Disney A Magical Life

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RESTORED 7/25/25

DISNEYWORLD WHERE DREAMS COME TRUE…God knows today’s World LOVES DREAMERS.  EVERYBODY WANTS TO HAVE FUN, RIGHT?  AND WHAT IS WRONG WITH THAT?

It is getting harder and harder for average people to distinguish between reality and fantasy.  I look around me most days and all I can do is shake my head.  I find it tragic.  People are so far gone they don’t even realize what is happening to them.  Walking with their head in the clouds, longing to be among the stars, literally.  They live their life in a daze.  Normal – what does that mean anymore?

There are no adults anymore… well, they are out there but so few exist they disappear in the crowd.  No one wants to grow up, face responsibility, or search out the truth.  Whenever someone points it out to them, they lose their minds.

There are multiple players that are contributing to the phenomenon.  Today we are going to look at ONE VERY MAJOR INFLUENCER.

Disney is celebrating its 70th anniversary starting from May 16, 2025, through the summer of 2026. The festivities include special events, themed food and beverages, and a new show titled “Walt Disney – A Magical Life,” debuting on July 17, 2025. Disneyland will also feature the “Paint the Night” parade and various themed decorations throughout the park

“diversion, amusement, mirthful sport,” 1727, earlier “a cheat, trick” (c. 1700), from verb fun (1680s) “to cheat, hoax,” which is of uncertain origin, probably a variant of Middle English fonnen “befool” (c. 1400; see fond). Scantly recorded in 18c. and stigmatized by Johnson as “a low cant word.” Older senses are preserved in phrase to make fun of (1737) and funny money “counterfeit bills” (1938, though this use of the word may be more for the sake of the rhyme). See also funny. Fun and games “mirthful carryings-on” is from 1906.

fun(v.)

1680s, “to cheat;” 1833 “to make fun, jest, joke,” from fun (n.). Related: Funning.

fun(adj.)

mid-15c., “foolish, silly;” 1846, “enjoyable,” from fun (n.).

also from mid-15c.

Entries linking to fun

fond(adj.)
late 14c., “deranged, insane;” also “foolish, silly, unwise,” from fonned, past-participle adjective from obsolete verb fon, fonne (Middle English fonnen) “be foolish, be simple,” from Middle English fonne “a fool, stupid person” (early 14c.), which is of uncertain origin but perhaps from Scandinavian. Related: Fonder; fondest. The meaning evolved via “foolishly tender” to “having strong affections for” (by 1570s; compare doting under dote). Another sense of the verb fon was “to lose savor” (late 14c. in Middle English past participle fonnyd), which may be the original meaning of the word:

Gif þe salt be fonnyd it is not worþi [Wycliffe, Matthew v.13, c. 1380]

funny(adj.)
“humorous,” 1756, from fun (n.) + -y (2). Meaning “strange, odd, causing perplexity” is by 1806, said to be originally U.S. Southern (marked as colloquial in Century Dictionary). The two senses of the word led to the retort question “funny ha-ha or funny peculiar,” which is attested by 1916. Related: Funnier; funniest. Funny farm “mental hospital” is slang from 1962. Funny bone “elbow end of the humerus” (where the ulnar nerve passes relatively unprotected) is from 1826, so called for the tingling sensation when struck. Funny-man was originally (1854) a circus or stage clown.
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dote(v.)
c. 1200, doten, “behave irrationally, do foolish things, be or become silly or deranged,” also “be feeble-minded from age,” probably from an unrecorded Old English word akin to Middle Low German and Middle Dutch doten “be foolish, be out of one’s mind,” all of which are of unknown origin, or directly from these words. Century Dictionary and OED compare Dutch dutten “take a nap; mope;” Icelandic dotta “to nod, sleep;” Middle High German totzen “take a nap.” Wedgwood writes, “The radical sense seems to be to nod the head, thence to become sleepy, to doze, to become confused in the understanding.”From late 15c. as “be infatuated, bestow excessive love.” Also in Middle English “to decay, deteriorate,” in reference to rotten timber, etc. (mid-15c.). There was a noun dote “fool, simpleton, senile man” (mid-12c.), but Middle English Compendium considers this to be from the verb. Related: Doted; dotes; doting.
dotage(n.)
late 14c., “condition of being foolish; foolish love, infatuation,” literally “the condition of one who dotes,” from dote (v.) + -age. Also from late 14c. as “senility; feebleness or imbecility of mind in old age.”
DISNEY   DIS + NEY
dis(v.)
also diss, slang, by 1980, shortening of disrespect or dismiss, originally in African-American vernacular, popularized by hip hop. Related: Dissed; dissing. Earlier it was short for distribute in late 19c. printers’ slang and for disconnected in the telephone-line sense, and in this sense it was given a slang figurative extension as “weak in the head” (1925).

Dis

Roman underworld god, from Latin Dis, contracted from dives “rich,” which is related to divus “divine, god” (from PIE root *dyeu– “to shine,” in derivatives “sky, heaven, god”), hence “favored by god.” Compare Pluto and Old Church Slavonic bogatu “rich,” from bogu “god.”

Related entries & more

dis- (prefix)
word-forming element of Latin origin meaning 1. “lack of, not” (as in dishonest); 2. “opposite of, do the opposite of” (as in disallow); 3. “apart, away” (as in discard), from Old French des- or directly from Latin dis– “apart, asunder, in a different direction, between,” figuratively “not, un-,” also “exceedingly, utterly.” Assimilated as dif- before -f- and to di- before most voiced consonants. The Latin prefix is from PIE *dis– “apart, asunder” (source also of Old English te-, Old Saxon ti-, Old High German ze-, German zer-). The PIE root is a secondary form of *dwis- and thus is related to Latin bis “twice” (originally *dvis) and to duo, on notion of “two ways, in twain” (hence “apart, asunder”).In classical Latin, dis– paralleled de- and had much the same meaning, but in Late Latin dis- came to be the favored form and this passed into Old French as des-, the form used for compound words formed in Old French, where it increasingly had a privative sense (“not”). In English, many of these words eventually were altered back to dis-, while in French many have been altered back to de-. The usual confusion prevails.
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WHAT’S DIS?
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UPDATED: 4/12/22; UPDATE ADDED At the End 4/28/22 For many years now there have been voices raising the issue of the evil influence of DISNEY.  The subliminal messages were discovered long ago.  Sexual images in the cartoons, magic incantations in the music and visuals, sexual innuendos in the movies, videos, video games and animated television … Click Here to Read More

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 Ney Definitions.net

Numerology of Ney:
Chaldean Numerology is: 2; Pythagorean Numerology is: 8

  1. Ney – noun

    a fabric of twine, thread, or the like, wrought or woven into meshes, and used for catching fish, birds, butterflies, etc (catching men/souls)

  2. Ney – noun

    anything designed or fitted to entrap or catch; a snare; any device for catching and holding

    snare  – snâr – noun
    1. A trapping device, often consisting of a noose, used for capturing birds and small mammals.
    2. Something that lures or entangles the unwary.

    Blessed be the LORD, who hath not given us as a prey to their teeth. 7Our soul is escaped as a bird out of the snare of the fowlers: the snare is broken, and we are escaped.
    8Our help is in the name of the LORD, who made heaven and earth.

the Psalmist not to have a private interpretation, but to be applicable to all time; and we believe it is spoken concerning that arch-enemy of souls, the great deceiver, Satan, of whom we
just now sang,

“Satan, the fowler, who betrays
Unguarded souls a thousand ways.”

Ney –
“Ney” is a special kind of flute invented by the Persians about 5000 years ago 

SYMBOLISM OF THE FLUTE – Source

The flute has been used as a symbol of freedom and liberation in various cultures throughout history. When playing the flute, the musician can express and embody this unity and liberation through music.   In essence, the flute is more than just a musical instrument; it’s a symbol of the human spirit and its potential to connect with the divine and nature.   They are not talking about the Creator God of the Bible.

In ancient Egypt, a flute was believed to represent the music of the soul and was used in temple rituals to communicate with the divine. The Egyptian god Osiris was often depicted playing a flute. Flutes were played during religious ceremonies and believed to ward off evil spirits.

In Hinduism, the flute is a symbol of Lord Krishna, the divine figure associated with love, music, and life.  In Hinduism, the flute was often depicted in the hands of the god Krishna. His flute playing was said to attract both humans and animals and was seen as a way to connect with the divine. The music of the flute is said to represent the sound of the universe and the four elements: earth, water, fire, and air. In Hindu mythology, the goddess Saraswati is often depicted playing a seven-holed flute, which symbolizes the seven stages of love.

The Greeks considered the flute as a symbol of peace and serenity and used it in their festivities and ceremonies.   Greek philosopher Aristotle wrote about the therapeutic effects of music, and the flute was often played in ancient Greek healing rituals. In art and literature, the flute is frequently associated with the satyr, a half-man, half-goat creature who embodies sexual desire and the wildness of nature.  In Greece, the god Pan was known for playing the pan flute. . The flute was seen as a representation of his connection to nature and freedom.  Pan is the god of nature, fertility, and wilderness, and his flute is symbolic of his connection to the natural world. The music of his flute is believed to induce panic (from which the word “panic” is derived) and terror in humans. However, it also has the power to soothe savage beasts and calm the winds.

In Chinese mythology, the flute was considered a powerful tool for warding off evil spirits and was often played during exorcisms. In ancient China, the flute was associated with the four seasons and was believed to bring harmony and balance to the world. In Chinese culture, the seven-holed flute is associated with the legend of the shepherd boy, who used his flute to woo the weaver girl.

In Buddhist art, the flute is often associated with the bodhisattva Manjushri, who is depicted with a flute in some texts. Manjushri is the bodhisattva of wisdom and learning, and his flute symbolizes the power of music to awaken the mind and promote spiritual insight. The flute is also represented in Tibetan Buddhist art, where it is associated with the dakini, a female deity who embodies the enlightened feminine energy. The dakini is often depicted holding a flute and dancing, and her flute symbolizes the power of music and dance to awaken spiritual energy

To the Celts the flute was associated with the world of the faeries and magical beings

Native American tribes used flutes in their healing ceremonies to connect with nature and promote spiritual healing. In Native American culture, flutes were believed to carry prayers to the spirits. The flute was also thought to represent the human heart and the breath of life and seen as a symbol of the human spirit and its ability to soar freely. It was believed that the sound of the flute had the power to connect the physical and spiritual worlds, bringing balance and harmony to the body and mind. In Native American mythology, the flute is tied to the four directions: east, west, north, and south, and is thought to help people find their way in life.

In Navajo culture, the number 3 is associated with the holy number of the universe, which is represented by the three primary gods – The Father, the Mother, and the Son. Song and dance rituals are performed in groups of three to honor these divine entities, and the flute often plays a central role in these ceremonies.

In the Hopi culture, the number 3 is also associated with creation and harmony. The Hopi flute is constructed with three sections and is played during sacred rites and ceremonies to bring balance to the universe and honor the three aspects of existence – life, death, and rebirth.

The three sections of the Lakota flute represent the three kingdoms of the universe – mineral, plant, and animal. The Lakota use the flute in various ceremonies to honor these kingdoms, such as in the Sundance and Vision Quest rituals.

In Medieval Europe flutes were associated with courtly love and were often played to seduce potential lovers

  • Number 5: In many cultures, the number 5 is associated with the flute. This is because the flute has five holes and is played by blowing across the top of the instrument. In numerology, the number 5 represents creativity, freedom, and change. The five holes on the flute represent the five senses and the ability to use them in a creative way. The sound of the flute is said to bring about a sense of freedom and inspire change within the listener.
  • Healing: The sound of the flute is said to calm the mind and bring peace to the body. It is often used in meditation and spiritual ceremonies to help people connect with their inner selves and find balance in their lives. The flute is also used in traditional Native American medicine practices to help patients overcome physical and emotional pain.
  • Divine: In Hinduism, the flute is associated with Lord Krishna, a divine figure who is often depicted playing the instrument. Krishna is said to have used the flute to tempt and win over the hearts of his followers. The sound of the flute is believed to symbolize the call of the divine and to bring the listener closer to God.

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The Muse Euterpe invented the Flute.

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In The Magic Flute, the flute represents initiation and the soul’s journey towards enlightenment, reflecting the themes of the Age of Enlightenment1.

Occult symbolism in The Magic Flute

An illustration and explanation of the sacred science of occult symbolism

The reason we have chosen Mozart’s famous Masonic opera of The Magic Flute (Die Zauberflöte) to illustrate the practical application of the science of symbolism is because it is one of the best known examples of how genuine occult truths have been concealed in plain sight.

As many of you will know, Mozart and Schikaneder (who wrote the libretto) were both freemasons. When The Magic Flute was composed in the latter years of the 18th Century, freemasonry still preserved some of the teachings of the Ancient Mysteries, albeit in an often distorted and incomplete form. Although we do not know the full extent of the authors’ esoteric knowledge, it is probable that Mozart and his fellow freemasons would have been aware of many of the subjects we discuss in our various articles, and in particular, the importance and real meaning of Initiation.
This article and its additional information are too long to add here.  So, I strongly suggest you visit the website and read it, in order to get a better understanding of freemasonry and occult symbolism.   CLICK HERE

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Watch The Magic Flute for Free Online | Pluto TV

Mozart’s Magic Flute cartoon from 1994 ABC Afterschool Special with beginning advertisements in English.
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The Magic Flute by W A Mozart BBC Animation (Full 30 mins)

YouTube
Sense & Sensibility
10.1K views

The Magic Flute (2022) – Plot – IMDb

www.imdb.com/title/tt8206398/plotsummary/

THE MAGIC FLUTE: Das Vermächtnis der Zauberflöte Trailer German Deutsch (2022)
YouTube
KinoCheck
131.8K views
Jul 5, 2022
Das Vermächtnis der Zauberflöte) is a 2022 German musical fantasy film directed by Florian Sigl and written by Andrew Lowery, based on the 1791 opera of the same name by Wolfgang Amadeus Mozart.

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The Magic Flute movie review & film summary (2023)

Mar 10, 2023 · It takes place in a music boarding school in the mountains named for Mozart. The students are putting on a production of The Magic Flute. The school also has a secret magic passageway to an actual magic flute story.

https://www.rogerebert.com › reviews

‎The Magic Flute – Apple TV

Mar 10, 2023 · Facing a hostile headmaster, the stresses of first love and struggling with the authenticity of his singing voice, Tim is thrilled as he discovers a wondrous secret in the old school building – a gateway to a …
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It sure seems to me that Disney is very determined to ensure that children not only HEAR the sounds of the Flute, but that they learn to play it themselves.  So they become active participants in the transfer of SPIRITS.  
The photos you see below are not the totality of the books of music for the flute but just a sampling.  You can find many more online.  There are also recordings of the flute music as well as accompaniment tapes for the children.  
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 Just as the Flute is a MAGIC FLUTE, Disney World is known as a MAGIC KINGDOM.

MAGIC KINGDOM
magic(adj.)
“of or pertaining to magic; working or produced by enchantment; having supernatural qualities or powers,” late 14c., from Old French magique, from Latin magicus “magic, magical,” from Greek magikos, from magike  (see magic (n.)).  

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magic(n.)

late 14c., magike, “art of influencing or predicting events and producing marvels using hidden natural forces,” also “supernatural art,” especially the art of controlling the actions of spiritual or superhuman beings; from Old French magique “magic; magical,” from Late Latin magice “sorcery, magic,” from Greek magikē (presumably with tekhnē “art”),  fem. of magikos “magical.” This is from magos “one of the members of the learned and priestly class,” a borrowing of Old Persian magush, which is possibly from PIE root *magh- “to be able, have power.”It displaced Old English wiccecræft (see witch); also drycræft, from dry “magician,” from Irish drui “priest, magician” (see Druid).
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magic(v.)
“transform, produce, effect, etc. as if by magic,” 1864, from magic (n.). Related: Magicked; magicking.
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magical(adj.)
1550s, “of or pertaining to magic;” c. 1600, “resembling magic in action or effect,” from magic (n.) + -al (1). Related: Magically. The difference between magic (adj.) and magical is largely poetic, depending on the rhythm.

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mage(n.)
“magician, enchanter,” c. 1400, Englished form of Latin magus “magician, learned magician,” from Greek magos, a word used for the Persian learned and priestly class as portrayed in the Bible (said by ancient historians to have been originally the name of a Median tribe), from Old Persian magush “magician” (see magic and compare magi). 
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magi(n.)
c. 1200, “skilled magicians, astrologers,” from Latin magi, plural of magus “magician, learned magician,” from Greek magos, a word used for the Persian learned and priestly class as portrayed in the Bible (said by ancient historians to have been originally the name of a Median tribe), from Old Persian magush “magician” (see magic). Also, in Christian history, the “wise men” who, according to Matthew, came from the east to Jerusalem to do homage to the newborn Christ (late 14c.). Related: Magian.
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enchantment(n.)
c. 1300, enchauntement, “act of magic or witchcraft; use of magic; magic power,” from Old French encantement “magical spell; song, concert, chorus,” from enchanter “bewitch, charm,” from Latin incantare “enchant, cast a (magic) spell upon,” from in- “upon, into” (from PIE root *en “in”) + cantare “to sing” (from PIE root *kan- “to sing”). Figurative sense of “allurement” is from 1670s. Compare Old English galdor “song,” also “spell, enchantment,” from galan “to sing,” which also is the source of the second element in nightingale.
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magician(n.)
late 14c., “one skilled in magic or sorcery,” from Old French magiciien “magician, sorcerer,” from magique (see magic (n.)). As “practitioner of legerdemain,” by 1590s.
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legerdemain(n.)
early 15c., “conjuring tricks, sleight of hand,” from Old French léger de main “quick of hand,” literally “light of hand.” Léger “light” in weight (Old French legier, 12c.) is from Latin levis “light” (from PIE root *legwh- “not heavy, having little weight”). It is cognate with Spanish ligero, Italian leggiero “light, nimble” (hence also leger line or ledger line in music). Main “hand” is from Latin manus (from PIE root *man- (2) “hand”).

juggle(v.)
late 14c., jogelen, “entertain by clowning or doing conjuring tricks,” back-formation from juggler, and in part from Old French jogler “play tricks, sing songs” (Modern French jongler), from Late Latin ioculare (source of Italian giocolare), from Latin ioculari “to jest” (see jocular).From c. 1400 as “deceive, put (someone) under a spell.” Especially of tricks of manual dexterity and legerdemain from mid-15c. Figurative use, of careers, husbands, etc., is by 1940. Related: Juggled; juggling.
gramary(n.)
early 14c., gramarye, “grammar,” also “learning, erudition,” hence “magic, enchantment” (late 15c.), a variant of grammar; perhaps from Old French gramare, gramaire “grammar,” also “book of conjuring or magic“ (hence Modern French grimaire “gibberish, incomprehensible nonsense”). Gramarye was revived by Scott (“Lay of the Last Minstrel,” 1805) in the “dark magic“ sense.
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*magh-
Proto-Indo-European root meaning “to be able, have power.” It might form all or part of: dismay; deus ex machina; may (v.1) “am able;” might (n.) “bodily strength, power;” main; machine; mechanic; mechanism; mechano-; mage; magi; magic.It might also be the source of: Sanskrit mahan “great;” Greek mēkhanē “device, means,” mekhos, makhos “means, instrument;” Old Church Slavonic mošti, Russian moč’ “can, be able;” Old English mæg “I can,” Gothic mag “can, is able,” Old High German magan, Old Norse magn “power, might.”
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sorcery(n.)
c. 1300, sorcerie, “witchcraft, magic, enchantment; act or instance of sorcery; supernatural state of affairs; seemingly magical works,” from Old French sorcerie, from sorcier “sorcerer, wizard,” from Medieval Latin sortiarius “teller of fortunes by lot; sorcerer,” literally “one who influences fate or fortune,” from Latin sors (genitive sortis) “lot, fate, fortune” (see sort (n.)).
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kingdom(n.)

Old English cyningdom; see king (n.) + -dom. Cognate with Old Saxon kuningdom, Middle Dutch koninghdom, Old Norse konungdomr. The usual Old English word was cynedom; Middle English also had kingrick (for second element, see the first element in Reichstag). Meaning “one of the realms of nature” is from 1690s.Kingdom-come (n.) “the next world, the hereafter” (1785), originally slang, is from the Lord’s Prayer, where it is an archaic simple present subjunctive (“may Thy kingdom come”) in reference to the spiritual reign of God or Christ.

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United Kingdom
“kingdom of Great Britain,” attested from 1706; see united + kingdom.

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Burgundy(n.)
region, kingdom, duchy, and province in France, from Medieval Latin Burgundia, from Late Latin Burgundiones, literally “highlanders,” from PIE *bhrgh-nt- “high, mighty,” from root *bhergh- (2) “high.” The Burgundians were a Germanic people, originally from what is now Sweden, who migrated and founded a kingdom west of the Rhine in 411. Their story is told in the 12c. Nibelungenlied. As “wine made in Burgundy,” 1670s; as a color resembling that of the wine, 1881 (burgundy rose as a color is from 1872). Related: Burgundian.
realm(n.)
c. 1300, reaume, “kingdom, domain under a sovereign, royal jurisdiction,” from Old French reaume, later realme, variants (in part by influence of Old French reial “regal,” from Latin regalis) of roiaume “kingdom.”This is possibly from a Gallo-Romance *regiminem, “formed as an accusative on Latin regimen government, rule” [Barnhart; see regimen], or from or as if from Vulgar Latin *regalimen “a kingdom,” from Latin regalis [Century Dictionary, OED 1989; see regal], or some combination of the two [Klein]. Realty and royalty tended to come out of Old French in similar forms, and roylty in Middle English also could be spelled realty (14c., from Old French reaute, realte).The modern spelling predominates from c. 1600. The transferred or figurative sense of “sphere of activity; area of power, influence, or operation” is attested from late 14c.

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The Ancient Mystery Religion – The MAGI(CIANS)

 by 

This topic is hugely overwhelming.  So much information to review, sort through, gather together and put into a format that is easy to view and enlightening.  I pray that I am a faithful servant and have followed God’s leading.  Only when He speaks are lives changed.  Stay with me through this series.  We will dig … Click Here to Read More

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Wonderful World of Disney – Intro (1997) 
YouTube
Atomora Archive
215.1K views
May 2, 2021

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WONDERFUL WORLD OF DISNEY
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wonderful(adj.)
late Old English wunderfoll, “extraordinary, marvelous; unnatural, magical” see wonder (n.) + -ful. By c. 1200 as “of exceptional quality, so far above the common as to seem marvelous;” mid-14c. as “of the nature to excite astonishment,” also “great in degree.” Related: Wonderfully; wonderfulness. Old English wundorlic “extraordinary; puzzling; divine; terrifying” survived into Middle English as wonderli.
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wonder(n.)
Middle English, from Old English wundor “strange or marvelous thing, unheard of or supernatural event; object of astonishment,” from Proto-Germanic *wundran (source also of Old Saxon wundar, Middle Dutch, Dutch wonder, Old High German wuntar, German wunder, Old Norse undr), a word of unknown origin.By late Old English as “cause of perplexity, a conundrum.” In Middle English it also came to mean the emotion of amazement or reverential awe excited by novelty or something extraordinary and not well understood (late 13c.). By mid-14c. as “a spectacle.”
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wonder(v.)

Middle English wondren, from Old English wundrian “be astonished, be struck with amazement,” also “admire; make wonderful, magnify,” from the source of wonder (n.) and like it of unknown origin. Germanic cognates include Dutch wonderen, Old High German wuntaron, German wundern.
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world(n.)
Middle English, from Old English woruld, worold “human secular existence, pursuits, pleasures, and worries of this life,” also “a long period of time,” also “the human race, mankind, humanity” (but not “the earth”), a word peculiar to Germanic languages, with a literal sense of “age of man.”It is reconstructed to be from a Proto-Germanic compound of *wer “man” (Old English wer, still in werewolf; see virile) and *ald “age” (Old English ald; see old). Cognates include Old Saxon werold, Old Frisian warld, Dutch wereld, Old Norse verold, Old High German weralt, German Welt). Latin saeculum can mean both “age” and “world,” as can Greek aiōn.Originally “life on earth, this world (as opposed to the afterlife).” The sense extended to “the known world,” then to “the physical world in the broadest sense, creation, the universe” (by c. 1200).The oldest sense is in world without end (translating Latin saecula saeculorum), and in worldly. In theology especially “that part of humanity devoted to secular affairs and pleasures of the present state” (mid-14c.), a sense often revived by later sects. In modern scientific conception, “planetary body conceived of as peopled,” by 1713. In Old English gospels, the commonest word for “the physical world,” was Middangeard (Old Norse Midgard), literally “the middle enclosure” (see yard (n.1)), which is rooted in Germanic cosmology. Greek kosmos in its ecclesiastical sense of “world of people” sometimes was rendered in Gothic as manaseþs, literally “seed of man.” The usual Old Norse word was heimr, literally “abode” (see home).According to Buck, words for “world” in some other Indo-European languages derive from the root for “bottom, foundation” (such as Irish domun, Old Church Slavonic duno, related to English deep); the Lithuanian word is pasaulis, from pa- “under” + saulė “sun.”

Do You Believe in Magic Part 1

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THE WONDERFUL WORLD  OF MAGIC WHO DOESN’T WANT TO BELIEVE?? Pinnochio Theme Song When you wish upon a star, Makes no difference who you are Anything your heart desires, Will come to you If your heart is in your dream, No request is too extreme When you wish upon a star, As dreamers do Fate is kind, She … Click Here to Read More

Disney
surname attested from mid-12c. (William de Ysini), from Isigny in the Calvados region of Normandy. Disneyesque, in reference to the cartooning style of U.S. animator and producer Walt Disney (1901-1966), is attested by 1939.
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The term “Isigny” refers to a commune in the Calvados department of Normandy, France. The name is believed to derive from the Latin “Isiniacum,” which is thought to be based on the Germanic name “Iso”4. Isigny is historically significant for its dairy industry, particularly known for its AOC butter and cheeses like Camembert and Mimolette1. Additionally, the surname “Disney” is derived from the name “d’Isigny,” indicating a connection to this historical commune    Source

Isigny-sur-Mer (French pronunciation: [iziɲi syʁ mɛʁ] ⓘ, literally Isigny on Sea) is a commune in the Calvados department and Normandy region of north-western France
The Disney surname is derived from the town.[4] The earliest known ancestor of Walt Disney, with a similar name, was Jean-Christophe d’Isigny (“of Isigny”),[5] the branch settled in what is today called Norton Disney in England.  Source
iso-
before vowels often is-, word-forming element meaning “equal, similar, identical; isometric,” from Greek isos “equal to, the same as; equally divided; fair, impartial (of persons); even, level (of ground),” as in isometor “like one’s mother.” In English used properly only with words of Greek origin; the Latin equivalent is equi- (see equi-).
 Latin suffix -iacum is a suffix that typically indicates a quality or state. It is derived from the Latin word “iacus,” which means “to be” or “to exist.” In medical terminology, it is often used to denote a condition or state, such as in “irritable,” indicating a state of being irritable1.

So, it seems that the name Disney which comes from d’Isigny means something like to “exist equally.”  

Peter Pan & The Lost Generation – Part 1 of 4

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PETER PAN  &  The Lost Generation They NEVER  want to GROW UP! Update: 3/21/19  – Video Added The VANISHING AMERICAN ADULT Original Post: June 27, 2015, Updated December 2018 It was during my early years, that our society began to be bombarded with the romantic tale of a boy who refused to grow up. This came right … Click Here to Read More

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Disney’s Secrets: Underground Tunnels & Cages/CIA Drug & Human Smuggling/Occult Pedo Epstein Island!
ChristianPatriotNews

Disneyland(n.)

in figurative sense of “land of make-believe” attested by 1956, from U.S. entertainment park (opened in 1955) created by animator and producer Walter E. Disney (1901-1966).
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make-believe(n.)
“pretense, false or fanciful representation,” 1811, from the verbal phrase make believe, which was used in children’s talk by 1773 for “pretend;”
see make (v.) + believe. As an adjective, “unreal, sham, pretended,” by 1824. The noun form make-belief (1833) was “Substituted by some
writers for MAKE–BELIEVE; the formation of the latter, being misunderstood, was imagined to be incorrect” [OED].Let’s-pretend (n.) in the same sense is attested by 1904 (the verbal phrase is from 1848). To make believe (v.) in the sense “cause to believe”
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believe(v.)
Middle English bileven, from Old English belyfan “to have faith or confidence” (in a person), earlier geleafa (Mercian), gelefa (Northumbrian), gelyfan (West Saxon), from Proto-Germanic *ga-laubjan “to believe,” perhaps literally “hold dear (or valuable, or satisfactory), to love” (source also of Old Saxon gilobian “believe,” Dutch geloven, Old High German gilouben, German glauben), ultimately a compound based on PIE root *leubh- “to care, desire, love” (see belief).The meaning “be persuaded of the truth of” (a doctrine, system, religion, etc.) is from mid-13c.; the meaning “credit upon the grounds of
authority or testimony without complete demonstration, accept as true” is from early 14c. The general sense of “be of the opinion, think” is from c. 1300. Related: Believed (formerly occasionally beleft); believing.spacer 
make(v.)
Old English macian “to give being to, give form or character to, bring into existence; construct, do, be the author of, produce; prepare, arrange, cause; behave, fare, transform,” from West Germanic *makōjanan “to fashion, fit” (source also of Old Saxon makon, Old Frisian makia “to build, make,” Middle Dutch and Dutch maken, Old High German mahhon “to construct, make,” German machen “to make“), from PIE root *mag- “to knead, fashion, fit.” If so, sense evolution perhaps is via prehistoric houses built of mud. It gradually replaced the main Old English word, gewyrcan (see work (v.)).
imagination(n.)
“faculty of the mind which forms and manipulates images,” mid-14c., ymaginacion, from Old French imaginacion “concept, mental picture; hallucination,” from Latin imaginationem (nominative imaginatio) “imagination, a fancy,” noun of action from past participle stem of imaginari “to form an image of, represent”), from imago “an image, a likeness,” from stem of imitari “to copy, imitate” (from PIE root *aim- “to copy”) 
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imaginative(adj.)
late 14c., ymaginatyf, “pertaining to imagination; forming images, given to imagining,” from Old French imaginatif and directly from Medieval Latin imaginativus, from imaginat-, stem of Latin imaginari “picture to oneself” (see imagine). Meaning “resulting from imagination“ is from 1829. Related: Imaginatively; imaginativeness.
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imagine(v.)
mid-14c., “to form a mental image of,” from Old French imaginer “sculpt, carve, paint; decorate, embellish” (13c.), from Latin imaginari “to form a mental picture, picture to oneself, imagine” (also, in Late Latin imaginare “to form an image of, represent”), from imago “an image, a likeness,” from stem of imitari “to copy, imitate” (from PIE root *aim- “to copy”). Sense of “suppose, assume” is first recorded late 14c. Related: Imagined; imagining.
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imaginable(adj.)
late 14c., ymaginable, from Old French imaginable and directly from Late Latin imaginabilis, from Latin imaginari “picture to oneself” (see imagine). Related: Imaginably.
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*aim-
Proto-Indo-European root meaning “to copy.” It might form all or part of: emulate; emulation; emulous; image; imaginary; imagination; imaginative; imagine; imago; imitable; imitate; imitative; imitator; inimitable.It might also be the source of: Latin imago “image,” aemulus “emulous,” imitari “to copy, portray, imitate;” Hittite himma- “imitation, substitute.”
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fictitious(adj.)
1610s, “artificial, counterfeit;” 1620s, “existing only in imagination,” from Medieval Latin fictitius, a misspelling of Latin ficticius “artificial, counterfeit,” from fictus “feigned, fictitious, false,” past participle of fingere “to shape, form, devise, feign” (from PIE root *dheigh- “to form, build”). Related: Fictitiously; fictitiousness.
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schema(n.)
plural schemata, 1796, in Kantian philosophy (“a product of the imagination intermediary between an image and a concept“), from Greek skhēma “figure, appearance, the nature of a thing,” which is related to skhein “to get,” and ekhein “to have, hold; be in a given state or condition” (from PIE root *segh- “to hold”). The meaning “diagrammatic representation” is from 1890; the general sense of “hypothetical outline” is by 1939.
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romancer(n.)
mid-14c., “chronicler writing in French,” from Anglo-French romancour, Old French romanceour, from romanz (see romance (n.)). From 1660s as “one who writes extravagant fictions;” later, “one inclined to romantic imagination“ (the main 19c. sense); modern use for “seducer, wooer having a romantic quality” appears to be a new formation c. 1967 from romance (v.).
Mickey Mouse
cartoon mouse character created 1928 by U.S. animator Walt Disney (1901-1966). As an adjective meaning “small and worthless, petty, inconsequential” it was in use by 1951, perhaps from the popularity of the cheaply made Mickey Mouse wristwatch; it was used by 1935 in reference to mediocre dance-band music, based on the type of tunes played as background in cartoon films.
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mouse(n.)
Middle English mous, from Old English mus “small rodent,” also “muscle of the arm” (compare muscle (n.)); from Proto-Germanic *mus (source also of Old Norse, Old Frisian, Middle Dutch, Danish, Swedish mus, Dutch muis, German Maus “mouse“).This is from PIE *mus-, the old Indo-European name of the mouse, retained in several language families (source also of Sanskrit mus “mouse, rat,” Old Persian mush “mouse,” Old Church Slavonic mysu, Latin mus, Lithuanian muse “mouse,” Greek mys “mouse, muscle”).Plural form mice (Old English mys) shows effects of i-mutation. As a type of something timid or weak, from late 14c. Contrasted with man (n.) from 1620s (nor man nor mouse).
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ARE YOU A MEMBER OF THE CLUB??
What we wear on our heads is very significant spiritually.  Covering your head demonstrates submission to authority and devotion to your god.
    • Respect:Wearing a head covering can signify submission the divine.
    • Protection: Some believe head coverings shield from negative energies or distractions.
    • Identity: It can affirm one’s spiritual or religious identity and beliefs.
    • Unity: Within a community, it fosters a sense of belonging and collective spirituality.

DO YOU BELONG TO THE CHURCH OF DISNEY??  

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Jiminy(interj.)
exclamation of surprise, by Jiminy!, 1803, colloquial form of Gemini (by Gemini is attested from 1802), a disguised oath.  The extended form Jiminy cricket (or crickets) is attested from 1848, according to OED 2nd edition (1989), and likely is a colloquial euphemism for Jesus Christ (compare also Jiminy Christmas, from 1873). It was in dialogue in printed stories by 1880s and taken into the Pinocchio fairy tale by Disney (1940) to answer to Italian Il Grillo Parlante “the talking cricket.”
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twitterpated(adj.)
1942, apparently first attested in the Walt Disney movie “Bambi” (there also was a song by that name but it was not in the studio release of the film), a past-participle adjective formed from twitter in the “tremulous excitement” noun sense (1670s) + pate (n.2) “head” (compare flutterpated, 1894).

Flower, Bambi, Thumper: Twitterpated?

Friend Owl: Yes. Nearly everybody gets twitterpated in the springtime. For example: You’re walking along, minding your own business. You’re looking neither to the left, nor to the right, when all of a sudden you run smack into a pretty face. Woo-woo! You begin to get weak in the knees. Your head’s in a whirl. And then you feel light as a feather, and before you know it, you’re walking on air. And then you know what? You’re knocked for a loop, and you completely lose your head!

Thumper: Gosh, that’s awful.

goofy(adj.)
1921, from goof + -y (2). The Disney character of that name began life c. 1929 as “Dippy Dawg.”
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dippy(adj.)
“mad, insane, crazy,” especially in love, 1903, perhaps from dip + -y (2), but the exact signification is unclear. Another theory connects it with dipsomania.
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dip(n.2)

“stupid person, eccentric person,” 1920s slang, perhaps a back-formation from dippy. “Dipshit is an emphatic form of dip (2); dipstick may be a euphemism or may reflect putative dipstick ‘penis’ “ [DAS].
dumbo
“stupid person,” by 1951, American English, from dumb (adj.). The Disney musical cartoon is from 1941; in it the elephant’s name is a mocking nickname based on Jumbo.
Related entries & more
dumb(adj.)
Old English dumb, of persons, “mute, silent, refraining from speaking or unable to speak,” from Proto-Germanic *dumbaz “dumb, dull,” which is perhaps from PIE *dheubh- “confusion, stupefaction, dizziness,” from root *dheu- (1) “dust, mist, vapor, smoke,” also expressing related notions of “defective perception or wits.” The -b has probably been silent since 13c. Related: Dumbly; dumber; dumbest. Of animals, “lacking in speech,” hence “without intellect” (c. 1200). The fork in meaning probably comes via the notion of “not responding through ignorance or incomprehension.”
Applied to silent contrivances, hence dumb-waiter. Dumb ox “stupid man” is by 1756; dumb-bunny “stupid person” is college slang from 1922; dumb blonde “woman seen as incapable of comprehending anything complicated” is by 1936.
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wish(v.)
Middle English wishen, from Old English wyscan “feel intense longing, cherish a desire” for something, obtainable or not, from Proto-Germanic *wunsk-, which is reconstructed to be from PIE root *wen- (1) “to desire, strive for.”Related: Wished; wisher; wishing. Wishing well as “enchanted water hole” is attested by 1819. Germanic cognates include Old Norse œskja, Danish ønske, Swedish önska, Middle Dutch wonscen, Dutch wensen, Old High German wunsken, German wunschen  “to wish.”
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wish(n.)
early 14c., “act of wishing, mental action of yearning or desiring,” also “what one wishes for;” from wish (v.). Cognate with Old Norse osk, Middle Dutch wonsc, Dutch wens, Old High German wunsc, German Wunsch “a wish.”

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DISNEYLAND – WHERE DREAMS COME TRUE

Disney’s Parade of Dreams – Disneyland 50th Anniversary 2005 – Train Station View During Holidays
YouTube
MouseSteps / JWL Media
34K views
Mar 27, 2021

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dream(n.)
“sequence of sensations or images passing through the mind of a sleeping person,” mid-13c., probably related to Old Norse draumr, Danish drøm, Swedish dröm, Old Saxon drom “merriment, noise,” Old Frisian dram “dream,” Dutch droom, Old High German troum, German Traum “dream.” These all are perhaps from a Proto-Germanic  *draugmas  “deception, illusion, phantasm” (source also of Old Saxon bidriogan, Old High German triogan, German trügen “to deceive, delude,” Old Nor ugr “ghost, apparition”). Possible cognates outside Germanic are Sanskrit druh- “seek to harm, injure,” Avestan druz- “lie, deceive.”
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dream(v.)
mid-13c., dremen, “to have a dream or dreams, be partly and confusedly aware of images and thoughts during sleep,” from dream (n.). Transitive sense of “see in a dream” is from c. 1300. Sense of “think about idly, vainly, or fancifully; give way to visionary expectation” is from late 14c. Related: Dreamed; dreaming. To dream up “picture (something) in one’s mind” is by 1941.In the older sense of “sing, rejoice, play music,” it is from Old English drēman (Anglian); dryman (West Saxon), from the Old English noun. This was obsolete from c. 1300.
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day-dream(n.)
also daydream, “a reverie, pleasant and visionary fancy indulged in when awake,” 1680s, from day + dream (n.). As a verb, attested from 1820. Related: Day-dreamer; day-dreaming. Daymare “feeling resembling a nightmare experienced while awake” is from 1737.
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dream-world(n.)

“world of dreams or illusions,” 1817, from dream (n.) + world.
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Ancient Greek Dream Gods: The Oneiroi – Morpheus and His Brothers

Waterhouse ‘Sleep and His Half-Brother Death’ (1874). (Public Domain)

Greek mythology depicts its deities as belonging to one big family, and people today can still recognize its most prominent members. Most people are familiar with the Olympians, the major deities of the Greek pantheon. Many would have also heard about the Titans, the predecessors of the Olympian gods. Yet, the family tree of the Greek gods consists of more than just the Olympian gods and the Titans. There are gods whose existence predates even the Titans. One of these groups is the Oneiroi of Morpheus and his siblings.

Ovid describes Morpheus as being the most talented of his brethren in mimicking human beings. His mimicry of humans is not limited to physical appearances, but also includes voice, mood, gait, and even choice of words. Thus, he is the best choice for the gods when they wish to send images of human beings to sleeping mortals.

Comparing Three Oneiroi – Morpheus, Phobetor, and Phantasos

In Greek mythology, Morpheus is a god of dreams. According to the Greeks, Morpheus was born of Nyx, the personification of Night. The Romans believe, however, that Morpheus was the son of Somnus, the personification of Sleep, who was in turn a child of Nyx.

Regardless of his parentage, Morpheus is said to have numerous siblings, collectively known as the Oneiroi (the Greek word for dream, incidentally, being oneiros). Apart from Morpheus, two other Oneiroi can be identified by their names – Phobetor and Phantasos.

‘The Winged Man’ (1880) by Odilon Redon. (Public Domain) When not appearing in dreams, Oneiroi were said to have possessed human forms with wings on their backs.

Phobetor was thought to be the bringer of nightmares and had the ability to appear as animals or monsters; Phantasos was believed to bring surreal and strange dreams, and was able to appear as inanimate objects, such as stones or wood. In contrast to his two siblings, Morpheus brought messages and prophesies from the gods to mortals through the medium of dreams. Thus, he appeared particularly to kings and heroes and often took the appearance of a human being.

When not appearing in dreams, Morpheus and his brothers were said to have possessed human forms with wings on their backs. These wings would have allowed Morpheus and his brethren to easily reach those whose dreams they were assigned. In addition, it is said that Morpheus’ wings enabled him to save his father Somnus, who was wingless, from the wrath of Zeus on more than one occasion.

The Importance of Dreams in Ancient Greece

Dreams had such an important role in ancient Greece that writers put them into two categories – insignificant dreams that just reflected everyday fears and hopes of the day, and the significant ones that were visions of the future, visitations by ghosts or gods, and symbolic prophetic dreams that had to be interpreted. Some dreams were also thought to be able to heal. As Miriam Kamil notes:

“Prophetic dreams appear frequently in Greek literature, from myth to history to ancient inscriptions. Greek religious culture allowed people to believe in the truth of these apparent dreams from the gods. Among religious Greeks, this belief was so strong that people bought dream books and practiced rituals to induce prophetic dreams.”

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Disney Parks Introduces “Where Dreams Come True,” A Worldwide Initiative Tied To Global Consumer Insights

BURBANK, Calif. (June 7, 2006) – Disney Parks announced today a global initiative, “Where Dreams Come True,” which will unify its global efforts like never before and go to the very heart of what makes Disney Parks unique. Incorporating key insights from the successful Disneyland 50th anniversary, this new organizing principle will usher in a new era of broader global marketing and guest customization at Disney Parks and will be highlighted by Disney’s “Year of a Million Dreams” celebration.

“Where Dreams Come True” will be Disney’s first-ever initiative that fully integrates and encompasses its entire global portfolio of parks and resorts. It is rooted heavily in consumer insight – gained through two years of extensive research around the world – that reveals a singular view of Disney Parks.   You know they are talking about AI data collection.

“We have a great history of listening to our guests and through our research they have told us consistently, whether surveyed in London, New York City, Hong Kong, Los Angeles or Paris, that Disney Parks are synonymous with the idea of ‘Where Dreams Come True,’ ” said Jay Rasulo, chairman of Walt Disney Parks and Resorts. “The very notion is core to our DNA – our parks are indeed the places ‘Where Dreams Come True.’ “

The ideology of “Where Dreams Come True” will permeate virtually every consumer touch-point, beginning with the vacation planning process and continuing during the Disney Park vacation experience through to the return home. Consistent global messaging and visual iconography will be centered on the universally understood principle of dreams to ensure emotional resonance with audiences around the world.

“This initiative is global in reach from a marketing perspective because of the intrinsic power of the idea. After all, everybody has a dream – the notion crosses all cultures, languages and geographies,” said Michael Mendenhall, executive vice president, global marketing for Disney Destinations, LLC. “This initiative will speak in one voice to guests around the world and will permeate multiple consumer touch-points, taking our guests’ vacation experience to an altogether new level.”

The creative elements of the campaign leverage the findings of the consumer research insight that identified Disney Parks as transformational experiences. The series of inspirational video assets being created to support the event and campaign are designed to evoke an emotional response and convey in magical ways the emotional transformations that happen every day at Disney Parks worldwide.

Disney Parks has tapped a world-class team of creative visionaries to bring this global campaign to life. A team of top advertising talent, including top photographer Gus Butera and famed directors Tarsem and Leslie Dektor, will work in collaboration with agencies Leo Burnett, McGarry-Bowen and Yellow Shoes (Disney Parks’ in-house creative team) to implement Disney Parks’ first-ever worldwide advertising campaign.

In addition, Disney Parks announced today that it has added world-renowned photographer Annie Leibovitz to the creative team. Leibovitz will be creating a celebrity-based campaign that will convey how these experiences transport people from the ordinary to the extraordinary. In addition to photography, Leibovitz will – for the first time ever – use film production.

“This array of talent represents a true ‘Dream Team,’ ” Rasulo said, “and speaks to our excitement and commitment to our ‘Where Dreams Come True’ initiative.”

Ushering in an exciting era of interactivity, Disney Parks will employ new technologies that allow guests to customize aspects of their Disney vacations like never before. These technologies will allow the Disney Parks experience to begin for guests as soon as they begin planning their vacation, then deliver an unparalleled level of convenience and guest service during their “custom” visit to a Disney Park.   Now, they are talking about an even more envasive form of AI data collection, invading your privacy from your home, through your travels, and while you are at the park.

The unifying theme of “Where Dreams Come True” will be the platform for communications at each Disney Park across the world. And each park will add to the mix messages about events and milestones with special appeal for guests there – whether it is the 15th anniversary of Disneyland Paris Resort, the 25th anniversary of Tokyo Disneyland Resort or the continued introduction of the Disney Park experience to a new region of the world at Hong Kong Disneyland.

In the United States, Disney will launch the “Year of a Million Dreams” celebration on Oct. 1, 2006, at Disneyland Resort in California and Walt Disney World Resort in Florida. Building on the core equity of guest service that sets Disney apart from other brands, cast members at these Disney parks, for this year only, will award a million dreams, both large and small, to guests selected through a random process as part of the “Disney Dreams Giveaway.”

Dreams, granted on both coasts, will include an overnight stay in Cinderella Castle at Walt Disney World Resort or the Mickey Mouse Penthouse at Disneyland Resort, unique Disney vacation experiences, admission to special parties and theme park experiences, private meetings with favorite Disney characters, or a Golden FASTPASS ticket with unique access entitlements to some of Disney’s most popular attractions.

More information about “Where Dreams Come True” and the “Year of a Million Dreams” is available at www.disneyparks.com. No purchase necessary for the “Disney Dreams Giveaway” promotion – subject to official rules which will be available on Oct. 1, 2006. Odds of winning any prize will depend on the number of eligible entries. Void where prohibited
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amusement(n.)

1640s, “diversion of attention,” especially in military actions, from French amusement, noun of action from amuser (see amuse).
Meaning “a pastime, play, game, anything which pleasantly diverts the attention” (from duty, work, God, family, etc.) is from 1670s, originally depreciative; the meaning “pleasurable diversion” is attested from 1690s. Amusement hall is by 1862; amusement park is attested by 1897.

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amuse(v.)
late 15c., “to divert the attention, beguile, delude,” from Old French amuser “fool, tease, hoax, entrap; make fun of,” literally “cause to muse” (as a distraction), from a “at, to” (from Latin ad, but here probably a causal prefix) + muser “ponder, stare fixedly” (see muse (v.)).The original English senses are obsolete; the meaning “divert from serious business, tickle the fancy of” is recorded from 1630s, but through 18c. the primary meaning was “deceive, cheat” by first occupying the attention. “The word was not in reg. use bef. 1600, and was not used by Shakespere” [OED]. Bemuse retains more of the original meaning. Greek amousos meant “without Muses,” hence “uneducated.”
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bemuse(v.)
“to make utterly confused, put into muse or reverie, muddle, stupefy,” from be- + muse (compare amuse); attested from 1735 but probably older, as Pope (1705) punned on it as “devoted utterly to the Muses.”
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amusing(adj.)
1590s, “cheating;” present-participle adjective from amuse (v.). The sense of “interesting” is from 1712; that of “pleasantly entertaining, tickling to the fancy” is by 1826. It was noted late 1920s as a vogue word. Amusive has been tried in all senses since 18c. and might have been useful had it survived. Related: Amusingly; amusingness.
amused(adj.)
c. 1600, “distracted, diverted, cheated;” 1727 as “entertained;” past-participle adjective from amuse (v.).

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amusable(adj.)

“capable of being amused,” 1829 (from 1817 as a French word in English), from amuse (v.) + -able.
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muse(v.)
“to reflect, ponder, meditate; to be absorbed in thought,” mid-14c., from Old French muser (12c.) “to ponder, dream, wonder; loiter, waste time,” which is of uncertain origin; the explanation in Diez and Skeat is literally “to stand with one’s nose in the air” (or, possibly, “to sniff about” like a dog who has lost the scent), from muse “muzzle,” from Gallo-Roman *musa “snout,” itself a word of unknown origin. The modern word probably has been influenced in sense by muse (n.). Related: Mused; musing.
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Muse(n.)
late 14c., “one of the nine Muses of classical mythology,” daughters of Zeus and Mnemosyne, protectors of the arts; from Old French Muse and directly from Latin Musa, from Greek Mousa, “the Muse,” also “music, song,” ultimately from PIE root *men- (1) “to think.” Meaning “inspiring goddess of a particular poet” (with a lower-case m-) is from late 14c.The traditional names and specialties of the nine Muses are: Calliope (epic poetry), Clio (history), Erato (love poetry, lyric art), Euterpe (music, especially flute), Melpomene (tragedy),   Polymnia  (hymns),  Terpsichore  (dance),  Thalia  (comedy),  Urania  (astronomy).
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Calliope
Calliope, the ninth and chief muse, who presided over eloquence and epic poetry. A Latinized from Greek Kalliopē, literally “beauty of voice,” from kalli–, combining form of kallos “beauty” (see Callisto) + opos (genitive of *ops) “voice” (from PIE root *wekw- “to speak”).  “harsh-sounding steam-whistle keyboard organ,” 1858, named incongruously named Calliope
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Clio
“muse of history, muse who sings of glorious actions,” usually represented with a scroll and manuscript case, from Latin Clio, from Greek Kleio, literally “the proclaimer,” from kleiein “to tell of, celebrate, make famous,” from kleos “rumor, report, news; good report, fame, glory,” from PIE *klew-yo-, suffixed form of root *kleu- “to hear.”
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Erato
muse who presided over lyric poetry, literally “the Lovely,” from Greek Eratо̄, from erastos “loved, beloved; lovely, charming,” verbal adjective of eran “to love, to be in love with” (see Eros).
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Euterpe
muse of music, from Greek Euterpe, literally “well-pleasing,” from eu “well” (see eu-) + terpein “to delight, please” (see Terpsichore). “A divinity of joy and pleasure, inventress of the double flute, favoring rather the wild and simple melodies of primitive peoples than the more finished art of music, and associated more with Bacchus than with Apollo” [Century Dictionary]. Related: Euterpean.
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Melpomene
Muse of tragedy, originally of song and musical harmony, from Latin, from Greek Melpomene, literally “songstress,” from melpein “to sing, to celebrate with song and dance,” a word of unknown origin.
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Polymnia,
in Greek religion, one of the nine Muses, patron of dancing or geometry. In the Classical era, when the Mousai were assigned specific artistic and literary spheres, Polyhymnia was named Muse of religious hymns and portrayed as a woman in a pensive or meditative pose. Her name was derived from the Greek words poly- “many” and hymnos “praise” or “hymn.”
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Thalia
fem. proper name, from Latinized form of Greek Thaleia, “the joyful Muse,” to the Romans especially presiding over comedy and idyllic poetry, literally “the blooming one,” fem. proper name from adjective meaning “blooming, luxuriant, bounteous,” from thallein “to bloom,” related to thalia “abundance,” thalos, thallos “young shoot” (see thallus). Also the name of one of the three Graces, patroness of festive meetings. Related: Talia; Thalian.
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Terpsichore
the muse of the dance, Greek Terpsikhorē, in classical times the patroness of the choral dance and of the dramatic chorus developed from it; literally “dance-enjoying” or “enjoyment of dance,” from terpein “to delight” (from PIE root *terp- “to satisfy;” source also of Sanskrit trpyati “takes one’s fill,” Lithuanian tarpstu, tarpti “to thrive, prosper”) + khoros “dance, chorus” (see chorus). By 1711 as “a female dancer.”
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Urania
in Greek mythology the name of the Muse of astronomy and celestial forces, from Latin Urania, from Greek Ourania, fem. of ouranios, literally “heavenly,” from ouranos “heaven, the sky” (see Uranus).

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musing(n.)

late 14c., “act of pondering, meditation, thought,” verbal noun from muse (v.). Related: Musingly; musings.
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museum(n.)
1610s, “the university building in Alexandria,” from Latin museum “library, study,” from Greek mouseion “place of study, library or museum, school of art or poetry,” originally “a temple or shrine of the Muses,” from Mousa “Muse“ (see muse (n.)).  The earliest use in reference to English institutions was of libraries for scholarly study (1640s); the sense of “building or part of a building set aside as a repository and display place for objects relating to art, literature, or science” is recorded by 1680s.
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music(n.)
mid-13c., musike, “a pleasing succession of sounds or combinations of sounds; the science of combining sounds in rhythmic, melodic, and (later) harmonic order,” from Old French musique (12c.) and directly from Latin musica “the art of music,” also including poetry (also source of Spanish musica, Italian musica, Old High German mosica, German Musik, Dutch muziek, Danish musik), from Greek mousikē (technē) “(art) of the Muses,” from fem. of mousikos “pertaining to the Muses; musical; educated,” from Mousa “Muse” (see muse (n.)).The modern spelling is from 1630s. In classical Greece, any art in which the Muses presided, but especially music and lyric poetry.

Music is the sound of the universal laws promulgated. [Thoreau]

Meaning “the written or printed score of a composition” is from 1650s.
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saunter(v.)

c. 1500, santren “to muse, be in reverie,” a word of uncertain origin. The meaning “walk with a leisurely gait” is from 1660s, and may be a different word which, despite many absurd speculations, also is of unknown origin.Klein prints the theory (held by Skeat and Murray) that this sense of the word derives via Anglo-French sauntrer (mid-14c.) from French s’aventurer “to take risks.” Century Dictionary finds the theory involves difficulties but “it is the only one that has any plausibility,” but OED finds it “unlikely.” For the John Muir story, see here. 
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DISNEY – UNIVERSAL ORLANDO RESORTS
fantasy(n.)
early 14c., “illusory appearance,” from Old French fantaisie, phantasie “vision, imagination” (14c.), from Latin phantasia, from Greek phantasia “power of imagination; appearance, image, perception,” from  phantazesthai “picture to oneself,” from phantos “visible,” from phainesthai “appear,” in late Greek “to imagine, have visions,” related to phaos, phōs “light,” phainein “to show, to bring to light” (from PIE root *bha- (1) “to shine”).The sense of “whimsical notion, illusion” is pre-1400, followed by that of “fantastic imagination,” which is attested by 1530s. The sense of “day-dream based on desires” is from 1926. In early use in English also fantasie, phantasy, etc. As the name of a fiction genre, by 1939.
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fancy(v.)
“take a liking to,” 1540s, a contraction of fantasien “to fantasize (about),” from fantasy (n.). Meaning “imagine” is from 1550s. Related: Fancied;
fancies; fancying. Colloquial use in fancy that, etc. is recorded by 1813.
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fancy(n.)
mid-15c., fantsy “inclination, liking,” contraction of fantasy. It took the older and longer word’s sense of “inclination, whim, desire.” Meaning “the productive imagination” is from 1580s. That of “a fanciful image or conception” is from 1660s. Meaning “fans of an amusement or sport, collectively” is attested by 1735, especially (though not originally) of the prize ring. The adjective is recorded from 1751 in the sense “fine, elegant, ornamental” (opposed to plain); later as “involving fancy, of a fanciful nature” (1800). Fancy man attested by 1811.
*bha-(1)
*bhā-, Proto-Indo-European root meaning “to shine.”It might form all or part of: aphotic; bandolier; banner; banneret; beacon; beckon; buoy; diaphanous; emphasis; epiphany; fantasia; fantasy;
hierophant; pant (v.); -phane;  phanero-;  phantasm;  phantasmagoria;  phantom;  phase; phene;  phenetic;  pheno-;  phenology; phenomenon; phenyl;   photic; photo-; photocopy;  photogenic;  photograph;  photon;  photosy nthesis; phosphorus; phaeton; sycophant; theophany; tiffany; tryptophan.It might also be the source of: Sanskrit bhati “shines, glitters;” Greek phainein “bring to light, make appear, ” phantazein “make visible, display;” Old Irish ban “white, light, ray of light.”
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phantom(n.)
c. 1300, fantum, famtome, “illusion, unreality; an illusion,” senses now obsolete, from Old French  fantosme (12c.), from Vulgar Latin *fantauma, from Latin phantasma “an apparition,” from Greek phantasma “image, phantom, apparition; mere image, unreality,” from phantazein “to make visible, display,” from stem of phainein “to bring to light, make appear,” from PIE root *bha- (1) “to shine.” The ph- was restored in English late 16c. (see ph). Meaning “a specter, spirit, ghost” is attested from late 14c.; that of “something having the form, but not the substance, of a real thing” is from 1707. As an adjective from early 15c. (Coleridge used phantomatic for “phantom-like, unreal”). Phantom limb “sensation of the presence of an amputated arm or leg” is attested by 1871.
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mage(n.)
“magician, enchanter,” c. 1400, Englished form of Latin magus “magician, learned magician,” from Greek magos, a word used for the Persian learned and priestly class as portrayed in the Bible (said by ancient historians to have been originally the name of a Median tribe), from Old Persian magush “magician” (see magic and compare magi). An “archaic” word by late 19c. (OED), revived by fantasy games.
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illusion(n.)
mid-14c., “mockery, scorning, derision;” late 14c., “act of deception; deceptive appearance, apparition; delusion of the mind,” from Old French illusion “a mocking, deceit, deception” (12c.), from Latin illusionem (nominative illusio) “a mocking, jesting, jeering; irony,” from past-participle stem of illudere “mock at,” literally “to play with,” from assimilated form of in- “at, upon” (from PIE root *en “in”) + ludere “to play” (see ludicrous). Sense of “deceptive appearance” first developed in Church Latin. Related: Illusioned “full of illusions” (1920).
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illusive(adj.)
“deceptive, false, illusory,” 1670s, from stem of illusion + -ive. The older adjective is illusory.
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disillusion(v.)
“to free or be freed from illusion,” 1855, from a noun disillusion meaning “act of freeing from illusion“ (1814); see dis- + illusion. Related: Disillusioned; disillusioning.
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prestige(n.)
1650s, “trick, illusion, imposture” (senses now obsolete), from French prestige (16c.) “deceit, imposture, illusion“ (in Modern French, “illusion, magic, glamour”), from Latin praestigium  “delusion, illusion“ (see prestigious).From about 1815 it was used in the sense of “an illusion as to one’s personal merit or importance, a flattering illusion”
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illusionist(n.)
“conjurer, magic act performer,” 1840, from illusion + -ist. Earlier “one suffering from illusions” (1812). Middle English had illusor “deceiver, deluder.”
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cinematography(n.)
1896, with -y (4) + cinematograph “device for projecting a series of photographs in rapid succession so as to produce the illusion of movement” (1896), which has been displaced in English by its shortened form, cinema (q.v.). Related: Cinematographic.
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trompe l’oeil
deception of the eye to create illusion of reality in an illustration or painting, 1889, French, literally “deceives the eye,” from tromper “to deceive,” a verb of uncertain origin and the subject of many theories (see trump (v.2)). With oeil “eye,” from Latin oculus (from PIE root *okw- “to see”).

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diversion(n.)
early 15c., diversioun, “process of diverting,” from Medieval Latin diversionem (nominative diversio), noun of action from past-participle stem of Latin divertere (see divert). Meaning “act of turning aside from a course of action” is from c. 1600; that of “act of diverting (something) from its due or ordinary course” is from 1620s. Military meaning “act of drawing the attention and force of the enemy from the point where the principal attack is to be made” is from 1640s. Sense of “amusement, entertainment” is attested by 1640s, on the notion of “that which diverts the mind.” Hence, divertimento (1823), from the Italian form; originally “a musical composition designed primarily for entertainment.”
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panem et circenses
Latin, literally “bread and circuses,” supposedly coined by Juvenal and describing the cynical formula of the Roman emperors for keeping the masses content with ample food and entertainment.

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cosher(v.)
“to extort entertainment from, to levy extractions upon,” 1630s, apparently a phonetic spelling of Irish coisir  “feast, entertainment.” Related: Coshering (1570s).

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DISNEYLAND – THE HAPPIEST PLACE ON EARTH

Disneyland at 70 – Still The Happiest Place On Earth
YouTube
Hyperion Adventures Podcast

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Hapi

Hapi (Hep, Hap, Hapy) was a water and fertility god who was popular throughout Ancient Egypt. It is thought that his name was originally the predynastic name for the Nile. However, by the Dynastic period the Nile was known as “iterw” (“the river”) and the word was used to refer to the god of the Nile (the name “Nile” derives from the Greek word “Neilos” which was a corruption of the Egyptian word “nwy”, meaning “water”). He was worshiped throughout Egypt, but was particularly popular around Aswan and Gebel El-Silisila.

Hapi was the patron of Upper and Lower Egypt. In this capacity he was described as twin deities named Hap-Reset (Upper Egypt) and Hap-Meht (Lower Egypt). These deities were depicted either pouring water from a jug (representing the inundation) or tying together the heraldic plants of Upper and Lower Egypt (the papyrus and the lotus respectively) in a knot which resembled the hieroglyphic word “sema” (“joined”). This role, together with his connection with the Nile and the inundation, made him one of the most popular and powerful deities of Ancient Egypt and yet no temple has been discovered which was specifically dedicated to him.

One of the oldest references to Hapi is in the Pyramid Texts of Unas. Hapi (here called Hep) is linked to the Nome of Kenset (including the First Cataract and the islands of Elephantine, Sahel, Philae, and others) and to (Wepwawet, the opener of the ways).

The texts implore Hapi and Wepwawet send a good inundation. According to myth, the river flowed from Hapi’s home (near the First Cataract) through the heavens and the land of the dead before emerging from a cave somewhere in the mountains. The inundation was referred to as the “Arrival of Hapi” and during the flood the Egyptians would place statues of the god in the towns and cities so that they could implore his assistance at that time. They would throw offerings into the river at places sacred to the god to ensure the inundation was not too low (leaving insufficient water for the crops) or too high (risking the destruction of their mud-brick homes).

The gods Khnum, Anuket, and Satet were the guardians of the source of the Nile who ensured that the correct amount of silt was left by the waters, but Hapi controlled the water itself. He was also associated with the Delta and given the epithet “Lord of the Fishes and Birds of the Marshes”.

As a god of water, he was often associated with Nun (the personification of the primeval waters of chaos in the Ogdoad theology from Heliopolis) and was described as the husband of Naunet (Nun’s wife and female aspect). Because the sun god (Ra or Atum) emerged from the waters of Nun on the first day of creation, Hapi was sometimes considered to be the father of the sun god and therefore the father of all life forms. It is probably because of these solar connections that Akhenaten did not reject hapi along with Amun and the majority of the other gods, instead describing him as an incarnation of The Aten.

He was also associated with Osiris because of his link to the Nile and fertility. As a result, Isis was sometimes considered to be his female counterpart or his wife. The Pyramid Texts make it clear that many of the ancient goddesses (for example Mut) were linked with Hapi as aspects of Isis. He was also the husband of Nekhebet in Upper Egypt and Wadjet in Lower Egypt, both goddesses were at times associated with Isis.

Hapi was depicted as a plump man with large breasts and blue or green skin wearing the false beard of the pharaoh. The female breasts and his skin colour are a reminder that he is a fertility god, while the false beard reaffirms his link to the pharaoh. As the patron of Upper and Lower Egypt Hapi was often depicted as twin deities; Hap-Reset who wears the papyrus of Upper Egypt on his headdress and Hap-Meht who wears the lotus of Lower Egypt on his headdress. When he is depicted as a single god he often carries both the papyrus and lotus.

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Hapi was depicted as a plump man with large breasts and blue or green skin wearing the false beard of the pharaoh. The female breasts and his skin colour are a reminder that he is a fertility god,while the false beard reaffirms his link to the pharaoh. As the patron of Upper and Lower Egypt Hapi was often depicted as twin deities; Hap-Reset who wears the papyrus of Upper Egypt on his headdress and Hap-Meht who wears the lotus ofLower Egypton his headdress.When he is depicted as a single god he often carries both the papyrus and lotus.

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happy(adj.)

late 14c., “lucky, favored by fortune, being in advantageous circumstances, prosperous;” of events, “turning out well,” from hap (n.) “chance, fortune” + -y (2). The sense of “very glad” is recorded by late 14c. The meaning “greatly pleased and content” is from 1520s.Related: Happier; happiest. Old English had eadig (from ead “wealth, riches”) and gesælig, which has become silly. Old English bliðe “happy” survives as blithe. From Greek to Irish, a great majority of the European words for “happy” at first meant “lucky.” An exception is Welsh, where the word used first meant “wise.”

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Fortuna
Roman goddess
Fortuna, in Roman religion, goddess of chance or lot who became identified with the Greek Tyche; the original Italian deity was probably regarded as the bearer of prosperity and increase. As such she resembles a fertility deity, hence her association with the bounty of the soil and the fruitfulness...

Tyche (Greek goddess)

Tyche, in Greek religion, the goddess of chance, with whom the Roman Fortuna was later identified; a capricious dispenser of good and ill fortune. The Greek poet Hesiod called her the daughter of the Titan Oceanus and his consort Tethys; other writers attributed her fatherhood to Zeus, the supreme …
fortune(n.)
c. 1300, “chance, luck as a force in human affairs,” from Old French fortune “lot, good fortune, misfortune” (12c.), from Latin fortuna “chance, fate, good luck,” from fors (genitive fortis) “chance, luck,” Sense of “owned wealth” is first found in Spenser; probably it evolved from senses of “one’s condition or standing in life,” hence “position as determined by wealth,” then “wealth, large estate” itself. Often personified as a goddess; her wheel betokens vicissitude. 

luck(n.)
c. 1500, “fortune good or bad, what happens to one by chance (conceived as being favorable or not); good luck, quality of having a tendency to receive desired or beneficial outcomes,” not found in Old English, probably from early Middle Dutch luc, shortening of gheluc “happiness, good fortune,” a word of unknown origin. It has cognates in Modern Dutch geluk, Middle High German g(e)lücke, German Glück “fortune, good luck.”  Perhaps first borrowed in English as a gambling term.     hmm, we see here that the true root of LUCK is LUC as in Lucifer!
LUCK, Fortune, and Happiness… all are dependent on circumstances as opposed to JOY, Gladness, and Blessings which are gifts GOD Our Father and Creator gives to his Children.  

 

-happy
word-forming element used in World War II armed forces slang and after, meaning “crazed or frazzled from stress due to” the thing specified (as in bomb-happy (1942), flak-happy (1943), trigger-happy (1942). The model might have been slap-happy in pugilism from 1936 as a slang variant of “punch-drunk.”
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happiness(n.)
1520s, “good fortune,” from happy + -ness. Meaning “pleasant and contented mental state” is from 1590s

fond(adj.)
late 14c., “deranged, insane;” also “foolish, silly, unwise,” from fonned, past-participle adjective from obsolete verb fon, fonne (Middle English fonnen) “be foolish, be simple,” from Middle English fonne “a fool, stupid person” (early 14c.), which is of uncertain origin but perhaps from Scandinavian. Related: Fonder; fondest. The meaning evolved via “foolishly tender” to “having strong affections for” (by 1570s; compare doting under dote).
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Disneyland/Disney World is chuck full of symbolism with hidden meanings and occulted messages.  Disney was a member of the Occult.  A high level freemason.  We know that they communicate through symbols, numbers and jestures.
Sema/Zen(n.)
school of Mahayana Buddhism, by 1727, from Japanese, from Chinese ch’an, ultimately from Sanskrit dhyana “thought, meditation,” from PIE root *dheie- “to see, look” (source also of Greek sēma “sign, mark, token;” see semantic). As an adjective from 1881.
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polysemy(n.)
“fact of having multiple meanings,” 1900, from French polysémie (1897), from Medieval Latin polysemus, from Greek polysemos “of many senses or meanings,” from polys “many” (from PIE root *pele- (1) “to fill”) + sēma “sign” (see semantic). Related: Polysemic.
semaphore(n.)
“mechanical apparatus for signaling to distant points,” 1814, from French sémaphore, etymologically, “a bearer of signals,” ultimately from Greek sēma “sign, signal” (see semantic) + phoros “bearer,” from pherein “to carry” (from PIE root *bher- (1) “to carry”). Related: Semaphoric (1808); semaphorist.
semiology(n.)
1690s, “sign language, the use of gestures to express thought,” a sense now obsolete, from Greek sēmeion “a sign, mark, token,” from sēma “sign, mark, token” (see semantic, and compare semiotic) + -ology. As “the branch of medical science concerned with morbid symptoms,” 1839; as “logical theory of signs” by 1923. Related: Semiological.
semiotic(adj.)
Japanese honorific title suffixed to personal or family names, 1878, short form of more formal sama.

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semantic(adj.)

“relating to significance or meaning,” 1894, from French sémantique, applied by Michel Bréal (1883) to the psychology of language, from Greek sēmantikos “significant,” from sēmainein “to show by sign, signify, point out, indicate by a sign,” from sēma “sign, mark, token; omen, portent; constellation; grave” (Doric sama), from PIE root *dheie- “to see, look” (source also of Sanskrit dhyati “he meditates;” see zen).The word has tended to become loose in application. Semanticize “invest (something) with meaning; analyze semantically” is by 1942.

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Veda(n.)
ancient sacred Hindu book, 1734, from Sanskrit veda, literally “knowledge, understanding,” especially “sacred knowledge,” from root vid- “to know” (from PIE root *weid- “to see”). The books are the Rig-, Yajur-, Sama–, and Atharva-veda.

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ALL are ONE, ALL are SAME, ALL are EQUAL –  Montra of the NWO

same(adj.)

“identical, equal; unchanging; one in substance or general character,” from Proto-Germanic *samaz “same” (source also of Old Saxon, Old High German, Gothic sama, Old High German samant, German samt “together, with,” Gothic samana “together,” Dutch zamelen “to collect,” German zusammen “together”), from PIE *samos “same,” from suffixed form of root *sem- (1) “one; as one, together with.” Old English seems to have lost the adjective except in the adverbial phrase swa same “the same as” (literally “so same”). But the word that emerged in Middle English as “the ordinary adjectival pronominal designation of identity” [OED] is considered to be more likely (or mostly) from the Old Norse cognate same, samr “same.” In its revival it replaced synonymous ilk. As a pronoun, “the person or thing just mentioned,” from c. 1300. In Middle English also a verb and an adjective, “together, mutually” (as in comen same “gather together, unite,” kissen same “embrace one another“).

We have seen that the name Disney comes from d’Isigny means something like to “exist equally.”   This is the mantra of the New World Order.  Just as the Romans had to find ways to bring all peoples and faiths together to maintain their Kingdom.  The New World Order MUST UNITE the world.  Just as the Romans discovered, this can NEVER happen.  WE ARE NOT ALL THE SAME.  WE DO NOT WORSHIP THE SAME GOD.  THERE WILL NEVER be agreement between ALL PEOPLES.  Some people are just EVIL.  They do not know any other way to be.  Their thoughts are all evil, all the time.  There will no UNITY on Earth until the Lord comes to set everything right.  

The equality the NEW WORLD ORDER seeks for you and me, is unity will all things.  They want you to believe that you are no different from or better than rodents or any other vermin.  No difference between you and a tree, a plant, a rock or the dirt.  That you have NO SPECIAL VALUE and NO RIGHTS.   That is what they want for all the common masses.  They believe that the ruling elite are the only ones WORTHY of anything are those who are the bloodlines of the ancient gods.  Who are in reality the fallen Angels.    Entertainment and Fun, were invented to keep your minds off reality and prevent you from recognizing that you are being brainwashed, programed and primed for the New World Order and you unavoidable (in their opinion) fate.

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DISNEY STAR TELLS IT LIKE IT IS

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I saw the video shared by China Anne McClain and I just had to share it.  I was blessed to see a fresh face, from the millenial/Z Generation who has experience in the Hollywood scene sharing the truth.  She shares a story from her childhood that may help some people get a clearer understand of … Click Here to Read More

Halloween from June to November – And the Reasons Why

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Trending is the new holiday created by Disney, SUMMERWEEN.  Much like the “Christmas in July” idea the purpose is to extend the “FUN” of the seasonal holiday.  This post will look more indepth into what is really behind it. Are you of the tribe of PAN?  You know, Peter Pan, the I WON’T GROW UP, … Click Here to Read More

DO YOU REALLY WANT TO BE A STAR?

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TAGS:  Hollywood, Movie Stars, Hip Hop, Rap, Rock and Roll, Manson, Helter Skelter, Beatles, Beyonce, Ray J, Whitney, Brandi, Gucci, Runway Models, Twerking, The Devil, Blood Sacrifice, Contract, Signs, Symbols Sigils, Satanic Elite, Magic, Image, Wealth, Fame, Industry Slave The signs these folks flash over and over again, are there to demonstrate to those who … Click Here to Read More

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UNCOVERED! Disney “Elio” COVERT Subliminals IGNITE Major Concern (R$E)
126 Views – 1 week ago
906 Subscribers
Sensitivity – Normal (BBFC 12)
Made just for kids, so they’ll grow up as planned. These people are worse than demonic.

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Something Strange is Happening at Dlsney World…
3,083 Subscribers
154 Views – 1 week ago
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The DARK SIDE OF DISNEY
172 Views – 2 months ago
1,901 Subscribers
the most important information in this video is written on the screen so you won’t have to worry that the sound is pretty poor.  Read along with the narrator and you will learn a lot.

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