of contraception. These dances are contraceptive and abortive and this is why they are [considered] the dances of the whores and the easy women. From then on, my head sort of exploded.

As nomad and semi-nomad societies, we didn’t count time with the stars. We didn’t look at the sky because the sky was always different, because we were moving. Because we were in matrilineal and matrilocal societies, women were very close and would have their periods at the same time and basically get pregnant at the same time, and have babies at the same time. So the way that we counted time was through the cycles of women—through the cycles of twenty-eight days that reflected the ones of the moon. These dances were celebratory, ritual, healing dances to keep the earth moving and to keep our blood moving, our womb moving, to keep it active, healthy, fit. Neolithical dances also gave the belly dancers, also gave the hulas in the Polynesias. They gave a lot of different dances which are related to the womb or to the ass.

Obviously these concepts are complex and I’m essentializing, but eventually everything that was considered womanly—anything associated with the more centered, quiet force—became a synonym of not-survival. At the same time, the image of God became a punishing God, where before it was an abundant female entity, a mother. The Abrahamic three religions have a very, very strong prominent patriarchal figure in the sky that is not among us, is divine and elsewhere. The concept of heaven and hell was born, divinity deserted us and the earth, and everything that had to do with erotic autonomy or that had to do with the control of fertility by women for women, became taboo, demonic, dirty, ridiculous, and literally a threat.

These dances were done in a circle—there’s a lot of images and frescos and murals from that time where there are circles of people, and women especially, basically studying. The circles were schools. Not just a party or a social thing, they were very much a living university. The patriarchy understood really quickly that the formation of a circle was one that was unhierarchical—because there’s nobody at the forefront—so what the patriarchy did, really quick, was to open up the circles and turn them into lines. And that’s when these dances were opened up toward, literally, the male gaze. That’s when they lost their healing properties. Nowadays, they are considered indecent or hypersexualized and all of these things.

I became really passionate about this whole history because it encapsulates a politic, which is, “Pleasure is power,” [a reference to India Ame’ye‘s quote, “A sensually activated woman is a wealthy natural resource for any community. Pleasure is power.”]. White supremacist patriarchy doesn’t really want us to know that our reproductive bodies are actually pleasurable ones. Births are supposed to be orgasmic, they’re not supposed to be painful. So the act of twerking became quickly a political act because I really linked it to my body being pleasurable—but I understood the economy behind it as well. A body that is pleasurable is a body that is not depending on capitalism. Like, I’m not depending on a doctor to give birth, I’m not depending on Ibuprofen when I have my period, and all those things.

I’ve been rolling my third eye for years, because I feel like the current conversation about twerking goes hand-in-hand in this bigger, economic strategy that white supremacist capitalism is deploying, which is making bodies that were marginal—black bodies, queer bodies—making them trendy. I feel blackness is so trendy right now. Like everybody wants to be black, but nobody wants to be black, and there’s a lot of phenomenas, like Miley Virus, that serve white supremacist patriarchy.

Part of what I’m trying to do with the twerkshops is to recreate the yonic spaces, the circular spaces, to learn and to de-hierarchize as well, and to have this sustainable, energetic cycle that is not just giving off to the male gaze or to a tourist gaze. I wanna see grassroots networks of Women of Color talking to each other. There’s an amazing author who I love called Casilda Rodrigáñez whose work I’m trying to translate into English and French. Basically she states that women need to get talking in circles and that’s the only way that this madness is gonna come to an end without killing us all, basically. And that’s what I want to achieve: circles.

Getty Images / Ilya S. Savenok	Getty Images / Ilya S. Savenok

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4 years, 6 months ago

 403410:51  To watch this video on BitCHUTE Click the Title Link Below:

Netflix PANICS After Outrage Over Disgusting Film ‘Cuties’ About Little Girls Twerking

Tim Pool

Tune in randomly for random videos i feel like making   1 year, 6 months ago

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TO CONTINUE TO PART 5: CLICK HERE

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