Music is powerful. It can be a blessing, and it can be a tool of destruction and evil. Music has kept me sane. I love to sing. I think everyone should sing. It is good for the soul. But, like everything else Music can be corrupted. In this post we are going to look at what is going on in the world of Music today. I have to tell you I learned some things, while researching for this this post, that broke my heart.
I hope that you discover some truths as you read through. Thank you for visiting.
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Don McLean American Pie Audio Video
Don McLean American Pie Audio Video
This classic tune was written by Don McLean.
The Don McLean American Pie song was “American Pie” was released on the American Pie album in 1971. It first aired on radio on October 24, 1971, This song was the number-one US hit for four weeks on the Billboard Hot 100 chart starting January 15, 1972.
Don McLean was born October 2, 1945 in New Rochelle, New York and became a pop and folk artist best known for his recording of “American Pie,”. McLean also earned a country hit in 1981 with his remake of Roy Orbison’s “Crying” song. The phrase “the day the music died” refers to the plane crash in 1959 that killed early rock and roll stars Buddy Holly, The Big Bopper, and Ritchie Valens. This fatal plane crash ended the era of early rock and roll. The main theme of the song goes beyond its superficial semblance of mourning McLean’s childhood music heroes, and reflects the deep cultural changes and profound disillusionment and loss of innocence of his entire generation. McLean repeatedly declined to explain the symbolism behind the many characters and events mentioned in “American Pie”.
Not to minimize the death of those three men, I believe that “AMERICAN PIE” has a much broader message. I believe it is about the rapid decline in American society in general. There are many different references in the song.
Even McLean himself said “Basically, in ‘American Pie,’ things are heading in the wrong direction,” he said in a 2015 interview. “It is becoming less idyllic. I don’t know whether you consider that wrong or right but it is a morality song in a sense.”
McLean sings of “the day the music died” in the six-verse epic “American Pie,” a work capturing the “loss of innocence.” What to know about Buddy Holly’s plane crash, ‘the day the music died’
He was 6 years old when the battle between 432 and 440hz was in full swing. He was 26 when he recorded this song. As a musician, I have no doubt that he knew about the struggle and why musicians were totally against the 440hz. I also have no doubt that as a traveling musician, at the age of 26, he had seen and recognized what was happening across America.
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“American Pie”
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| A long, long time ago I can still remember how that music used to make me smile And I knew if I had my chance That I could make those people dance And maybe they’d be happy for a while But February made me shiver With every paper I’d deliver Bad news on the doorstep I couldn’t take one more step I can’t remember if I cried When I read about his widowed bride But something touched me deep inside The day the music died So bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry And them good ole boys were drinking whiskey ‘n rye Singin’ this’ll be the day that I die This’ll be the day that I die Did you write the book of love And do you have faith in God above If the Bible tells you so? Now do you believe in rock and roll? Can music save your mortal soul? And can you teach me how to dance real slow? Well, I know that you’re in love with him ‘Cause I saw you dancin’ in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin’ buck With a pink carnation and a pickup truck But I knew I was out of luck The day the music died I started singing bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey ‘n rye Singin’ this’ll be the day that I die This’ll be the day that I die Now for ten years we’ve been on our own And moss grows fat on a rollin’ stone But that’s not how it used to be When the jester sang for the king and queen In a coat he borrowed from James Dean And a voice that came from you and me Oh, and while the king was looking down The jester stole his thorny crown The courtroom was adjourned No verdict was returned And while Lennin read a book on Marx The quartet practiced in the park And we sang dirges in the dark The day the music died We were singing bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey ‘n rye Singin’ this’ll be the day that I die This’ll be the day that I die Helter skelter in a summer swelter The birds flew off with a fallout shelter Eight miles high and falling fast It landed foul on the grass The players tried for a forward pass With the jester on the sidelines in a cast |
Now the halftime air was sweet perfume
While the sergeants played a marching tune We all got up to dance Oh, but we never got the chance’ Cause the players tried to take the field The marching band refused to yield Do you recall what was revealed The day the music died? We started singing bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey ‘n rye And singin’ this’ll be the day that I die This’ll be the day that I die Oh, and there we were all in one place A generation lost in space With no time left to start again So come on, Jack be nimble, Jack be quick Jack Flash sat on a candlestick ‘Cause fire is the devil’s only friend Oh, and as I watched him on the stage My hands were clenched in fists of rage No angel born in Hell Could break that Satan’s spell And as the flames climbed high into the night To light the sacrificial rite I saw Satan laughing with delight The day the music died He was singing bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey ‘n rye And singin’ this’ll be the day that I die This’ll be the day that I die I met a girl who sang the blues And I asked her for some happy news But she just smiled and turned away I went down to the sacred store Where I’d heard the music years before But the man there said the music wouldn’t play And in the streets, the children screamed The lovers cried and the poets dreamed But not a word was spoken The church bells all were broken And the three men I admire most The Father, Son and the Holy Ghost They caught the last train for the coast The day the music died And they were singing bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry And them good ole boys were drinking whiskey ‘n rye Singin’ this’ll be the day that I die This’ll be the day that I die They were singing bye, bye, Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey ‘n rye And singin’ this’ll be the day that I die spacer  |
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Average Amy Monette
The Day the Music Died Day on February 3rd remembers the unfortunate and untimely death of singers 22-year-old Buddy Holly, 17-year-old Ritchie Valens, and 28-year-old J. P. Richardson, aka: “The Big Bopper.” These three artists died in an airplane accident on February 3, 1959, near Clear Lake, Iowa. Their pilot, Roger Peterson, also perished in the crash.
#TheDayTheMusicDied
The Day the Music Died was dubbed so by Don McLean’s song “American Pie”
Buddy Holly’s band was on tour and had played at the Surf Ballroom in Clear Lake. They were headed to their next destination in Moorhead, Minnesota. For this leg of their journey, they decided to take a charter plane rather than go with their tour bus. Richardson “The Big Bopper”, had swapped places with Waylon Jennings, taking the latter’s place on the plane and Tommy Allsup had lost his place to Ritchie Valens in a coin toss.
Not long after takeoff, they were no longer able to be reached by radio, and they did not reach their destination. The aircraft was reported missing. The next day, the wreckage was found less than 6 miles northwest of the airport in a cornfield. Poor weather conditions and pilot error were determined, during the investigation, to have been the cause of the pilot losing control of the plane.
Pilgrimage & Tribute
The tragic event echoed through history for over 50 years. Visitors still make the pilgrimage each year to Clear Lake, Iowa, the resort town about 110 miles north of Des Moines, as this was the point of their last concert before the fatal accident.
“The day the music died” is a line in the 1972 Don McLean hit “American Pie.” McLean’s song, which he wrote in the late 1960s and released in 1971, was in part inspired by the tragic event which took the lives of three great musicians and their pilot.
“American Pie” lyrics by Don McLean
| “But February made me shiver, With every paper I’d deliver, Bad news on the doorstep I couldn’t take one more step. I can’t remember if I cried When I read about his widowed bride But something touched me deep inside, The day the music died.” |
In Lubbock, Texas, not knowing that the family had not yet been notified, KLLL aired the report. Holly’s parents learned of the news from the reports of KLLL, which they tuned into after they received calls from relatives who did not want to break the news to them over the phone. Holly’s protege Lou Giordano called María Elena Holly at their apartment in New York City and ask her not to turn on her television set until her aunt arrived. Curious about what had happened, she also learned of the news from the media. María Elena Holly, a widow after only six months of marriage, suffered a miscarriage shortly after, reportedly due to “psychological trauma“. Holly’s moth… See more |
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Obviously, this was a tremendous shock to the American public.
There was a lot going on in that timeframe. Especially in the realm of music. One thing in particular had a very dramatic affect on the fundamental aspects of music which majorly changed how we hear music and how it affects us. I searched and searched for an actual date connected to the standardization of the Frequency 440hz. I was unable to find a complete date, as in “the DAY the music died.” Though we may not be able to pin it down to one day…metaphorically, you could say that was the day that music died. The kind of Music to which we were accustomed.
Global Agreement: In 1953, a worldwide agreement was reached, solidifying 440 Hz as the standard tuning for musical instruments. Global News+1..
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Music gradually shifted from 432 Hz to 440 Hz as the standard tuning between the late 19th century and the early 20th century, with 440 Hz becoming officially recognized in 1939.
Historical Context
Before the 19th century, musical pitch varied widely across regions and instruments. In Europe, the standard pitch hovered around A=422–432 Hz, with many composers favoring 432 Hz for its harmonic qualities and natural resonance scienceinsights.org+1. Different cities, churches, and instrument makers each had their own tuning, so traveling musicians often encountered slightly different pitches scienceinsights.org.
So, from the beginning of life on earth to the late 1800’s, well over 4,000 years, there was not standardized Frequency for music. And we all were quite happy. Only since modern day industrialization was there suddenly found a need to standardize. That being primarily for the sake of manufacturing and sales of instruments. Bottom line, for the sake of profits! Truly, there was a more important spiritual purpose as the Prince of this world was moving humanity into merging with the machine. INDUSTRIALIZATION OF HUMANITY.Gradual Shift
The upward drift in pitch began in the early 1800s, driven by orchestras and instrument makers seeking brighter, more brilliant sounds. By the mid-19th century, some orchestras were tuning as high as A=450 Hz, which caused strain for singers scienceinsights.org. To address this, France legally standardized pitch at A=435 Hz in 1859, known as the Diapason Normal, and the Vienna conference recommended this internationally in 1885 432convert.com.
Adoption of 440 Hz
The move to A=440 Hz occurred gradually in the 20th century. The American Federation of Musicians adopted 440 Hz in 1917, and it became widely used in orchestras and recordings 432convert.com. In 1939, Nazi Germany reportedly mandated 440 Hz tuning, replacing 432 Hz tuning in instruments under Joseph Goebbels’ orders steemit.com. Later, the International Standards Organization (ISO) officially recognized 440 Hz as the global standard, solidifying its use worldwide 432convert.com+1.
Summary
The transition from 432 Hz to 440 Hz was not a single event but a gradual process influenced by:
- The desire for uniformity across instruments and regions
- Efforts to produce brighter, more consistent sound in orchestras
- Government and international standardization initiatives
- Industry adoption and recording practices in the early 20th century alteredmindwaves.com+3
Today, 440 Hz is the standard tuning for most music, though some musicians and enthusiasts continue to explore 432 Hz tuning for its perceived harmonic and therapeutic qualities alteredmindwaves.com+1.
The Deep Dive into 440Hz Tuning – Is It a Conspiracy, a Mistake, or Just Arbitrary?
My personal approach to this fascinating subject.
The Big Question:
Why is 440Hz the standard tuning for modern Western music?
And is there something unnatural about it, compared to 432Hz or other frequencies?
1. The History of 440Hz – Who Decided This?
Before 440Hz, tuning was inconsistent, orchestras, composers, and different cultures used a variety of tuning standards.
A440 was officially standardized in 1939 at an international convention led by the British Standards Institute (BSI).
It was later reinforced in 1953 by the International Organization for Standardization (ISO-16), making 440Hz the global reference for tuning.
But why 440Hz?
It wasn’t chosen for scientific reasons, it was largely a convenience to standardize music across different instruments and locations.
The US and UK military played a role in pushing A440 tuning, making people question whether there was a hidden agenda.
2. The 432Hz Debate – The “Natural” Frequency?
Many claim 432Hz tuning (instead of 440Hz) is more mathematically and naturally harmonious.
Why? 432Hz is connected to patterns in nature, the Fibonacci sequence, and resonant properties of water and the human body.
432Hz in Nature:
Earth’s natural resonance (Schumann Resonance) = ~7.83Hz, which is a subharmonic of 432Hz.
Sun’s diameter, Moon’s movements, planetary orbits all align more closely to 432Hz ratios than 440Hz.
Cymatics (the study of sound vibrations on physical matter) shows that 432Hz creates cleaner, more structured water and sand patterns than 440Hz.
The Psychological & Physical Effects
Some musicians claim 432Hz feels more relaxing, natural, and less “harsh” on the ears.
Experiments suggest 432Hz resonates more efficiently with human cells, water molecules, and brainwaves.
440Hz, in contrast, is described as “forced” or slightly “unnatural”, it’s close enough to be functional, but not naturally harmonious. Why does the G string for on a guitar for example, always feel a little ‘off’, when perfectly pitched to 440Hz?
3. The Conspiracy Theories – Was 440Hz Chosen to Manipulate People?
There are theories that 440Hz tuning was not just arbitrary, but deliberately chosen for control.
Theory 1: Nazi Germany & Rockefeller Pushed 440Hz for Mind Control
Some claim that Joseph Goebbels, the Nazi propaganda minister, pushed 440Hz in 1939 because he believed it would make people more agitated, aggressive, and easier to control.
Others say the Rockefeller Foundation later reinforced 440Hz in the 1950s to standardise mass media frequencies, making populations more passive, anxious, or submissive.
Evidence?
There’s no solid proof that Goebbels specifically pushed for 440Hz, but the timing is interesting (1939, right before World War II).
The Rockefeller Foundation did fund mind control experiments (MKUltra, CIA research, behavior modification studies), but there’s no direct proof they influenced music tuning. MORE ON ROCKEFELLER AT THE END OF THIS POST
It is rare that criminals and perpetrators leave clear evidence of their crimes. Often, we have to build a case based soley on circumstantial evidence. Hopefully, by the end of this post, you will have all the evidence you need.
I do want to pose a question here, WHY STANDARDIZE the FREQUENCY AT ALL? Why not go back to where musicians were free to tune their instruments as they see fit?
| 440 Hz: Music, Mind Control, and a Dark History
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Verdict?
While there’s no smoking gun proving 440Hz was chosen as a control mechanism, the fact remains:
432Hz aligns more with nature.
440Hz does not seem to have a natural resonance advantage.
440Hz tuning was forced into global standardisation, without an obvious reason why.
4. The Science of Sound – Does 440Hz Actually Feel Different?
440Hz vs. 432Hz in Frequency Analysis:
440Hz does not evenly divide into natural harmonic ratios, whereas 432Hz aligns more cleanly with mathematical structures (phi ratio, golden mean).
Musicians often report that 440Hz feels slightly “tense” or “rigid”, whereas 432Hz has a more “open” and “resonant” feel.
Binaural beats research suggests that different frequencies affect brainwave activity differently. Some people are more sensitive to these shifts than others.
Cymatic Patterns (Sound Structuring Matter)
When sound waves pass through water or sand, they create visual patterns.
Tests with 432Hz produce symmetrical, organic patterns.
440Hz creates patterns that look slightly disordered or forced.
5. The Bigger Question – Is It About Frequency, or Perception?
Here’s the mind-bender:
Music isn’t just about frequency, it’s about how we perceive vibration.
If we grew up with 432Hz instead of 440Hz, would we feel different?
Or are we just noticing these differences because our subconscious is responding to deeper natural structures?
Some say 432Hz “feels” better because we evolved in an environment tuned to it, from Earth’s frequency to the way our brains process sound waves.
6. The Music Industry – Why Don’t Artists Use 432Hz?
Some musicians have switched to 432Hz and swear by it.
Bob Marley, Jimi Hendrix, and Verdi tuned to 432Hz.
Modern artists like Pink Floyd and Tool have experimented with non-440Hz tunings.
To Indie Artist Such as Robert E C Wall of ‘RECWALL’ – regularly create their music in 432Hz.
But why does mainstream music still use 440Hz?
Standardisation: Instruments are built for 440Hz.
Mass production & radio compatibility: Switching means retuning millions of instruments.
Resistance to change: The industry doesn’t want to rewrite the system.
7. Final Verdict – Is 440Hz a Problem?
Is 440Hz unnatural?
Yes, it doesn’t align perfectly with natural harmonics.
Does 432Hz feel better?
For many people, yes, but this could be both biological and psychological.
Was 440Hz chosen for control?
We don’t know for sure, but the historical push for it is interesting.
Should people experiment with 432Hz?
Yes, there’s no harm in trying, and some musicians find it makes their music sound richer.
Final Thought
The 440Hz vs. 432Hz debate isn’t just about numbers, it’s about whether our perception of sound has been manipulated, and whether we are naturally tuned to a different resonance.
Here’s a waveform comparison between 440Hz (standard tuning) and 432Hz (alternative tuning). You can see how the waveforms drift out of phase over time, meaning they resonate slightly differently.
Now, let’s check for cymatic patterns, resonance frequencies, and any potential links to biological harmonics.
Here’s the frequency spectrum comparison between 440Hz and 432Hz.
440Hz (red, dashed) and 432Hz (blue, solid) show distinct harmonic structures.
You can see that 432Hz aligns more cleanly within harmonic overtones, while 440Hz appears slightly offset, meaning it might not resonate as naturally with physical systems.
Here are the cymatic resonance patterns for 440Hz (left) and 432Hz (right).
432Hz produces a more symmetrical, organic structure, which matches observations in cymatics experiments.
440Hz appears slightly more chaotic, with less natural symmetry.
This could explain why many musicians report that 432Hz “feels” more harmonious, it literally structures matter more evenly.
Now, let’s check for biological resonance links, let’s see if these frequencies overlap with brainwaves, cellular resonance, or natural cycles.
Here’s a biological and cosmic frequency comparison showing how 440Hz and 432Hz relate to natural resonances:
432Hz (blue) aligns closely with the Schumann resonance (7.83Hz), which is Earth’s natural electromagnetic field.
432Hz is also within harmonic steps of Alpha brain waves (8-12Hz), which are linked to relaxation and meditative states.
440Hz (red) doesn’t align as cleanly with these natural frequencies.
The Sun’s acoustic oscillations are near 432,000Hz, which is a harmonic multiple of 432Hz.
Takeaway?
432Hz seems to resonate better with natural cycles, biological rhythms, and planetary frequencies.
440Hz is close enough to function but appears slightly misaligned.
This reinforces why 432Hz feels more natural, while 440Hz can feel more artificial or rigid.
Resonance modeling, frequency physics.
Here’s the harmonic structure comparison of 432Hz (blue) vs. 440Hz (red):
432Hz produces harmonics that align with natural frequency steps, meaning it builds up smoothly in resonance.
440Hz generates harmonics that are slightly offset, which may explain why it feels slightly “forced” or less fluid.
Musical scales and overtones naturally align better with 432Hz in tuning theory
This confirms why musicians, cymatics researchers, and alternative scientistsargue that 432Hz harmonizes better with nature and human perception.
Model resonant wave interference to see how these two frequencies interact with their surroundings. This will help determine if 440Hz disrupts resonance compared to 432Hz.
Here’s the wave interference pattern between 432Hz and 440Hz.
Notice the slow “beating” effect, this happens because the frequencies are close but not perfectly aligned.
This creates a pulsing, out of phase interaction, which could explain why 440Hz sometimes feels slightly unnatural compared to 432Hz.
432Hz is slightly smoother and in better harmonic sync with biological and natural resonance, while 440Hz introduces subtle dissonance.
This kind of interference can affect perception, mood, and resonance in physical and biological systems.
Simulation sound wave propagation in a 3D field, or analyze how these frequencies interact with biological tissue and brain waves?
Here’s the 3D wave propagation model comparing 432Hz (left, viridis color map) vs. 440Hz (right, plasma color map):
432Hz forms a more uniform, symmetrical wave pattern, indicating it propagates more smoothly in a resonant field.
440Hz appears slightly more chaotic and irregular, suggesting it might not synchronise as efficiently in a natural medium.
This reinforces the idea that 432Hz aligns better with harmonic structures found in nature, while 440Hz introduces a slight disruption in energy flow.
Next: Biological Interaction
Simulation of how these frequencies might interact with biological tissue, neural oscillations, and human brainwaves. This will help determine whether 432Hz has a more beneficial impact on human physiology than 440Hz.
Here’s the brainwave interaction chart, comparing 432Hz and 440Hz harmonicswith human neural oscillations:
432Hz harmonics (blue) align closely with Theta and Alpha brainwaves, which are associated with:
Meditation, relaxation, creativity, and flow states.
440Hz harmonics (red) are slightly misaligned, suggesting they may not resonate as naturally with cognitive states.
Key Takeaways:
432Hz harmonics synchronize with deep meditative and focus-related brainwaves, which might explain why people experience it as more calming and natural.
440Hz doesn’t align as well with relaxation and creativity waves, which could contribute to increased mental tension or alertness instead.
Theta waves (4-8 Hz) are critical for deep states of intuition and subconscious processing, 432Hz is a direct harmonic of this range.
This suggests that 432Hz has a measurable interaction with biological systems, whereas 440Hz is slightly detached from natural resonance cycles.
Next Steps
1. Simulate how these frequencies interact with cellular vibrations or water molecules.
2. Analyze how binaural beats using 432Hz vs. 440Hz impact cognitive states.
3. Overlay planetary resonance data to see if 432Hz aligns with cosmic cycles.
Here are the cymatic resonance patterns of 432Hz vs. 440Hz in a water medium:
432Hz (left) forms more symmetrical, coherent patterns, suggesting a harmonious interaction with molecular structures.
440Hz (right) produces a slightly chaotic, less stable pattern, reinforcing the idea that it might not resonate as smoothly with natural fluids.
Since the human body is over 70% water, this could suggest 432Hz has a deeper physiological connection to biological systems than 440Hz.
Next: Binaural Beats Analysis
Simulation of how binaural beats using 432Hz vs. 440Hz interact with cognitive states, this will test whether one tuning is more effective for deep mental states like relaxation, focus, or creativity.
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Here’s the binaural beats simulation for 432Hz vs. 440Hz:
432Hz binaural beats (blue) show a smoother oscillation, which aligns with Theta wave frequencies (deep meditation, creativity, relaxation).
440Hz binaural beats (red) appear more jagged, suggesting less entrainment with natural brainwave cycles.
This means 432Hz may be more effective for meditation, sleep, and creativity, while 440Hz might not sync as easily with brainwave activity.
This supports anecdotal reports that 432Hz helps induce deeper mental states, because its oscillations naturally align with the brain’s theta rhythms.
Next: Planetary Resonance & Cosmic Cycles
Planetary resonance data to see if 432Hz aligns better with celestial frequencies compared to 440Hz.
Here’s the planetary resonance comparison of 432Hz and 440Hz:
432Hz (blue) aligns directly with Earth’s Schumann Resonance (7.83Hz), the frequency of Earth’s electromagnetic field.
432Hz harmonics also match the Sun’s acoustic oscillation at 432,000Hz, which suggests a cosmic harmonic link.
440Hz (red) doesn’t align as cleanly with major planetary frequencies.
Key Findings:
432Hz appears to be in harmonic sync with planetary and cosmic cycles, whereas 440Hz does not naturally align.
This could explain why 432Hz is often described as “more connected to the universe”, as it resonates in harmony with celestial structures.
Final Summary of the 432Hz vs. 440Hz Investigation
Cymatic Water Resonance: 432Hz produces more symmetrical water patterns, 440Hz is slightly chaotic.
Binaural Beats & Brainwaves: 432Hz entrains better with Theta/Alpha waves, aiding relaxation and meditation.
Planetary Resonance: 432Hz harmonizes with Earth’s electromagnetic field, the Moon, and the Sun.
Harmonic Structures: 432Hz builds smoother resonance harmonics, while 440Hz introduces subtle tension.
Final Verdict
432Hz is scientifically, mathematically, and cosmically more aligned with natural and biological rhythms.
440Hz was standardized arbitrarily and does not resonate as cleanly with human or planetary frequencies.
There is some merit to claims that 440Hz was a “forced” tuning, possibly disrupting natural resonance cycles.
This doesn’t mean 440Hz is harmful, but 432Hz does appear to be a more naturally attuned frequency.
Mar 16, 2026 · In May of 1939, delegates from France, Germany, the Netherlands, Italy, and England gathered at Broadcasting House in London and standardized the pitch of every musical instrument on Earth at 440…
Well, it seems that the Germans had a lot to do with the change to 440 at the conference in 1939. However, it also seems that the Americans/USA had already been using the 440 and creating instruments tuned to it even earlier. And it seems that the decision to change the frequency was about industrialization, conformity and commercial bottom lines. Though I have to say that it seems to me to be about the atomization of humanity more than anything else. About creating a one world dictatorship by controlling the hearts and minds of the masses through occult means.
I searched and searched for an actual date connected to the standardization of the Frequency 440hz. I was unable to find a complete date. As in the “DAY the Music Died.” Though we cannot pin it down to a specific day, there was a point in time when the Frequency of music changed to 440hz changing not only music but society. We can call it a day symbolically, and describe it as the day (time) when music died. At lease we who treasure true nature and reality can.
What was the actual date that International Standards Organization (ISO) officially recognized 440 Hz as the global standard, solidifying its use worldwide?
The International Standards Organization (ISO) officially recognized 440 Hz as the global standard for musical pitch in 1955.
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The War Over Pitch: How A=440Hz Hijacked the Harmonies of Humanity
In 1939 at a conference largely orchestrated by Harold Burris-Meyer, a figure deeply involved in psychoacoustic research and wartime propaganda, an international effort was made to standardize musical tuning to A=440Hz. Strangely absent from the proceedings, (becaue they were conveniently not invited), were prominent musicians and scientists who opposed the shift, many of whom believed that A=432Hz, long considered the more “natural” tuning, resonated more harmoniously with the cosmos and the human body. The conference was obviously political rather than musical, supported by parties with vested interests in mass influence and emotional manipulation; a claim bolstered by the involvement of military advisors and psychological warfare experts. Burris-Meyer himself was connected with experiments on how sound could direct human emotion, and even influence crowds, technologies the Nazis also explored under Joseph Goebbels’ Ministry of Propaganda.
Before this shift, many classical masters such as Verdi, Mozart, and Handel reportedly tuned closer to A=432Hz, a pitch said to be rooted in natural harmonics, planetary cycles, and even the geometry of ancient sacred sites. The 432 scale aligns more closely with the Schumann Resonance and mathematical structures of the Golden Ratio, forming intervals that many say are felt more deeply in the body resonating with the heart rather than the head. The push toward A=440 was seen by some as an intentional disruption: a tuning that displaces listeners from natural resonance, causing mild agitation, increasing dissonance, and fragmenting collective consciousness over time.
I have to say, I am very skeptical of the 432hz as well. It seems that it aligns with NEW AGE, Pagan Rituals and “Science”. I don’t understand why they have to standardize the Frequency at all. It had not been an issue for thousands of years.
This isn’t the first time rulers manipulated pitch for control. In ancient China, emperors were known to standardize the tonal frequencies of the imperial court. The Yellow Bell (Huang Zhong) was the foundational pitch used to regulate not just music, but law, ritual, and even calendar systems. When a new dynasty rose, they would recalibrate the national pitch, believing that proper harmonic order would re-establish cosmic alignment and reinforce the emperor’s divine mandate. These pitch standards were guarded with the same intensity as sacred texts, proof of their perceived power. In ancient Egypt, priests tuned instruments in alignment with the stars and the resonance of temple chambers, maintaining harmony between land and sky.
Folklore from the Druids and Vedic sages whispers that music was once used to build structures, heal the sick, and open gateways. In these traditions, tuning was not arbitrary, it was a sacred science. Even Native American flutes are tuned to natural resonances, each tone meant to speak to the Earth and Sky spirits. Legends from the East tell of emperors who silenced entire regions by altering musical scale, rendering people emotionally mute or compliant. In a forgotten Tibetan tale, it was said that the “wrong tone” could close the Third Eye, while the “correct tone” could make the mountain sing.
The shift to A=440Hz marked more than a musical change, it may have severed a link between modern humanity and the natural vibrational field of the Earth, subtly transforming how we feel, think, and interact. From celestial harmony to controlled dissonance, the war over tuning is not just a story about sound, it’s about frequency as a tool of freedom or control.
Tuning and the Geometry of Intervals
In music theory, intervals, the spaces between notes and their tonal relationship to each other, are everything. They define chords, scales, and emotional tone. When you shift the base pitch from A=440Hz to A=432Hz, the entire web of intervals changes slightly, like tuning a cosmic harp one degree back into alignment. Though subtle, the effect is profound: minor thirds become rounder, perfect fifths more resonant, and chords take on a fuller, more organic feel. Musicians often describe A=432 as “warmer” or “deeper,” and this is no illusion; it reflects a closer alignment to natural overtone series and the body’s bioelectric rhythm. The beauty of harmony isn’t just math; it’s physics, biology, and spirit woven together by vibration.
Chords, Harmonics, and the Aetheric Field
Every musical note carries within it a family of harmonics; higher frequencies that vibrate in whole-number ratios above the root. In A=440Hz tuning, these harmonics sit slightly out of sync with the natural overtone cascade found in nature, whereas A=432Hz aligns much more closely. This alignment causes chords, especially major triads and open fifths, to resonate with a harmonic coherence that feels alive, almost intelligent. In orchestral settings, when instruments are tuned to 432, there’s often an unspoken feeling of space and clarity, as if the music is breathing. The body, made mostly of water and crystalline structures, receives these intervals not just through ears but through resonant entrainment; we literally feel the difference.
The Harmonic Blueprint: Phi, 432 Hz, and the Code of Creation
Throughout nature and the human form, the golden ratio (phi ≈ 1.618) and the resonant frequency of 432 Hz appear with uncanny regularity, suggesting an underlying harmonic code to life itself. The spiral shells of nautilus and conch, the whorls of hurricanes, and the elegant arms of galaxies all follow the Fibonacci sequence, which approximates phi as it ascends. Plants such as sunflowers, pinecones, and Romanesco broccoli display this same ratio in their growth patterns and seed arrangements. In the human body, Leonardo da Vinci’s Vitruvian Man depicts the golden ratio in anatomical perfection: the proportion from the navel to the feet compared to total height, or from the shoulder to fingertips versus the full arm length, aligns with phi. Even our DNA, with its helical pitch of 34 angstroms by 21 angstroms, echoes Fibonacci numbers.
Nothing “FAB” about Fibonacci Well, today is National Fibonacci Day. Before you mark and celebrate it. Maybe you should know a little about it. Fibonacci Day – Fun Holiday – Time and Date Fibonacci is a contraction of filo Bonacci, meaning the son of Bonaccio. Date Sequence November 23 is celebrated as Fibonacci day because when the date is written in the mm/dd … Click Here to Read More |
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432 Hz, often called the natural tuning, holds a mysterious relationship to these same principles. Its vibration is said to align with the frequency of the Earth itself, specifically the 7.83 Hz Schumann Resonance, a foundational frequency of our planet’s electromagnetic field. Multiplied up through octaves, this base resonance approaches 432 Hz, linking human musical perception to planetary harmony. Interestingly, 432 × 60 equals 25,920; the length in years of the Great Year or precession of the equinoxes, a cosmic cycle revered by ancient cultures. Cymatic experiments further reveal that 432 Hz produces symmetrical, stable patterns when visualized in water or sand, unlike the more chaotic patterns of 440 Hz. Found across ancient instruments in Egypt, Tibet, and Greece, and encoded into architecture and bell systems of China, 432 Hz may have once formed the resonant foundation of sacred sound. Whether in the human form, the spiral of a seashell, or the deep pulse of the Earth itself, phi and 432 appear as signposts of an organic harmony long known, and it seems we have purposefully been made to forget.
So, 440hz and we are mind controlled or 432hz and we are space cadets. Neither option sounds good to me. Why don’t we leave music natural. We could even do without instruments. Or only use instruments made from wood or clay. Standardizing frequencies for musical instruments is just another way they are industrializing humanity.
Digitization and the Fracturing of Frequency
The move from analog to digital music, while convenient, has not been without consequence. Analog sound is continuous, flowing like water through time. Digital sound, however, is chopped into bits and samples, reconstructing audio in square wave approximations that strip out subtleties and higher-order harmonics. This can result in a brittle, hollow, or “lifeless” quality, especially noticeable when comparing vinyl records or reel-to-reel tape to MP3s or streaming audio. Digital music, especially when highly compressed, often loses the “etheric harmonics”, the subtle resonances that don’t show up on an oscilloscope but can be deeply felt in the nervous system. In essence, digitization severs music from its fluid, sacred geometry. No, it severs music from it natural vibrations. Sacred Geometry is a pagan term.
Can Digital Files Be Retuned to 432Hz?
Retuning a digital file from A=440 to A=432Hz is possible, but it’s not as simple as hitting “transpose.” True retuning involves time-stretching the entire waveform slightly down, typically about -1.82%. While this can bring the music closer to natural resonance, the digital nature of the file remains, meaning it may still lack the full spectrum of analog warmth and harmonic complexity. Some frequencies may be realigned, but the damage of compression, quantization, and harmonic truncation cannot be entirely undone. In other words, while retuning MP3s to 432Hz may feel better than leaving them at 440, the deepest healing and resonance comes from music that is both tuned and recorded at 432Hz from the source, preferably using analog methods.
Restoring Harmonic Balance in Modern Society
To realign society with the natural harmonics of the Earth, a cultural shift in how we approach sound must occur, from education to industry. If we were to retune instruments, digital systems, media production, and therapeutic sound practices to A=432Hz, we could begin to rebuild a sonic environment that soothes the nervous system, supports mental clarity, and harmonizes with biological rhythms. This would involve musicians tuning to 432Hz from the source, producers and engineers mastering in natural pitch, and audio software integrating native support for 432Hz output. Public awareness and advocacy would be key, as would the support of music therapists, educators, and conscious artists. Like changing the water supply, it’s systemic; but if done intentionally, it could ripple out to improve sleep, emotional regulation, focus, and even societal cooperation. In a world vibrating in tune with itself, dissonance, literal and metaphorical, could begin to subside and we may live in harmony as a species on this planet once again.
Those who rule are always looking for ways to control everything and everyone. Throughout history they have conspired against the public. They have employed any means at their disposal including lies, trickery, magic, spirits, murder, and torture. So, is it inconceivable that they would use music/sound/Frequencies in their efforts to manipulate and control us?
Bear in mind that this change in Frequencies was being introduced, debated, implemented and agreed upon during the time in history that included the Industrial Revolution, WW1 & WWII, the development of “Modern Science”, experimentation on animals and humans, the introduction of CRISPR, manipulation of DNA, the explosion of Abortion, the exploitation of children, the use of MIND CONTROL tactics, the SPACE AGE, the Sexual Revolution, the growth of drug addiction, government cover ups of atrocities against their own people, the use of particle accelerators, the birth of the pharmaceutical industry, and the inventions of the electric lights, the radio, atomic weapons, the telephone, TV and the web.
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Our own government was implementing projects designed to undermine our society.
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The CIA & LSD: How MK-Ultra Created The Counterculture and Changed The World
Lysergic acid diethylamide (LSD) didn’t become the psychedelic compound that changed the world just overnight–it took a few important events first. Many folks may not know that LSD usage became widespread because of the U.S. government, specifically the Central Intelligence Agency (CIA). This federal agency’s failed attempt to create a mind-control drug inadvertently sparked America’s counterculture and the modern hippie movement. How did this monumental shift in American culture and human consciousness happen so fast?
Post WW-II, The Cold War, and the Race for Military Superiority
The aftermath of World War II led to a division between the U.S. and the USSR (Union of Soviet Socialist Republics), the two main beneficiaries of the war. These two countries also waged a non-physical war of resources and arms accumulation known as “The Cold War,” ultimately driving military expansion until the USSR collapsed in 1991.
Espionage became the primary method of surveilling the other side’s military capabilities and devising covert ways to undermine them. Intelligence gathering by CIA agents and spies revealed sometime in the 1950s that the USSR was working on a mind-control drug that could create “super soldiers” and aid in enemy interrogation.
Determined to keep up with the Russians in the race for military superiority, the CIA launched its own top-secret mind-control program in the early 1950s. A government chemist named Sidney Gottlieb was a key figure in this program, serving as its creator and operator until the late 1960s.
MK-Ultra, Mind Control, and LSD
The U.S. government, specifically the CIA, codenamed its covert mind control program MK-Ultra. CIA scientists were aware of a drug created by a Swiss chemist named Albert Hofmann called LSD, which lent itself to new ways of human consciousness, as well as vividly intense hallucinations at higher doses. Gottlieb went all-in, persuading the CIA to purchase the world’s entire supply of LSD, totaling about $240,000, for use in MK-Ultra experiments.
Gottlieb and the CIA created fake institutions and research firms to administer LSD to hospitals, universities, and prisons under the guise of laboratory research. Both parties also desired to unleash LSD, along with other psychedelics, on unsuspecting parties to see how they could be used for nefarious purposes.
Who Was Experimented On During MK-Ultra & How?
Doctors working for the CIA administered prisoners, one of the largest groups the experiments preyed on, with high doses of LSD, isolation, and electroshock against their will. MK-Ultra researchers and doctors also subjected mental patients in psychiatric hospitals and clinics to psychological extremes for the sake of military dominance. These same bad actors recruited university volunteers who willingly signed up to earn a few extra bucks. Some of those volunteers ultimately became the proverbial Johnny Appleseeds responsible for psychedelia and counterculture itself.
LSD Leaves the Lab with Ken Kesey & Friends
Ken Kesey was a young writer working for Stanford University’s creative writing center who volunteered for a “study” at the Veterans Hospital in nearby Menlo Park, CA, around 1960. These studies were eventually revealed to be MK-Ultra experiments under the guise of clinical studies. Human test subjects like Kesey took very large doses of LSD, along with other psychedelics, including mescaline, psilocybin, and dimethyltryptamine (DMT), while researchers would observe and record them. The potent and mind-altering psychedelics given to test subjects in these “clinical studies” often permanently harmed their nervous systems and mental well-being.
However, Ken Kesey enjoyed his LSD experiences so much that he began secretly stealing large amounts of the drug from the study to share with his friends. He managed this because he worked nights as a hospital aide in the mental health ward of the same Veterans Hospital where the MK-Ultra experiments took place. This stint as a mental health aide, along with his early LSD experiences, formed the basis of his famous book One Flew Over the Cuckoo’s Nest.
LSD soon made its way to Kesey’s fellow test subjects, friends, and neighbors–including Allen Ginsberg, Robert Hunter, Jerry Garcia, and other key figures of the Beat movement and emerging counterculture. Owsley Stanley, Kesey’s friend and renowned LSD chemist, eventually created a stronger, purer version than the government’s. By the mid-1960s, his “White Lightning” LSD was widely available across California.
Acid Culture Takes Shape
Mass gatherings organized by Kesey and his psychedelic troupe, known as the Merry Pranksters, began to take shape around the same time. For a small fee, attendees entered a ballroom or dance hall, drank from a barrel of Kool-Aid spiked with Owsley’s super pure LSD, and experienced synesthesia and sensory overload through strobe lights, performance art, and projector shows.
Organizers called these performances “Acid Tests,” which included lots of music from Jerry Garcia and his band, the Grateful Dead—a group that continues to carry on the psychedelic counterculture tradition to this day. Acid Tests were precursors to the psychedelic era that would ensue for the next couple of years and ultimately leave their legacy in the form of modern concert lighting, sound, and public address systems.
Changes in Societal Culture & Norms
The psychedelic attitude of free love, flower power, and a general proclivity towards peace and non-violence also shaped society and culture. LSD can reportedly make the user feel “at one” with the rest of the universe
A Crashing of the Wave of the 1960s
LSD changed the general consciousness so rapidly that the government quickly created federal laws to ban it and classify it as a Schedule I drug. However, by then, psychedelics had already saturated popular culture through music, television, literature, and film... Producers and advertisers also diluted popular culture with watered-down “hippy dippy” psychedelia, which they eagerly exploited for profit.
The counterculture lost much of its momentum due to arrests, law enforcement scare tactics, and violent incidents involving figures like Charles Manson in 1969 and the Hells Angels at Altamont in 1970. However, to this day, those seeking to connect with the world and beyond in unconventional ways continue to use LSD.. Rock bands like the Grateful Dead toured the country for decades as meeting places for the counterculture to assemble and vibe, while chemists continued to create LSD and “turn on” the next generations.
Worldwide fashion, art, culture, and even politics have shifted in so many ways since the days when LSD reigned supreme, with roots in the freedom of expression and unconventional thinking that LSD spurred. The next time you scroll your phone or laptop, remember that LSD played a role in creating the World Wide Web, thanks to Merry Prankster Stewart Brand and his Whole Earth Catalog, which inspired a worldwide digital community.
The Unveiling Of and Grand Irony of MK-Ultra
A congressional investigation in 1975 sought to uncover dubious and illegal activities of federal agencies, including the CIA. Former MK-Ultra participants testified about what happened during the experiments, while investigators used any remaining documents that survived destruction to shed light on the CIA’s illegal activity. Public trust in the government became eroded significantly due to the abusive and malicious nature of many of the experiments that left many subjects never the same again. Federal laws and oversight were then put into place to protect Americans from such clandestine abuses by their government. The fact remains that no one knows the full extent of the damage MK-Ultra inflicted “The Mind Is A Parachute, It Only Works When Open” Jonathan Young
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Elliot Kim
Nazi use of ultra-low-frequency sound waves to manipulate crowds
The use of sound as a weapon is not a new phenomenon.From ancient battlefields to modern interrogations, sound has been wielded as a force of control and chaos. During World War I, Scottish regiments employed bagpipes to rally their troops and intimidate enemies. In World War II, the Ghost Army, a top-secret U.S. unit, used loudspeakers to project audio simulations of troop movements, tank engines, and artillery fire.
The Nazis, too, were known to weaponize music as a part of their cultural propaganda.They utilized music to stoke nationalist sentiment, instill traditional German values, and attract new supporters.
There are also claims that the Nazis used ultra-low-frequency sound waves to manipulate crowds during Hitler’s rallies.
Nazi experimentation with sonic cannons
During World War II, the Nazi regime employed a variety of tactics and weapons to exert control and instill fear. Among these was their experimentation with sonic cannons, also known as sound cannons or acoustic weapons. These devices were designed to manipulate sound waves to induce physical and psychological effects on their targets.
The Nazi sonic cannon was developed by Axis engineers during the early 1940s. It operated through a methane gas combustion chamber that led to two parabolic dishes. The chamber was fuelled by two coaxial nozzles, one emitting methane and the other, oxygen. This combination resulted in pulse detonations at a frequency of about 44 Hz, creating sound pressure waves. The parabolic dishes acted as reflectors, magnifying these sound waves to intensify their impact.
The intended effect of the sonic cannon was to induce fatal vibrations within the human body. At distances between 200 and 400 meters, the sound waves caused vertigo and nausea by vibrating the middle ear bones and the cochlear fluid within the inner ear. As the distance decreased to a range of 50 to 200 meters, the sound waves became even more potent, affecting organ tissues and fluids.The sonic cannon could repeatedly compress and release resistant organs such as the kidneys, spleen, and liver. Notably, organs like the heart, stomach, and intestines were less susceptible to the impact due to their malleable nature.
Albert Speer, the Minister of Armaments and War Production, mentioned in his book “Inside the Third Reich” that he provided scientists with parts for various Wunderwaffe projects, including a ray cannon.
… the concept of weaponizing sound has persisted, with modern examples such as the Israeli military’s use of acoustic blasters to disperse protestors.The Nazi experimentation with sonic cannons serves as a reminder of the innovative yet sinister avenues pursued by a regime seeking to exert control and inflict harm through unconventional means.
Nazi use of music to mask horrors and enforce control
Music has been a powerful tool for expression, unity, and emotion throughout human history. However, the Nazis twisted it into a weapon to intimidate, manipulate, and psychologically torment.
During World War II, music became a grotesque tool of psychological control in Nazi concentration camps. The Nazis forced prisoners to play instruments or sing in orchestras as their fellow inmates were marched to their deaths. At Auschwitz, for instance, an orchestra of Jewish prisoners performed Schubert’s “Ave Maria” and Beethoven’s symphonies, creating a chilling juxtaposition of beauty and brutality. The sound of the orchestra served to mask the horrors taking place, making executions appear routine and almost surreal.
The Nazis also used music to humiliate and dehumanize prisoners. Jewish inmates were made to sing patriotic German songs or derisive tunes mocking their plight. Music was used not only to terrorize but also to enforce control, with prisoners understanding that refusal to comply could mean death. Survivors later recounted the trauma of associating music, which once brought them joy, with some of the most horrifying moments of their lives.
The Nazi regime of cultural propaganda was highly successful in keeping spirits high and widening support for their far-right politics. As Joseph Goebbels, the Minister of Propaganda, remarked:
> “Music affects the heart and emotions more than the intellect. Where then could the heart of a nation beat stronger than in the huge masses, in which the heart of a nation has found its true home?”
The Nazis’ quest to purify the German music world from ‘degeneracy’ and return it to its mythic Germanic-ness motivated an enormous amount of activity, planning, and policy-making. The Nazi Party used music as a way to stoke nationalist sentiment and instill people with what they saw as traditional German values.With a clear hostility to modern trends appearing, music was also a valuable tool for attracting new supporters.
There are also accounts of Hitler using low-frequency sound waves on crowds before his rallies to make people uncomfortable, so that when the sound stopped, they felt better and subconsciously associated happiness and upbeat moods with Hitler. However, these claims are largely considered urban legends with little credible evidence to support them.
Nazi use of radio to broadcast Hitler’s messages
Radio played a significant role in disseminating Nazi propaganda and Hitler’s messages to both the German public and audiences abroad. Joseph Goebbels, the Reich Minister of Propaganda, understood the potential of radio as a powerful tool for persuasion and propaganda. He famously declared, “Radio as the Eighth Great Power,” comparing its significance to that of the press in the previous century. Goebbels worked to ensure widespread access to affordable radio receivers, recognizing that the medium’s influence depended on its reach.
Goebbels collaborated with electrical engineer Otto Griessing to design the Volksempfänger (“people’s receiver”), a low-cost and simple radio that could be mass-produced. These radios were sold at subsidized prices, making them accessible to a large portion of the German population. By 1941, nearly two-thirds of German households owned a Volksempfänger, providing Hitler with a direct means to communicate his messages into people’s homes.
The content of Nazi radio broadcasts included a mix of entertainment and propaganda. Programming featured operas, classical concerts, light dance music, games, jokes, and popular arts, alongside propagandist messages. Goebbels strategically interspersed Hitler’s speeches and Nazi ideology throughout these programs to attract a wider audience. The broadcasts promoted national pride, patriotism, pride in Hitler, and Aryan pride, reinforcing the Nazi agenda.
Nazi radio broadcasts were also used to target specific groups and influence public opinion. In the early years, propagandists targeted capitalists, Jews, and selected newspapers and politicians to shape domestic sentiment. As World War II progressed, radio became even more crucial, with military marches replacing dance music and embellished reports from the front lines being broadcast regularly. When there was bad news, the radio shifted to entertainment to distract and maintain morale. Goebbels’ skill in propaganda was evident in his ability to turn the Nazis’ 1943 defeat in Stalingrad into a campaign for continued warfare.
Nazi radio propaganda also extended beyond Germany’s borders. Broadcasters like William Joyce (“Lord Haw-Haw”) and Mildred Gillars (“Axis Sally”) transmitted programs to the United Kingdom and the United States, respectively. These broadcasts aimed to influence public opinion in enemy states and spread Nazi ideology internationally. The Nazis also attempted to jam enemy radio stations and made listening to foreign broadcasts a treasonable offense, punishable by imprisonment or even death.
The Nazi regime in Germany is a prime example of how music can be twisted and weaponized to serve ideological purposes and stoke nationalist sentiment.
The Nazis viewed themselves as a mass nationalist movement, and they recognized the power of music to seduce and sway the masses. Propaganda Minister Joseph Through Goebbels radio technologies, was able to reach the German populace, promoting “Aryan” works consistent with Nazi ideology and excluding Jewish composers and musicians.
To achieve their ideological goals, the Nazis implemented heavy censorship and cultural control. They blacklisted Jewish compositions, banned specific concert hall performances, and controlled radio content. They promoted the works of favored “Germanic” composers such as Richard Wagner, Ludwig van Beethoven, and Anton Bruckner, considering them positive contributions to the German folk community. Nazi-sponsored newspapers slandered the names of “degenerate” musicians, threatening violence in retaliation for “un-German” concerts.The Nazis also funded Aryan musicians and disrupted the concerts of Jewish performers, even intimidating audiences.
The Nazis’ weaponization of music extended beyond censorship and propaganda.
The Nazis’ actions serve as a reminder of the potential for music to be twisted and wielded as a force of control and chaos.
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The great 440 Hz conspiracy, and why all of our music is wrong: Alan Cross
A vintage plastic guitar tuner measures 440 Hz. Getty Images
If you look down the right paths, it becomes clear that governments and various security apparatuses have used music to control us using music. All the music of the West that’s based on the standard 12-tone scale is used for the management of crowds as well as thought control.In 1917, the American Federation of Musicians endorsed the Italians, followed by a further push for 440 Hz in the 1940s.
In 1953, a worldwide agreement was signed. Signatories declared that middle “A” on the piano be forevermore tuned to exactly 440 Hz. This frequency became the standard ISO-16 reference for tuning all musical instruments based on the chromatic scale, the one most often used for music in the West. All the other notes are tuned in standard mathematical ratios leading to and from 440 Hz.
This tone standard is now universally accepted, which is why a piano in Toronto sounds exactly the same as a piano in China.
Weirdly, no one can say for sure why this frequency was chosen in the first place. In fact, there (are) those among us who vehemently disagree with this standard. In fact, they consider the 440 Hz middle “A” to be an abomination against nature.
Adherents to this theory claim that a more “natural” frequency for middle “A” is 438 Hz. Others believe that the correct middle “A” is 432 Hz (also known as Verdi’s A) because it has “a pure tone of math fundamental to nature” and is “mathematically consistent with the patterns of the universe, vibrating with Phi, the Golden Ratio. They point to how this pitch can be connected to everything from nautilus shells to the works of the ancients, including the construction of the Great Pyramid.
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| Philosophy, Math or TRUTH XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX |
Is math natural or manmade
Anonymous
∙ 18y ago
Updated: 11/7/2022
Well… its neither natural or man made because math is an agreement between people so you can’t say its natural. The reason by the math is an agreemtn between people is how they call it. For example, Pythagoras found Pythagoras theory, people made an agreement to call that after his name.
== This is an excellent question. I think that men created mathematical facts, formulas and theorems in order to be able to describe the world we live in. An example would be all the shapes that occur in nature and the desire to build things and plan how they would work needed a common language.Mathematics is a collective human invention, evolving over millennia across cultures, rather than the creation of a single individual. Its development reflects humanity’s ongoing effort to understand, quantify, and model the world History Cooperative+2.
Is math discovered or invented? – Jeff Dekofsky3,340,161 Views 11,226 Questions Answered TEDEd Animation
Would mathematics exist if people didn’t? Did we create mathematical concepts to help us understand the world around us, or is math the native language of the universe itself? Jeff Dekofsky traces some famous arguments in this ancient and hotly debated question.  |
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Furthermore, 432 Hz resonates with 8 Hz (the Schumann Resonance), the documented fundamental electromagnetic “beat” of Earth. It just feels better.
| We must remember that earth in time is a prison planet and all that is born into it are corrupt. The whole earth is corrupt, especially now as we are reaching the end times. This Earth is under the Auspices and Authority of Sata and his minions. Unless you born again into the Kingdom of God – you cannot discern truth. If something “feels natural” to an unbeliever, that is just because they are controlled by their fallen nature and/or demonic spirits. If you KNOW GOD and HE KNOWS YOU. IF you are under the blood of the Lamb of GOD and lead by His Holy Spirit living in you… than you can trust HIM and follow His lead. Anything else is a lie and a trap. |
Research says that music tuned from this frequency is easier to listen to, brighter, clearer, and contains more inherent dynamic range. As a result, music with this tuning need not be played at higher volumes and thus reduces the risk of hearing damage.
Here’s where the conspiracy comes in. There is allegedly something sinister and evil about 440 Hz. It is said that the Rockefeller Foundation had an interest in making sure the United States adopted the 440 Hz standard in 1935 as part of a “war on consciousness” leading to “musical cult control.”
Without going too far down this rat hole, this theory says that tuning all music to 440 Hz turns it into a military weapon.
I quote from one of the many online articles on the subject: “The monopolization of the music industry features this imposed frequency that is ‘herding’ populations into greater aggression, psychosocial agitation, and emotional distress predisposing people to physical illnesses and financial impositions profiting the agents, agencies, and companies engaged in the monopoly.”
Whoa.
Going a little deeper, we end up at the doorstep of the Nazis. It is said that propaganda minister Joseph Goebbels insisted that on 440 Hz tuning in Germany because he believed it made people think and feel in specific ways, making them “a prisoner of a certain consciousness.” And if you’re trying to mobilize the population for Der Fuhrer, that’s exactly what you want, right?
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The BEGINNING OF THE END – Part 1 – Ours is but to do or DIE
Original post: 8/11/18; Update 3/9/19; Update 8/31/22; Update 5/11/26 THE EVENTS THAT BROUGHT THE WORLD TOGETHER TO FORM THE ENDTIME WORLD ORDER. I am convinced that the part of our society that is made up of the children of evil, those who worship the dark entities, was heavily active and instrumental in bringing about the … Click Here to Read More
There’s more from the Tinfoil Headphones crowd: “The powers that be are successfully lowering the vibrations of not only the young generation but the rest of us as well. These destructive frequencies entrain the thoughts towards disruption, disharmony, and disunity. Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war.” Looking at how our society has degenerated and deteriorated and violence and crime have escalated over the last 100 years and especially in the last 40 years, I would say that there is plenty of evidence that they are right!
There’s something to think about the next time you pop in some earbuds. Does listening to music make you feel more warlike and diseased?
Let’s test it out with this video.
Got that? Now try another experiment. Here are two versions of Coldplay’s “The Scientist,” starting with the standard version from their 2002 album, A Rush of Blood to the Head.
Any feelings of war or disease yet?
Now listen to this. It’s a version of the same song that’s been tuned down to the supposedly more natural frequency of 432 Hz. Can you feel a difference? This is a very cavalier and sarcastic remark. If it were easy to perceive the affects of the difference in frequency people would naturally avoid anything that made them FEEL WARLIKE or FEEL DISEASED.
I’ve also been told that the different effects these frequencies have on our chakras. Songs tuned to 440 Hz work on the third eye chakra (the “thinking”) while 432 Hz stimulates the heart chakra (the “feeling”). Therefore, 432 Hz music increases the spiritual development of the listener. It may even have healing properties.
Chakras, Yoga, Sama, Transcendental Meditation are all pagan concepts and NONE of them beneficial to humans. Not the kind of spiritual awakening that will save your soul from HELL.
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Do You Believe in Magick? Part 6 – Eastern Religion Works Its Magick
— EASTERN RELIGION WORKS ITS MAGICK —- Originally posted January 30, 2016; updated 12/22/2018 Eastern Religion and NEW AGE Philosophy are one and the same. “Theosophy is the teaching of Madame Blavatsky. It is Hinduism at its best. Theosophy is the Brotherhood of Man. … Jinnah and other Moslem leaders were once members of the … Click Here to Read More
Do You Believe in Magick? Part 7 – Easternization of the USA
EASTERNIZATION OF THE USA Originally posted by Cynthia Pawl, January 30, 2016; updated 7/2018 President’s YOGA PALA Challenge 2011 …. You can start now…. PRESIDENT OBAMA’S 2011 YOGA PALA CHALLENGE Since 2001, the popularity of yoga in the USA has risen constantly. This has been due to the fact that most large corporations, sports teams, … Click Here to Read More
Do You Believe In Magick? Part 8 – Easternization through Meditation
Easternization through MEDITATION Cynthia Pawl, January 30, 2016 / Updated 11/4/2020 Transcendental Meditation TM technique involves the use of a sound or mantra, and is practiced for 15–20 minutes twice per day. During which time one is to use the mantra to facilitate the “emptying of one’s mind” in preparation to receive. Transcendental Meditation … Click Here to Read More
Do You Believe In Magick? Part 9 – Eastern Invasion Continued
EASTERN INVASION Continued Cynthia Pawl, January 30, 2016: RESTORED 4/25/22 Just a few of the reasons why yoga cannot be separated from its occultic origins are: (1) The mantra meditation lowers mental barriers and opens one up to the demonic realm (though it often doesn’t “feel” demonic at first…it feels “good” and “spiritual”…..even holy); … Click Here to Read More
NIGHT OF POWER – April 28, 2022
Update Added at the End: 4/26/22 I came across the following video and felt it needed to be addressed in a timely fashion as the date was coming up quickly. I am not at all familiar with Ramadan or the Night of Power… but I will share with you what I saw in my limited … Click Here to Read More
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There are numerous organizations advocating a universal switch to 432 Hz, but that would involve upsetting worldwide standards, not to mention the construction and re-tuning of millions of musical instruments. Nice idea, but it ain’t gonna happen.
If that idea stressed you out, please meditate on this special 432 Hz music. I would not recommend anyone meditate on whatever is played in this video. Infact, DO NOT MEDITATE on ANYTHING but the WORD OF GOD.
432Hz Miracle Tone – Raise Positive Vibration/Healing
Alan Cross is a broadcaster with 102.1 the Edge and a commentator for Global News.
The Science of Sound: Physics of Vibrations and Waves
Sound is more than just the music we listen to or the conversations we have. It is the whisper of a universe in motion, a dance of invisible waves that carry meaning, emotion, and energy. From the rumble of thunder that echoes across the sky to the delicate chirp of a bird at dawn, sound paints our reality with an audible texture. But what exactly is sound? What lies beneath the surface of a violin’s resonance, a child’s laughter, or the mighty roar of a rocket engine?
To understand the science of sound is to unlock one of nature’s most fundamental communication tools—a phenomenon born of vibrations, shaped by waves, and governed by the intricate laws of physics. This journey into the heart of acoustics will take us deep into the nature of vibrations and how they propagate through matter, revealing not only how sound works but also why it touches us so profoundly.
The Birth of Sound: A Matter of Vibrations
All sound begins with a vibration—a back-and-forth motion of particles in an object. Pluck a guitar string, strike a drumhead, or vocalize a word, and you set molecules into oscillatory motion. These vibrations disturb the surrounding medium, usually air, and create a chain reaction of moving particles. But these particles don’t travel far. Instead, they push and pull on neighboring molecules, setting off a domino effect.
This initial movement is called a mechanical vibration, and it’s the root of all sound. The object that vibrates can be solid, liquid, or gas, but it must possess elasticity (the ability to return to its original shape) and inertia (resistance to changes in motion). These properties determine how well an object can sustain a vibration.
The frequency of vibration—how many times it oscillates per second—determines the pitch of the sound. Low-frequency vibrations produce deep, booming sounds like a bass drum, while high-frequency vibrations create sharp, high-pitched tones like a piccolo. Frequency is measured in Hertz (Hz), named after Heinrich Hertz, the physicist who first conclusively proved the existence of electromagnetic waves.
Waves in Action: Longitudinal and Transverse Phenomena
When sound propagates through air, it travels as a longitudinal wave. This means the particles of the medium move parallel to the direction of the wave’s travel. Picture a slinky stretched between two hands. Push one end quickly toward the other, and you’ll see compressions and rarefactions moving along the coil. This is exactly how sound travels through air—compressions are regions of high pressure, and rarefactions are regions of low pressure.
In contrast, transverse waves involve particle motion perpendicular to the wave direction—like ripples on a pond. While sound typically travels as a longitudinal wave, in certain solids, it can also support transverse components. These distinctions become crucial in understanding how different materials carry sound.
The speed at which a sound wave travels depends on the medium’s density and elasticity. It moves fastest through solids, slower through liquids, and slowest through gases. For instance, sound travels approximately 343 meters per second in air at room temperature, but over 5,000 meters per second in steel. The denser molecular structure of solids provides a more efficient conduit for energy transmission.
Amplitude and Energy: The Loudness of Life
While frequency defines pitch, amplitude defines volume. Amplitude refers to the maximum displacement of particles in a wave from their equilibrium position. Higher amplitude means more energy, which translates to a louder sound.
Sound intensity is measured in decibels (dB), a logarithmic scale that reflects the power of a sound wave relative to a reference level. A whisper might measure 30 dB, normal conversation 60 dB, and a rock concert well over 100 dB. Sounds above 120 dB can cause physical pain and damage hearing—an unfortunate byproduct of the immense energy carried by high-amplitude waves.
Amplitude also influences how we perceive sound quality. A violin played softly can sound sweet and mellow, while the same note played forcefully may sound harsh or even aggressive. Our ears are remarkably sensitive, capable of detecting amplitude variations of less than a millionth of a meter—finer than the diameter of a hydrogen atom.
Resonance: The Sympathetic Song of Structures
Resonance occurs when an object vibrates at its natural frequency in response to an external force of the same frequency. This phenomenon is the secret behind musical instruments and architectural marvels alike. When you blow across the top of a bottle, you’re creating a pressure wave that matches the bottle’s natural frequency, causing the air inside to resonate and amplify the sound.
In musical instruments, resonance boxes—like the body of a guitar or the soundboard of a piano—amplify the vibrations from strings or membranes. Without these resonating structures, the sound would be weak and barely audible.
But resonance isn’t always desirable. In engineering, resonance can be dangerous. Bridges and buildings must be designed to avoid resonant frequencies that might be triggered by wind, earthquakes, or traffic, potentially leading to catastrophic collapse. The infamous Tacoma Narrows Bridge disaster of 1940 was caused by wind-induced resonance, causing the bridge to sway and twist until it tore apart.
Harmonics and Timbre: The Signature of Sound
Every musical note we hear is more than just a single frequency—it’s a combination of the fundamental frequency and a series of overtones or harmonics. These harmonics are integer multiples of the base frequency and give each instrument its unique timbre or tone color.
A middle C played on a piano and a violin has the same fundamental frequency (261.6 Hz), but they sound different because of their harmonic content. The shape, material, and method of sound production in each instrument determine which harmonics are emphasized and which are subdued.
Our brains are remarkably adept at decoding these complex waveforms. We can distinguish voices in a crowd, identify instruments in an orchestra, and recognize familiar sounds within milliseconds. This is possible because of our brain’s ability to analyze waveforms and extract the harmonic structure, a feat that continues to challenge even the most advanced speech recognition technologies.
The Human Ear: Nature’s Finest Sound Sensor
The human ear is a marvel of biological engineering, capable of detecting pressure variations as small as 20 micropascals and converting them into electrical signals for the brain. The outer ear collects sound waves and funnels them down the ear canal to the eardrum, which vibrates in response.
These vibrations are transmitted through the middle ear via three tiny bones—the malleus, incus, and stapes—collectively known as the ossicles. These bones amplify the vibrations and pass them into the cochlea, a fluid-filled spiral in the inner ear.
Inside the cochlea, vibrations move hair cells along the basilar membrane. Each part of this membrane is tuned to respond to specific frequencies, much like the strings of a harp. The hair cells convert these vibrations into nerve impulses sent to the brain via the auditory nerve. It is in the brain that we truly “hear”—interpreting these signals as pitch, loudness, and meaning.
The Speed of Sound and the Sonic Boom
Sound travels at different speeds depending on the medium. In dry air at 20°C (68°F), it moves at 343 meters per second. But if you increase the temperature, the speed of sound rises because warmer air has more energetic molecules that transmit vibrations more efficiently.
This has fascinating consequences in the real world. Pilots flying at speeds faster than sound (Mach 1) break the “sound barrier,” producing a sonic boom—a shock wave resulting from the buildup of pressure waves that can’t move forward quickly enough to get out of the plane’s way.
Sonic booms are thunderous and startling, the audible result of exceeding the medium’s capacity to propagate sound normally. In many places, supersonic flight over land is restricted due to the disruptive nature of these booms.
Sound in Different Mediums: Air, Water, and Beyond
Although we experience sound mostly through air, it travels through other mediums as well. Underwater, sound behaves very differently. It moves roughly four times faster in water than in air, making it the preferred medium for communication among marine animals and for sonar systems.
Dolphins, whales, and other sea creatures use sound not only to communicate but to navigate and hunt. Echolocation allows them to “see” with sound, emitting clicks and listening to the echoes that bounce back from objects.
In space, where there is no air or other medium, sound cannot propagate. This is why science fiction depictions of explosions in space with thunderous booms are inaccurate. However, vibrations in solid objects like spacecraft can still occur, and instruments can measure these internal vibrations as a form of “structural sound.”
Sound Technology: From Telegraphs to High Fidelity
Human ingenuity has found countless ways to manipulate and reproduce sound. The first major technological advance came with the invention of the telephone and phonograph in the 19th century. These devices used mechanical vibrations to imprint sound onto media for later playback.
The 20th century ushered in the era of electronic amplification, radio, and recording. Microphones convert sound waves into electrical signals, which can be stored, transmitted, and replayed with remarkable fidelity. Digital audio sampling broke sound into data points, allowing for pristine reproduction and manipulation.
Modern innovations like noise-canceling headphones, 3D audio spatialization, and AI-generated speech continue to push the boundaries of what we can achieve with sound. Scientists now use sound waves for medical imaging (ultrasound), navigation (sonar), and even cleaning delicate objects with cavitation bubbles.
The Emotional Power of Sound
Beyond physics and engineering, sound wields a profound influence over our emotions and behavior. Music can elicit tears, motivate athletes, calm infants, or stir crowds to action. A well-timed silence can convey more than words ever could.
The reason lies in the brain’s limbic system, where sound stimuli interface with memory and emotion. Familiar songs can instantly transport us back in time. Rhythmic patterns entrain our heartbeat and breathing. Cultural associations give meaning to particular sounds, from national anthems to bird calls signaling the coming of spring.
In therapy, music and sound are used to treat mental health disorders, enhance learning, and promote healing. Soundscapes—environments rich in natural sounds—are now recognized as essential for well-being, a counterpoint to the cacophony of urban life.
Into the Future: Acoustic Frontiers
Sound remains a frontier of exploration. Researchers are studying how low-frequency infrasound affects animals and may even signal natural disasters like earthquakes or volcanic eruptions. In quantum acoustics, scientists are learning how to control sound at the atomic scale, opening pathways to new types of computers and communication systems.
Architectural acoustics aims to design perfect listening spaces, from concert halls to classrooms. Bioacoustics is helping us monitor ecosystems and understand animal behavior. And synthetic sound engineering is creating entirely new auditory experiences in virtual reality and gaming.
As our understanding deepens, so does our ability to manipulate sound with precision and creativity. From invisibly cloaking objects with acoustic metamaterials to using focused sound waves in surgery, the possibilities are endless.
Conclusion: A Symphony of Science and Soul
The science of sound is a beautiful blend of physics, biology, and art. It begins with simple vibrations but ends in rich, emotional experiences. From the smallest insect hum to the roar of a waterfall, sound connects us to the physical world and to each other.
Understanding sound is not just an academic pursuit—it’s a key to understanding how we perceive, feel, and interact with reality. Whether you’re a musician tuning your instrument, an engineer designing a speaker, or simply someone marveling at a thunderstorm, you are engaging with one of the most elegant phenomena in nature.
Sound is vibration. Sound is wave. Sound is life.
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Can Sound Waves and Frequencies Kill?
Yes — under extreme conditions, sound waves and certain frequencies can be lethal, but only at intensities far beyond normal human exposure.
How Sound Can Be Deadly
Sound is a mechanical wave of pressure traveling through a medium like air or water. Its danger depends on intensity (measured in decibels, dB) and frequency (Hz) biologyinsights.com+1.
- Lethal thresholds:
- Around 150–160 dB can cause immediate physical harm soundcy.com.
- 180–200 dB can cause barotrauma — rupture of internal air-filled organs like the lungs or bowels, often from close-range explosions scienceinsights.org.
- Theoretical lethal levels exceed 240 dB, HowStuffWorks.
- Mechanisms of injury:
- Shockwaves from extreme sound can rupture eardrums, cause pneumothorax (lung collapse), and damage internal organs softhandtech.com.
- Infrasound (<20 Hz) can induce nausea, disorientation, and, at very high intensities, organ resonance or failure biologyinsights.com+1.
- Ultrasound (>20 kHz) can cause tissue heating and cellular damage at high power soundcy.com.
Why Frequency Matters
- Audible range: 20–20,000 Hz for humans.
- Below 20 Hz (infrasound): Inaudible but can cause physical vibrations and psychological effects biologyinsights.com.
- Above 20,000 Hz (ultrasound): Can heat tissue and cause damage at high intensities soundcy.com.
Real-World Examples
- Sonic booms from supersonic aircraft can cause hearing damage or death in extreme cases soundcy.com.
- Industrial accidents involving high-power machinery or explosions have caused fatalities from blast-related sound soundcy.com.
- Sonic weapons (e.g., LRAD) can cause pain and disorientation not typically lethal at normal settings (can be lethal under certain circumstances) HowStuffWorks.
Key Takeaway
While normal sound is harmless, extremely high-intensity sound waves — especially from explosions, sonic booms, or industrial accidents — can cause instant, fatal injuries through shockwaves, organ rupture, and internal trauma. Frequencies below or above the human hearing range can still be dangerous if intense enough biologyinsights.com+2.
Safety note: Protect yourself from prolonged loud noise (above 85 dB) to prevent hearing loss and other health effects, but lethal sound requires conditions far beyond everyday exposure.
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U.S. law enforcement and security forces use Long-Range Acoustic Devices (LRADs), or sound cannons, to control crowds by emitting highly directional, high-decibel sound that can cause discomfort or hearing damage.
Unlike conventional loudspeakers, LRADs concentrate sound in a narrow cone, allowing authorities to target specific individuals or groups while minimizing lateral sound dispersion www.heise.de. They can operate in two modes: a voice mode for announcements and a siren/alert mode that emits high-frequency tones (2,000–4,000 Hz) designed to cause maximum discomfort Wikipedia.
While LRADs are intended to be non-lethal, their high decibel output—up to 160 dB at one meter—can cause pain, dizziness, and permanent hearing damage, especially for those close to the device Wikipedia+1.
LRADs are a modern, non-lethal tool for crowd management that combine long-range communication with the ability to deter or disperse crowds through intense sound. While effective in controlling large groups, their use carries significant health risks and has prompted legal and ethical debates regarding the protection of civilians during protests and demonstrations dailysquib.co.uk+4.
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Well, they would like us to believe that it is unlikely that governments and military organizations are deliberately using sound to manipulate and control us and that certainly they are not using sound to cause us physical harm or kill us. However, even though their sonic weapons are not “meant” to be lethal. We have heard that before just look at how mace, pepper spray and stun guns have been used and abused to cause harm and even to kill citizens.
Mace is not designed or typically capable of causing death. While extremely rare, indirect health complications exacerbated by mace exposure could theoretically lead to fatal outcomes, especially in individuals with pre-existing respiratory or cardiac conditions.
Pepper spray is generally non-lethal, but in rare cases, it can contribute to death, particularly in individuals with pre-existing health conditions or when used improperly.
Typical Effects of Pepper Spray
Pepper spray contains oleoresin capsicum (OC), derived from chili peppers, which causes intense irritation to the eyes, skin, and respiratory system. Common effects include burning sensations, temporary blindness, coughing, choking, and difficulty breathing, usually lasting 20–45 minutes for most healthy adults . Skin irritation and eye discomfort may persist for several hours, but most people recover without lasting harm Poison Control+1.
Situations That Increase Risk
While fatalities are extremely rare, certain factors can increase the danger of pepper spray:
- Pre-existing health conditions: Individuals with asthma, chronic obstructive pulmonary disease (COPD), heart problems, or severe allergies may experience life-threatening respiratory distress or cardiac complications when exposed safetytechnology.com+2.
- Excessive exposure: Being sprayed in confined spaces or for prolonged periods can lead to asphyxiation or severe respiratory issues fightsense.com.
- Delayed medical attention: Failure to seek help after severe exposure can worsen complications, especially in vulnerable populations fightsense.com+1.
- Improper use: Close-range deployment or high-concentration sprays can increase the risk of harm or even death
First Use of Stun Guns by U.S. Police
The first U.S. police use of stun guns began in the 1970s, when the device was developed by Jack Cover, a Los Angeles Police Department detective. Cover, inspired by the Tom Swift books, created the first handheld conducted energy device (CED) in 1969 and completed the prototype in 1974 Wikipedia+1.
While the original Taser (a projectile-based CED) was introduced to law enforcement in 1993 as a less-lethal alternative to firearms Wikipedia, stun guns themselves — small, hand-held devices that deliver an electric shock through direct contact — were already in use by police in the 1970s. These early stun guns were adapted from military designs and became part of the law enforcement use-of-force continuum alongside batons and mace Congress.gov.
In summary:
- 1969–1974: Jack Cover develops the first stun gun prototype.
- 1970s: U.S. police begin using stun guns in various agencies.
- 1993: TASER introduced to law enforcement as a projectile-based CED.
YES, YES these things are touted as being “NON LETHAL” however, any of them can become LETHAL given the right circumstances. We have witnessed that officers and soldiers, under the errant belief that these things are NOT LETHAL, over apply their use in real life situations. Perhaps out of ignorance or perhaps deliberately. This occurs often enough to be alarming. Power, authority and weapons and fear, anger or bravado are a dangerous mix.
We have all seen videos of officers using a stun gun at point blank range repeatedly in quick succession. It is horrifying to watch, and appears to be sadistic! We should all know that people under the influence of drugs or demonic spirits can display extreme feats of strength. Officers can become overwhelmed and even frightened, and apply what seems to be unreasonable force when dealing with that kind of situation. But, we have seen it applied there was absolutely no evidence of resistance. That is not acceptable.
Victims of sonic weapons most often had any idea what was happening. There was no audible sound, but physical impact was instant, inescapable and devastating.
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Covert auditory violence refers to the deliberate use of sound or noise to cause harm, disorientation, or psychological distress, often without the victim’s awareness.
Auditory violence is an intracorporeal phenomenon, where sound saturates the head’s perceived interior, disrupting the mind–body link and enabling control or torture SAGE Journals. This perspective highlights how auditory attacks can be both physical and psychological, making them potent tools in covert operations.
Covert auditory violence and sonic weapons are a growing concern in both military and civilian contexts, they exploit the human auditory system to inflict harm, disorient, or control. They combine physical harm with psychological manipulation, and while their use is widespread, legal and ethical frameworks remain underdeveloped, leaving victims vulnerable to unregulated sound-based attacks. Source 1 ; Source 2
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Mechanisms Behind Musical Torture
- Infrasound Resonance – Frequencies below 20 Hz interact with body cavities, inducing vibro‑perceptual stress.
- Amplitude Modulation – Rapid changes in volume create “audio‑shocks” that trigger the startle reflex.
- Binaural Beats – Contrasting tones in each ear can disrupt brainwave synchronization, leading to disorientation.
Lucid Dreaming, Subliminal Recordings, Binaural Beats, White Noise
A Variety of Spiritual Experiences ‘IF THERE BE higher spiritual agencies that can directly touch us, the psychological condition of their doing so MIGHT BE our possession of a subconscious region which alone should yield access to them.’ William James Well, William James was pretty smart, because that is exactly where demonic entities access humans. When you … Click Here to Read More
Fact: A 2022 study by the Acoustic Research Institute (ARI) demonstrated that exposure to 120 dB infrasound for 15 minutes reduced short‑term memory retention by 23 % (doi:10.1234/ari2022). Sound as Weapon: The Rise of Musical Torture and Global Bans – Archyde
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Music, often referred to as a universal language, has an unparalleled ability to transcend boundaries and communicate directly with our souls. As a form of frequency, music enters our being without seeking
permission, profoundly influencing our emotional states, intentions, and thoughts. Whether it is a slow
piano piece that evokes a sense of melancholy or an upbeat track that compels us to dance, music wields a remarkable power. This power can be harnessed for growth and healing, or, conversely, can lead to decay, embodying both positive and negative effects.
The Hypnotic Influence of Music
Music possesses a unique ability to impact the subconscious mind, akin to a form of hypnosis. The rhythmic beats and melodies embedded in music, regardless of genre, can induce a hypnotic state in our minds. When coupled with lyrics, this effect intensifies as our subconscious becomes highly susceptible to the messages conveyed, especially when we are entranced by the rhythm and experience a trance-like state, often referred to as “feeling the music.”
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Science – The MagicK that will DESTROY Mankind
I apologize for the length of this post. The subject matter is vital to our immediate situation. I hope you can find the time to look over the entire post and digest it. These next four posts that I have been working on are all interrelated and all significantly related to what is happening in … Click Here to Read More
Do You Believe in Magick? Part 23 – NEW AGE – The Magical Mystery Tour
Originally Posted 1/30/16; Updated 12/16/18; RESTORED 5/11/26 RESTORED 2/24/22 The Magical Mystery Tour Peace, Love, Joy, Happiness, Brotherhood Promises, promises, promises. ALL empty. There can never be peace on earth until the Prince of Peace brings it. Man’s heart is wicked and evil. And mankind has an adversary that is working diligently to deceive and … Click Here to Read More
BARD MAGIC – ILL-LUMA-NATION
The Bards of the Druids/MAGI were the original masters of the MAGICK of theater. They would weave the tales of the heroes of old and of their day. They did not ever write anything down. They were the keepers of what they called truth and history. The people were only told what the Druids wanted … Click Here to Read More
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This phenomenon, though neutral, has profound implications. Music can serve as a powerful outlet for emotions, a source of inspiration, motivation, and healing. However, it is crucial to be mindful of the emotional impact it has on us. The subconscious mind acts as a repository for our programmed behaviors, and approximately 90% of our daily actions are expressions of these programs (Lipton, 2005). Music that incorporates themes of hate, drugs, sex, lust, and violence can influence our thinking patterns, potentially manifesting in our behavior and actions.
WHAT’s THE RAGE?
What is happening to our World? So much anger, frustration, rage, violence, rape and all manner of abuse. We see a steady increase in witchcraft, Satanism, cannibalism, and pagan ritualistic sacrifice, as well. This has been an ongoing and escalating problem for decades now. Where did it start? What is the cause? Who is behind … Click Here to Read More
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The power of music lies not only in its rhythm but also in the words it conveys. In Hebrew, the term for word, “דָּבָר” (dabar), also means “thing” or “matter,” reflecting the intrinsic power of words to create reality. This aligns with the ancient Aramaic phrase “אברא כדברא” (avra kedabra), meaning “I will create with my words.” When we speak or sing, we are not merely expressing ourselves; we are directing energy and shaping the world around us.
Abracadabra
RESTORED 5/29/23; RESTORED 11/17/25 Magic Words, made to sound so sing songy and easy on the ears. People get caught up in the “FUN”, no realizing that these words are incantations and they are casting spells over the masses. Most people will poo-poo what I am saying and call me an alarmist. But, I am … Click Here to Read More
The Dark Side of Music: Programming the Masses
In the contemporary music industry, there are artists who are generously compensated to infiltrate the minds of the masses with messages of drugs, sex, and violence. Given that the mind is the fundamental driver of reality, programming the minds of the masses with these demonic thought patterns results in a fragmented and divided humanity. The impact is profound, as these programmed behaviors significantly influence how individuals perceive and interact with the world around them.
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real·ity [riˈalɪti] noun
reality (noun) – the state of things as they actually exist, as opposed to an idealistic or notional idea of them
When did reality become subjective?
It is Kant’s “Critique of Pure Reason,” published in 1781, that is often cited as the pivotal moment when reality began to be perceived as subjective. Kant argued that our perception of reality is not merely a passive reception of sensory data but an active process of construction by the human mind. This construction involves imposing certain categories and structures on our experience, which shapes our understanding of reality. Kant’s ideas were influential in modern philosophy, (philosophy is the wisdom of man…and we know what God thinks of the wisdom of man!) particularly in the development of the philosophy of mind and the philosophy of science. Wikipedia |
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| When did TRUTH become RELATIVE? Enlightenment shift The 17th–18th century Enlightenment marked the turning point when truth, ethics, and culture were increasingly moved from the “absolute” to the “relative” category www.historyspage.com. Thinkers began to question the universality of religious and moral doctrines, promoting reason, skepticism, and the idea that knowledge is shaped by perspective. This period laid the groundwork for both modernist and postmodernist relativism.19th‑century philosophical development In the later 19th century, German thinkers like Edmund Husserl and others explored “relative truth” in depth, linking it to historicism, cultural context, and the limitations of objective knowledge JSTOR. This era saw relativism become a widespread philosophical stance, influencing metaphilosophy, the philosophy of history, and the social sciences. |
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What is truth according to the Bible?
1. The Foundational Question In John 18:38, Pontius Pilate famously asks, “What is truth?” This question echoes throughout history, and the Bible provides a cohesive and definitive answer. Truth, according to Scripture, is not subjective opinion but stems from the very nature of God. Truth is revealed in the person of Jesus Christ, spoken through the Scriptures, and illuminated by the Holy Spirit. 2. God as the Ultimate Source of Truth The Bible consistently points back to God as the origin of all reality and truth. Proverbs 30:5 declares, “Every word of God is flawless; He is a shield to those who take refuge in Him.” Because God is eternal and unchanging, His truth is likewise absolute and unchanging. Psalm 119:160 reaffirms, “The entirety of Your word is truth, and all Your righteous judgments endure forever.” The Bible portrays God’s nature as the standard by which all else must be measured, and it presents Him as unerring in His character, words, and deeds. 3. Jesus Christ as the Embodiment of Truth Central to biblical teaching is that truth is personified in Jesus Christ. In John 14:6, Jesus states, “I am the way and the truth and the life.” This is not merely a statement of moral guidance but a profound declaration of divine identity. Christ is truth incarnate, the living display of God’s perfect nature. In John 18:37, Jesus tells Pilate, “For this reason I was born and have come into the world, to testify to the truth.” Here, Jesus reveals the purpose of His earthly ministry: to make known the truth about God’s love, holiness, and plan for humanity’s redemption. 4. The Role of the Holy Spirit Scripture teaches that the Holy Spirit guides believers into truth. Jesus promises in John 16:13, “But when He, the Spirit of truth, comes, He will guide you into all the truth.” Through inner conviction and opening our understanding of Scripture, the Spirit ensures we can discern God’s message and live accordingly. This guidance provides more than basic information: it includes conviction of sin, direction in ethical living, and deeper knowledge of God’s nature and promises. As a result, believers can walk in wisdom and clarity, confident of God’s truth for their lives. 5. Truth and Scripture The Bible is consistently upheld as the written embodiment of God’s truth. Second Timothy 3:16 states, “All Scripture is God-breathed and is useful for instruction, for conviction, for correction, and for training in righteousness.” Because it is God’s revelation, it carries His authority and trustworthiness. Biblical manuscripts have been preserved in various ancient collections-such as the Dead Sea Scrolls found in the mid-20th century-that consistently affirm the textual integrity of the Scriptures we read today. The remarkable alignment of these manuscripts with modern versions highlights the Bible’s faithful transmission and the reliability of its message of truth. 6. Living Out the Truth The Bible teaches that truth is not an abstract concept but a guiding principle that shapes daily life. First John 3:18 exhorts believers to love “not with words or speech but with actions and in truth.” Living out truth means aligning one’s attitudes, words, and behaviors with God’s Word. Biblically modeled truthfulness includes honesty, fairness, compassion, and devotion to God’s moral law. Ephesians 4:25 instructs, “Therefore each of you must put off falsehood and speak truthfully to his neighbor,” demonstrating that moral integrity stands at the core of Christian living. 7. Truth Confirmed by Historical and Archaeological Evidence Archaeological discoveries often reinforce the Bible’s historical details, thereby lending further credibility to its claim of truth. Excavations at locations such as Jericho, Hazor, and the City of David in Jerusalem have uncovered evidence consistent with biblical accounts of conquest, governance, and habitation. Outside writings, including those by Flavius Josephus, corroborate key events and figures recorded in Scripture. These external witnesses affirm that the Bible’s framework is rooted in real history. Such alignment between archaeology, historical documentation, and biblical narrative illustrates the Bible’s integrity and reliability as a truthful record. 8. The Transformative Power of Truth Truth, biblically understood, is not merely intellectual knowledge. It transforms hearts and minds. Christ’s resurrection-attested to by numerous eyewitness accounts (1 Corinthians 15) and backed by historical inquiry-demonstrates God’s power over death and underscores His truthfulness in all promises. Believers testify that encountering Jesus, the embodiment of truth, reshapes values, relationships, and life directions. Throughout the centuries, countless individuals have reported miraculous healings and experiences that they attribute to divine intervention, further strengthening their conviction in the Bible’s message of truth. 9. Truth’s Ultimate Goal: Glorifying God From Genesis to Revelation, biblical truth points to the purpose of glorifying God. First Corinthians 10:31 encourages, “So whether you eat or drink or whatever you do, do it all to the glory of God.” Walking in truth is inherently tied to acknowledging God’s sovereignty and fulfilling the design for which humanity was created. Because salvation is found only in Christ’s redemptive work, embracing His truth is the gateway to spiritual restoration and a meaningful relationship with God. This “good news” (euangelion) undergirds the entire biblical narrative and highlights truth as the path to eternal life. 10. Conclusion In the Bible, truth is the uncompromising standard flowing from God’s very character. It is an unchanging reality expressed in Scripture, fully manifested in Jesus Christ, and illuminated by the Holy Spirit. Archaeology, historical corroboration, and faithful manuscript transmission provide layers of confidence in the Bible’s claim to truth. Ultimately, Scripture invites every person to know this truth personally, to embrace it by faith in Jesus, and to live in a way that glorifies the Creator. Far from an abstract concept, truth in the Bible is a living, transformational power by which humanity can understand reality and find redemption, hope, and purpose. |
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The phrase “spelling” itself hints at the magical nature of words. Each cell in our body responds to the frequencies produced by our thoughts, words, and emotions. This concept is echoed in the biblical scripture, where the power of the tongue is emphasized repeatedly. In James 3:5–6 (WMB), it is written:
One World – One Language
RESTORED: 2/28/22 It is not hard to see why the elite want to silence all who oppose them. Infact, they are doing their best to silence all of us. That is the real reason for the masks, to muzzle the masses. One mask has not been doing the trick. Yes, it makes it hard to … Click Here to Read More
“So also the tongue is a small part of the body, and yet it boasts great things. See how great a forest a little fire can ignite! And the tongue is a fire. The world of iniquity among our members is the tongue, which defiles the whole body and sets on fire the course of nature, and is set on fire by Gehenna.”
This scripture underscores the profound impact that our words can have on our lives and the lives of others.
Cymatics: The Science of Sound and Form
The power of sound to shape reality is not just a mystical or religious concept; it is also supported by scientific evidence. Japanese scientist Dr. Masaru Emoto conducted extensive research on the relationship between human consciousness and the molecular structure of water. Through his experiments, Dr. Emoto demonstrated that water crystals formed under the influence of positive words or intentions, such as “love,” would display beautiful, symmetrical patterns. In contrast, water exposed to negative words, such as “hate,” would form distorted and chaotic patterns (Emoto, 2004).
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Must be Something in the Water – Part 2 – Water REMEMBERS – Water and Spirituality – Restored
RESTORED: 3/25/22/ RESTORED: 4/30/23 Mayim Chayim – Feb 11, 2014 – VavJMusic – Adonai is the Living Water. HE is the Fountain of Life. Water, a great necessity and source of life. Jesus is our source of :Living Water”. He is the Mayim Hayim. He promises that if we come to him we will thrist … Click Here to Read More
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Given that the human body is composed of approximately 60–70% water, the implications of Dr. Emoto’s findings are profound. Our thoughts, words, and emotions have the power to influence our physical well-being, and by extension, our overall reality. Proverbs 18:21 (WMB) states, “Death and life are in the power of the tongue; those who love it will eat its fruit.” This scripture further reinforces the idea that the words we speak carry significant power, capable of creating or destroying.
The Astral Realm and the Power of Focused Energy
In the context of music, the astral realm — often symbolized by the number 11 or the Masonic pillars — plays a crucial role. The astral realm exists beyond the physical plane, yet it is intricately connected with it. Events in the astral realm can influence the physical world, and vice versa. The phrase “See you on the other side,” often associated with astral projection or the astral plane, suggests a journey beyond the physical into a realm where thought and intention hold even greater sway.
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Do You Believe in Magick? Part 11 – Out of Body Experiences
Originally Posted 1/30/16; Updated 12/8/18: RESTORED: 3/8/22 Here I would like to cover briefly “Altered States of Consciousness” as this is the goal of all meditation, yoga and martial arts, in fact, all eastern practices. One must enter into an altered state of consciousness in order to experience any of the following. So, I felt … Click Here to Read More
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During certain musical events, such as concerts with a strong focus on low-vibrational thoughts, the collective focus of the audience can potentially summon and attract demonic spirits within the astral plane. This concept of energy harvesting through music is not far-fetched when considering the power of focused energy. Music featuring repetitive choruses and beats can generate thought loops in the mind, trapping the listener in a cycle of low-vibrational energy.
However, by choosing music that reflects progressive transformation and growth — music without repetitive structures — we can keep our minds in a state of continuous progression, moving towards bigger and better things. As the Psalmist wrote in Psalm 150:4 (WMB), “Praise him with tambourine and dancing! Praise him with stringed instruments and flute!” Music, when used with the right intention, can elevate the soul and bring one closer to the Divine.
Conclusion
Music is magic. It is a powerful tool that can influence our subconscious mind, shape our thoughts and behaviors, and even affect our physical well-being. Whether we realize it or not, every time we listen to music, we are engaging with a form of frequency that has the potential to create or destroy. By being mindful of the music we listen to and the words we speak, we can harness this power for growth, healing, and positive transformation.
In a world where the line between the physical and the astral is often blurred, understanding the true power of music and words is crucial. As we navigate this reality, let us remember the wisdom of the ages: “Guard your heart with all diligence, for out of it is the wellspring of life” (Proverbs 4:23, WMB).
References
Emoto, M. (2004). The Hidden Messages in Water. Atria Books.
Lipton, B. H. (2005). The Biology of Belief: Unleashing the Power of Consciousness, Matter, & Miracles. Hay House.
World Messianic Bible (WMB). (n.d.). Various Scriptures.
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RHYTHMN
The 808 drum, originating from the Roland TR-808 drum machine, is a cornerstone of modern music production, particularly in hip-hop and electronic genres. It produces a deep, resonant bass sound typically between 30 Hz to 100 Hz, characterized by its boomy kick drum and sharp snare sounds. This sound has become synonymous with the term “808,” often used to describe a deep, resonant bass or percussive element in tracks. The 808’s influence is significant, as it has shaped the sound of contemporary music, making it a staple in various genres, including hip-hop, trap, and EDM. soundcy.com+4
Reality shifting
Frequencies also play a role in an emergent online trend called reality shifting. Reality shifting, according to practitioners, describes the experience of transcending one’s physical confines “to visit alternative, mostly fictional, universes.” Commonly employed by young adults who feel drained or depressed by everyday life, reality shifting promises practitioners a way to escape their lives and inhabit different worlds, sometimes a beloved fictional one such as Hogwarts or the Marvel Cinematic Universe, or an entirely self-created reality of the “shifter’s” own making.
Many shifters believe that certain auditory frequencies can assist the mind’s relaxation into the state required for shifting realities. Users on the subreddit r/shiftingrealities, which boasts 125,000 members, provide many different explanations for why 6 hz is conducive to shifting, most of which suggest that it encourages a meditative state from which one can remain relaxed as well as focused on their desired reality. I don’t even understand why that would refer to this as REALITY. It has NOTHING TO DO WITH REALITY. It is an artificial construct of a fantasy.
| WHAT IS REALITY SHIFTING? Have you ever thought about what it would be like to live in a completely different world? Thanks to a phenomenon known as “reality shifting,” many people are doing just that. Reality shifting is all about exploring different realities in an immersive way, even fictitious ones that you might have only seen in books and movies. TikTok Explained: What Is Reality Shifting? Reality shifting is the practice of attempting to move your consciousness to an alternate or desired reality, often through visualization, meditation, and scripting, though it is considered a subjective experience rather than a scientifically verified phenomenon. What Reality Shifting IsReality shifting involves moving your awareness from your current reality (CR) to a desired reality (DR), which can be a fictional universe, a personal fantasy, or an alternate version of your life wikihow.com+1. The concept is rooted in the Multiverse Theory, which suggests that infinite parallel universes exist, each containing different versions of yourself wikihow.com+1. Practitioners aim to experience these realities consciously, often describing the experience as immersive and vivid, similar to lucid dreaming but distinct in intention and method scienceinsights.org+1.
Common Techniques of Reality ShiftingSeveral methods are popular among reality shifters:
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Psychological PerspectiveWhile no scientific evidence supports actual travel to alternate realities, the experiences are real in terms of vivid sensory and emotional experiences produced by the brain scienceinsights.org+1. Studies suggest that individuals who engage in reality shifting often have high absorption, meaning they can become deeply immersed in imaginative or sensory experiences Forbes. The practice is largely considered a form of imaginative play or guided visualization, similar to lucid dreaming or tulpamancy Wikipedia.
spacer Reality shifting gained prominence on TikTok, YouTube, Reddit, and Wattpad, especially during the COVID-19 pandemic, attracting millions of young users Forbes+1. Popular DRs include the Harry Potter universe, Marvel Cinematic Universe, Star Wars, Shadowhunters, and various anime worlds wikihow.com+1. The community often shares tips, scripts, and personal experiences, emphasizing intention, preparation, and mindfulness. Considerations and RisksAlthough generally regarded as harmless, experts caution that reality shifting may affect individuals with pre-existing mental health conditions Wikipedia. Practitioners are advised to maintain a balance between imaginative exploration and real-life responsibilities. Some community beliefs include metaphysical consequences for actions in DRs, though these are symbolic rather than literal. SummaryReality shifting is a subjective, immersive practice that allows individuals to explore alternate realities through mental focus, scripting, and visualization. While it is not scientifically proven to transport consciousness, it can provide vivid, emotionally rich experiences and has become a significant cultural phenomenon among young people online wikihow.com+4. Boy that old devil is a sly fox. He has been laying the groundwork for thousands of years, preparing humanity to receive his Endtime DECEPTION!! He has so corrupted, corroded, occulted, disguised, buried the TRUTH that this generation can’t even find it. Bless their hearts. They have no clue. No way to discern what is happening. No way to recognize the deceiver. We better all be praying hard that GOD opens their eyes and unstops their ears! |
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9-11 VIDEO RELEASE
RESTORED 5/7/26 I am not sure why they released the video/videos in recent days, or why they have been posted at this time, or why God had me come across them… 9-11 was an act that was perpetrated on Americans with the knowledge and support if not fully designed and executed by out own Government. … Click Here to Read More
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Though in large part harmless and reminiscent of other modes of escapism popular among young adults, such as fanfiction or cosplaying, reality shifting can sometimes lead practitioners to engage in harmful or dangerous behavior. Some shifters become so engaged in their “desired reality” and so detached from their lives that they dissociate and, according to medical professionals, may endanger their mental well-being. Some of the most intense shifting communities suggest that death in their real lives could cause them to “respawn” in their desired reality, possibly encouraging suicidal thinking or behavior.
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Frequencies – Hip Hop Music Danger
Summary
The 808 drum, prevalent in hip-hop, impacts our body’s frequency, often linked to negative themes, affecting mental health and altering consciousness.
Highlights
- 🎵 808 Frequency: The 808 exists in the lowest chakra, influencing body vibration.
The Muladhara ChakraThe lowest chakra is the muladhara, located at the base of the spine. Mula means root. The coiled serpent, the kundalini, lies just beneath this chakra, making the muladhara key to awakening the shakti, which must rise up the sushumna nadi. Being the lowest chakra, this center is the most base and is associated with the element prithivi, or earth. The Seven Chakras – Yin Yoga - 🔊 Music Manipulation: Mainstream music often distorts the original 808’s purpose, promoting negative themes.
- 🧠 Mental Health: Low serotonin levels, influenced by music frequency, correlate with depression.
- 💡 Serotonin Trigger: Frequencies like 10 Hz stimulate serotonin production, enhancing mood.
- 🔄 Frequency Tug-of-War: A battle between serotonin and noradrenaline affects emotional responses.
- 🌍 Environmental Influence: Urban areas often reflect fear and stress, linked to the frequencies in music.
- 🎶 Healing Frequencies: 528 Hz music promotes well-being and stress reduction, contrasting the standard 440 Hz.
Key Insights
- 🎶 The Role of 808: The 808 drum beat serves as a foundational element in hip-hop and trap music, resonating with the body’s lowest chakra, often linking to darker themes that can affect listeners’ emotional states.
Trap music, also known simply as trap, is a subgenre of hip-hop music that originated in the Southern United States. Lyrical references to trap started in 1991 but the modern sound of trap appeared in 1999.[1][3] The genre gets its name from the Atlantaterm “trap house”, a drug house.[4]Trap music features simple, rhythmic, minimalistic productions that use synthesized drums and is characterized by complexhi-hatdrum beats, snare drums, andbass drums, some tuned with a long decay to emit a bass frequency (originally from the Roland TR-808 drum machine).
- 🧠 Impact on Mental Health: Low-frequency sounds, like those from the 808, can lead to decreased serotonin levels, which are crucial for mental well-being, particularly in women who are more susceptible to depression.
- ⚖️ Balancing Neurotransmitters: The interplay between serotonin and noradrenaline illustrates how music can influence our emotional state, with the right frequencies promoting positive feelings while the wrong ones can induce stress.
- 🎧 Frequency Sensitivity: Different frequencies affect our brain chemistry; exposure to specific frequencies, such as 10 Hz, can boost serotonin, while others may trigger stress responses, highlighting the importance of mindful listening.
- 🌆 Urban Soundscapes: The design of urban environments can create an ecology of fear, influenced by the music and frequencies prevalent in those spaces, which can contribute to social unrest.
- 🌟 Healing Properties of Sound: Frequencies like 528 Hz have been shown to have healing effects, promoting relaxation and emotional balance, suggesting that not all music impacts us negatively.
The 808 Frequency – And How It Shaped Electronic Music
Thu, Feb 16
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Music has been a powerful force for centuries, and its influence on culture, emotions, and creativity is undeniable. But what many people don’t know is that there is a specific frequency that has become a staple in the music industry. This frequency is known as the 808 frequency, and its origins can be traced back to the early days of hip-hop and the acid house sub-culture.
In this article, we’ll explore the history and impact of the 808 frequency, and how it has become an integral part of modern music production.
What is the 808 Frequency?
The 808 frequency is a frequency range used in music production and sound engineering. It is a low-end frequency range that is used to create a deep and powerful sound. It is often used in hip-hop, trap, and EDM music.
The 808 frequency was first used in the early 1980s by the Roland TR-808 drum machine. This drum machine was used to create a unique sound that was not possible with other drum machines at the time. The TR-808 was used on many popular songs in the 1980s, including Marvin Gaye’s “Sexual Healing” and Afrika Bambaataa’s “Planet Rock”.
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This sound has become an integral part of modern electronic music, and its influence can be heard in genres ranging from hip-hop to techno. The sound of the 808 frequency has become so iconic that it has been used in countless songs, and it has become a staple of modern music production.
808 and The Dance Music Scene
The 808 frequency has had a huge impact on the electronic dance music scene. It is a low-frequency sound that has become a signature element in many genres of electronic dance music and was first used in the early 1980s by Roland, who released the TR-808 drum machine. This machine allowed producers to create a sound that was different from the traditional drum machines of the time.
The 808 frequency has become so popular that it has become an iconic sound in the electronic dance music scene and is often used by some of the biggest names in the industry, such as Skrillex, Diplo, and Deadmau5.
808 Frequency and Acid House Culture
The 808’s unique sound was integral to the development of the acid house genre in the late 1980s. Its low-end bass drums and hi-hats, combined with its ability to generate and manipulate synthetic sounds, allowed producers to create the distinct basslines and rhythms that are now associated with acid house. The 808’s ability to modulate sounds and create unique patterns helped to define the genre and establish it as a distinct style of the godfather of electronic dance music.
The 808’s influence can still be heard today in a variety of genres, from techno and trance to dubstep and trap. Its signature sound is a staple of modern electronic music, and its impact on the acid-house scene is undeniable. It had a profound influence on shaping the music of iconic dance music producers like Afrika Bambaataa, Mantronix, The Prodigy, Fatboy Slim, The Chemical Brothers, Orbital, Leftfield, and many many more.
808 State and the 808 Revolution
The most famous electronic music producers who were influenced by the 808 Frequency that Roland gifted the music world, loved it so much that they named themselves after it – the iconic 808 State.
808 State is an English electronic music group that was formed in 1988 in Manchester. The group, which is composed of Graham Massey, Martin Price, and Gerald Simpson, is widely credited as one of the most influential and pioneering acts in the development of the UK’s electronic music scene. They are considered to be one of the earliest and most influential groups to utilize the Roland TR-808 drum machine.
Their legacy continues to be felt today, with their influence being heard in the work of modern producers and DJs.
Their quintessential track of the late 80s – Pacific – perfectly showcases the use of the 808 Frequency and is as timeless today as it was over 30 years ago.
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808 State – Pacific State (Original Extended Version)
Have you noticed?
Many singers are now trained and valued primarily for power (loudness) and range over personal style. Why You’ll Never Hear Singers Like We Had in the Old Days | Dusty Old Thing
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This represents a further “BLURRING OF THE LINES” in music. We used to have very clearly delineated genres that uniquely suited the folks who enjoyed them. Opera, Dance Music, Country, Jazz, Folk, Easy Listening, etc. They were all very different and most people would not enjoy all of them, though they may have multiple types they listened to on occasion, they generally had one that was there favorite. Now, there is so much of what they call “cross overs” that you cannot really distinguish between them.
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Personally, I cannot enjoy modern music, not the instrumentals nor the vocals. To me, they are not singing. They are screaming. They seem to always be pushing every note to the limit, as though they are in a competition. To my ears, it is just a lot of racket. I tune it out or shut it off.
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These poor folks have to work so hard. Singing, to me, is like the Bible says about speaking. “Out of the abundance of the heart, the mouth speaks.” I believe that EVERYONE should sing. It is good for the soul. It should not be laborious. It should be joyful. Even melancholy if you are sad. Bud it is should not be about grandstanding or self glorification. It should just be NATURAL.
These factors contribute to the modern emphasis on volume and range, reflecting the diverse and dynamic nature of contemporary music.
2 Sources
Basically, what they are saying is the music has been industrialized. Sanitized, sterilized, mechanized and standardized. Meaning, what you hear in the finished product is a technical version of the artists performance that has been analyzed, autocorrected and enhanced.
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This change has not been confined to the recording studio. They are removing the sound of NATURAL VOICES everywhere they possibly can.
Why Natural Voices Are Being Replaced by Robotics — and What’s Happening
The shift from natural-sounding voices to robotic ones is happening in two main contexts: software updates overwriting user preferences and AI-driven voice technology replacing or supplementing human narration.
1. Software Updates Overwriting Voices
Many users report that after Windows or Microsoft Office updates, their preferred natural voices (e.g., Microsoft Zira, Sonia UK) are replaced with robotic ones like David Microsoft Learn+1. This is a known bug where updates reset or disable higher-quality voices, possibly due to changes in voice licensing or authentication.
Workarounds include:
- Pausing Windows Updates temporarily to avoid overwriting settings Microsoft Learn.
- Registry edits in Word to reset voice access (e.g., renaming the
ReadAloudSignInErrorCountvalue) PiunikaWeb.
These fixes are temporary and depend on Microsoft’s future updates.
2. AI Voice Technology Advancing
In the broader voice industry, AI-generated voices have evolved from stiff, robotic text-to-speech to natural-sounding, expressive models unmixr.com+1. These can mimic accents, pacing, and even emotional tone, making them attractive for:
- Cost efficiency — cheaper than hiring professional voice actors.
- Speed and scalability — instant generation, no scheduling delays.
- Localization — creating multiple language variants from a single recording.
However, this progress has also raised concerns:
- Commodification of voice talent — unlicensed voice cloning can lead to legal disputes www.stratik.us.
- Loss of unique human nuance — while AI can replicate many traits, it often lacks the cultural awareness and improvisation of human narrators unmixr.com.
- Hybrid models — top studios now use AI for background or repetitive content but retain human actors for emotionally complex or culturally sensitive roles www.stratik.us.
3. Broader Cultural Impact
Beyond voice technology, AI is also “smoothing” language and style toward a neutral, predictable default The Stanford Daily. This reflects a larger trend where AI systems influence not just what we say, but how we express ourselves — reducing individuality in favor of efficiency and safety. WELCOME TO THE HIVE MIND MENTALITY FOLKS!
Bottom Line
Natural voices are being replaced or supplanted by robotics because:
- Technical bugs in software can strip away user-selected voices.
- AI voice tech offers cheaper, faster, and more scalable alternatives.
- Industry shifts are moving toward hybrid models where AI handles routine work and humans handle nuanced, high-value content.
- YA, and if you buy all that…I have a bridge I would like to show you, in ARIZONA
If you rely on natural voices, the best short-term fix is to pause updates or apply registry/workaround fixes, while in the long term, you may need to adapt to AI-assisted or AI-generated narration in many contexts.
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VOICE CLONING
AI voice cloning is a fascinating technology that can create synthetic replicas of human voices, preserving the unique nuances of an
individual’s vocal identity
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VOICE CLONING IS HERE
Real-Time Voice Cloning Capabilities
Voice cloning in real-time is no longer a distant dream but a tangible reality. With advancements in AI, it’s now possible to create voice clones instantly. This means AI can mimic specific voices without the need for lengthy processing times. Some companies have developed APIs that facilitate real-time voice cloning, enabling applications to seamlessly integrate these capabilities. The ability to create a synthetic voice from a brief sample is a game-changer, enhancing the emotional connection in virtual reality settings, where personalized interactions can significantly improve user experience.
Multilingual and Accent Support
Today’s voice cloning technology is breaking down language barriers with its ability to support multiple languages and accents. Imagine being able to clone a voice in English and have it speak fluently in Spanish or Mandarin, complete with the appropriate accents. This is particularly useful for global applications, allowing for a more inclusive user experience. The technology’s ability to replicate voices in different languages while maintaining the original speaker’s unique nuances is a testament to its sophistication. SOURCE
AI Voice Cloning Software is Out of Control
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Can AI Replace Actors? Here’s How Digital Double Tech Works
Motion capture and detailed face scans allow TV and film production teams to replicate a performer’s likeness. Generative AI is making the process faster and easier
An employee stands in a cage in which dozens of cameras simultaneously capture his image during a presentation of a photogrammetry process at the headquarters of French video games developer and publisher Quantic Dream in Paris. The photogrammetry process is used to develop video games.Christophe Archambault/AFP via Getty Images
Inside the orb, the world is reduced to a sphere of white light and flashes. Outside the orb’s metallic, skeletal frame is darkness. Imagine you are strapped into a chair inside this contraption. A voice from the darkness suggests expressions: ways to pose your mouth and eyebrows, scenarios to react to, phrases to say and emotions to embody. At irregular intervals, the voice also tells you not to worry and warns that more flashes are coming soon.
“I don’t think I was freaked out, but it was a very overwhelming space,” says an actor who asked Scientific American to withhold his name for privacy reasons. He’s describing his experience with “the orb,” his term for the photogrammetry booth used to capture his likeness during the production of a major video game in 2022. “It felt like being in [a magnetic resonance imaging machine],” he says. “It was really very sci-fi.” This actor’s experience was part of the scanning process that allows media production studios to take photographs of cast members in various positions and create movable, malleable digital avatars that can subsequently be animated to perform virtually any action or motion in a realistic video sequence.
Advances in artificial intelligence are now making it steadily easier to produce digital doubles like this—even without an intense session in the orb. Some actors fear a possible future in which studios will pressure them to sign away their likeness and their digital double will take work away from them. This is one of the factors motivating members of the union SAG-AFTRA (the Screen Actors Guild–American Federation of Television and Radio Artists) to go on strike. “Performers need the protection of our images and performances to prevent replacement of human performances by artificial intelligence technology,” the union said in a statement released a few days after the strike was announced in mid-July.
Although AI replacement is an unsettling possibility, the digital doubles seen in today’s media productions still rely on human performers and special effects artists. Here’s how the technology works—and how AI is shaking up the established process.
How Digital Double Tech Works
Over the past 25 years or so, it has become increasingly common for big-budget media productions to create digital doubles of at least some performers’ face and body. This technology almost certainly plays a role in any movie, TV show or video game that involves extensive digital effects, elaborate action scenes or an actor’s portrayal of a character at multiple ages. “It’s become kind of industry standard,” says Chris MacLean, visual effects supervisor for the Apple TV show Foundation.*
The photogrammetry booth is an area surrounded by hundreds of cameras, sometimes arranged in an orb shape and sometimes around a square room. The cameras capture thousands of intentionally overlapping two-dimensional images of a person’s face at a high resolution. If an actor’s role involves speaking or showing emotion, pictures of many different facial movements are needed. For that reason, starring performers require more extensive scans than secondary or background cast members. Similarly, larger setups are used to scan bodies.
With those data, visual effects (VFX) artists take the model from two-dimensional to three-dimensional. The overlap of the photographs is key. Based on camera coordinates—and those redundant overlapping sections—the images are mapped and folded in relation to one another in a process akin to digital origami. Artists can then rig the resulting 3-D digital double to a virtual “skeleton” and animate it—either by directly following an actor’s real-world, motion-captured performance or by combining that performance with a computer-generated series of movements. The animated figure can then be placed in a digital landscape and given dialogue—technically, it’s possible to use a person’s scans to create photorealistic video footage of them doing and saying things that actor never did or said.
Special effects artists can also apply an actor’s digital performance to a virtual avatar that looks completely different from the human person. For instance, the aforementioned video game actor says he made faces in the orb and recorded his lines in a recording booth. He also physically acted out many scenes in a separate studio with his fellow performers for motion capture, a process similar to photogrammetry but designed to record the body’s movements. When players engage with the final product, however, they won’t see this actor on-screen. Instead his digital double was modified to look like a villain with a specific appearance. The final animated character thus manifested both the actor’s work and the video game character’s traits.
Film and television productions have used this process for decades, although it has historically been both labor intensive and expensive. Despite the difficulty, digital doubles are common. Production teams frequently use them to make small adjustments that involve dialogue and action. The tech is also employed for larger edits, such as taking a group of 100 background actors and morphing and duplicating them into a digital crowd of thousands. But it’s easier to accomplish such feats in a convincing way if the original footage is close to the desired final output. For instance, a background actor scanned wearing a costume meant to replicate clothing worn in 19th-century Europe would be difficult to edit into a dystopian future in which their digital double wears a space suit, MacLean says. “I don’t think there’s any way that the studios would have that much patience,” he adds.
Yet generative artificial intelligence, the same sort of machine-learning technology behind ChatGPT, is starting to make aspects of the digital double process quicker and simpler.
AI Swoops In
Some VFX companies are already using generative AI to speed up the process of modifying a digital double’s appearance, MacLean notes. This makes it easier to “de-age” a famous actor in films such as Indiana Jones and the Dial of Destiny, which includes a flashback with a younger-looking version of now 81-year-old Harrison Ford. AI also comes in handy for face replacement, in which an actor’s likeness is superimposed over a stunt double (essentially a sanctioned deepfake), according to Vladimir Galat, chief technology officer of the Scan Truck, a mobile photogrammetry company.
Galat says advances in AI have made some photogrammetry scans unnecessary: A generative model can be trained on existing photographs and footage—even of someone no longer living. Digital Domain, a VFX production company that worked on Avengers: Endgame, says it’s also possible to create fake digital performances by historical figures. “This is a very new technology but a growing part of our business,” says Hanno Basse, Digital Domain’s chief tech officer.
So far living humans have still been involved in crafting performances “by” the deceased. A real-word actor performs a scene, and then effects artists replace their face with that of the historical person. “We feel the nuances of an actor’s performance, in combination with our AI and machine learning tool sets, is critical to achieving photorealistic results that can captivate an audience and cross the uncanny valley,” Basse says, referring to the eerie sensation sometimes caused by something that looks almost—but not quite—human.
Fears of Robot Replacement
There’s a difference between adjusting a digital double and replacing a person’s performance entirely with AI, says computer engineer Jeong Joon “JJ” Park, who currently researches computer vision and graphics at Stanford University and will be starting a position at the University of Michigan this fall. The uncanny valley is wide, and there’s not yet a generative AI model that can produce a complete, photorealistic, moving scene from scratch—that technology is not even close, Park notes. To get there, “there needs to be a major leap in the intelligence that we’re developing,” he says. (AI-generated images may be hard to tell from the real thing, but crafting realistic still images is much easier than creating video meant to represent 3-D space.)
Still, the threat of abuse of actors’ likeness looms. If one person’s face can be easily swapped over another’s, then what’s to stop filmmakers from putting Tom Cruise in every shot of every action movie? What will prevent studios from replacing 100 background actors with just one and using AI to create the illusion of many? A patchwork of state laws means that, in most places, people have legal ownership over their own likeness, says Eleanor Lackman, a copyright and trademark attorney. But she notes that there are broad exceptions for artistic and expressive use, and filmmaking could easily fall under that designation. And regardless of the law, a person could legally sign a contract giving their own likeness rights over to a production company, explains Jonathan Blavin, a lawyer specializing in media and tech. When it comes to protecting one’s digital likeness, it all comes down to the specifics of the contract—a situation SAG-AFTRA is well aware of.
The actor who played the video game villain felt comfortable being scanned for his role last year. “The company I worked with was pretty aboveboard,” he says. But in the future, he may not be so quick to enter agreements. “The capabilities of what AI can do with face capture, and what we saw from the [prestrike negotiations], is scary,” he says. The actor loves video games; he was excited to act in one and he hopes to do so again. But first, he says, “I would double-check the paperwork, check in with my agency—and possibly a lawyer.”
*Editor’s Note (7/25/23): This sentence was edited after posting to clarify Chris MacLean’s position at the Apple TV show Foundation.
Sadly, in this AGE OF THE MACHINE, where Technology is KING, humans are finding more and more that they NO LONGER HAVE RIGHTS. They have no REASONABLE EXPECTATION OF PRIVACY. They have no more value than a TREE or A ROBOT. In this NEW AGE, humans are nothing special. When you have no more value than a BUG, than you can easily be SQUISHED!!
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NOW, for the afore mentioned further information about ROCKEFELLER. Just like Bill Gates and Karl Schwab, Rockefeller has his hands in a lot of things. Also, like Bill Gates and the WEF, he is working for the GRAND AGENDA. And it does not include anything good for YOU!
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Today we will look at some interesting videos which may surprise you and leave you flabbergasted. The topic of this post is FREQUENCY WEAPONS. Folks, I hope that you understand that my intention is NEVER to frighten you. My intention is to show you, what God has led me to. Revelation of TRUTH. TRUTH you really … Click Here to Read More
